period

pokret

1. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — Федерико Бароћи, 1603

vibe

1. Studies for the figure of Christ in the painting Noli me tangere — Федерико Бароћи
2. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
3. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
4. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583

teme

1. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
2. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — Федерико Бароћи, 1603
3. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Бароћи
4. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
5. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Бароћи
6. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
7. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
8. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
9. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
10. Angels in Flight and Drapery Studies — Федерико Бароћи
11. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — Федерико Бароћи, 1612

ključne reči

1. Angels in Flight and Drapery Studies — Федерико Бароћи
2. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Бароћи
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Бароћи, 1595
4. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
5. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Бароћи, 1595
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
7. Composition Study (for “Circumcision”, Paris, musée du Louvre) — Федерико Бароћи, 1590
8. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
9. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
10. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — Федерико Бароћи, 1612
11. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
12. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Бароћи, 1569

ton

1. Studies for the figure of Christ in the painting Noli me tangere — Федерико Бароћи
2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
4. The Circumcision — Федерико Бароћи, 1590
5. Painting of the Circumcision — Федерико Бароћи, 1500
6. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
7. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
8. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
9. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Бароћи, 1569
10. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Бароћи

primarna boja

1. Composition Study (for “Circumcision”, Paris, musée du Louvre) — Федерико Бароћи, 1590
2. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Бароћи
3. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Бароћи
4. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
5. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Бароћи, 1579
6. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Бароћи, 1579
7. Painting of the Circumcision — Федерико Бароћи, 1500
8. Studies for the figure of Christ in the painting Noli me tangere — Федерико Бароћи
9. Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) — Федерико Бароћи, 1612
10. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Бароћи
11. Angels in Flight and Drapery Studies — Федерико Бароћи
12. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — Федерико Бароћи, 1603
13. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
14. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Бароћи, 1569
15. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Бароћи, 1569
16. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
17. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Федерико Бароћи
18. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Бароћи, 1595
19. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Бароћи, 1595
20. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Бароћи, 1583
21. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583
22. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Бароћи, 1583

ostalo

1. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Бароћи, 1579