Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York
Sherrie Levine (1947 –)
Sherrie Levine (b. 1947) is a groundbreaking American artist known for appropriation art, rephotography of Walker Evans & other masters, challenging originality & authorship in postmodernism. Conceptual photography & sculpture.
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Sherrie Levine’s Minimalist Echoes of Modern Masters
Sherrie Levine's “Untitled (After Malevich and Schiele),” created in 1984, stands as a deceptively simple yet profoundly resonant artwork—a testament to the enduring influence of early modernist pioneers like Kazimir Malevich and Oskar Schiele. Presented by Nature Morte Gallery in New York, this monochrome drawing transcends mere visual representation; it’s an intellectual dialogue with artistic history, skillfully executed in graphite on paper.
At its core lies a geometric abstraction: a square containing a central plus sign (+). The execution is remarkably restrained—a deliberate rejection of elaborate ornamentation and expressive gesture. Shades of gray dominate the palette, fostering a contemplative atmosphere that prioritizes form and structure over chromatic considerations. This stylistic choice aligns seamlessly with abstract expressionism and geometric abstraction movements, reflecting a broader trend toward reductive visual language during the 1980s.
The artwork’s genesis resides in the artistic currents of its time—specifically, Malevich's Suprematism and Schiele’s psychologically charged figurative art. Malevich championed pure geometric forms as vehicles for spiritual contemplation, stripping away representational imagery to focus on fundamental visual elements. Schiele, conversely, explored themes of vulnerability and anxiety through unflinching depictions of human anatomy, capturing raw emotion with unsettling precision.
Levine’s appropriation—the act of reproducing a work by another artist—was itself a radical gesture within postmodern art discourse. By reworking Schiele's image, she questioned the notion of originality, prompting viewers to consider how artistic ideas circulate and transform across generations. The resulting drawing isn’t merely a copy; it’s an interpretation imbued with Levine’s own sensibility, subtly reshaping the original artwork’s impact.
“Untitled (After Malevich & Schiele)” invites contemplation on themes of repetition, influence, and artistic legacy. Its quiet elegance speaks to a desire for clarity and precision—a characteristic that resonates powerfully in today's visual landscape. Viewing this piece evokes a sense of understated beauty and intellectual curiosity, encouraging viewers to engage with the complexities of art history and its continuing relevance.
- Dimensions: 27 x 35 cm
- Medium: Graphite on Paper
- Gallery Location: Nature Morte Gallery, New York
O ovom umetničkom delu
- Naslov: Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York
- Umetnik: Sherrie Levine
- Godina: 1984
- Prvobitne dimenzije: 27.0 x 35.0 cm
- Format: Portrait
- Status autorskih prava: Zaštićeno autorskim pravima
- Mesto izlaganja: MoMA - Muzej moderne umetnosti
- Pokret: Geometric Abstraction
- Tehnika izrade: WallArt
- Dominantna boja: White
Osnovne informacije
- Movement: Abstract Expressionism
- Notable elements or techniques: Geometric abstraction; Appropriation
- Subject or theme: Form and Structure
- Artist: Sherrie Levine
- Artistic style: Minimalist
- Dimensions: 27 x 35 cm
- Title: Untitled (After Malevich and Schiele)



