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B:1/B:2

Experience Tadanori Yokoo's 1964 Pop Art masterpiece, a surreal grid of faces exploring identity and anxiety; discover this vibrant piece today.

Explore Tadanori Yokoo's psychedelic & pastiche art! Japanese graphic designer blending culture, politics & modernism. Iconic collages & theatrical designs.

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. (Kupi print Kupi printKupi digitalnu sliku Kupi digitalnu sliku)

P118B $10
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Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Можете унети сопствене димензије како бисте прилагодили дело одређеном оквиру или простору. Ако одабрана величина не одговара пропорцијама оригинала, слика ће бити исечена или проширена додатним елементима који се ручно насликавају. Дигитални prikaz ће вам бити послат на одобрење пре почетка производње.
Имајте на уму да преглед на екрану не одражава стварно исецање или проширење. Само приказ (mockup) ће тачно приказати коначну композицију.
Иако су доступне прилагођене величине, препоручујемо да одаберете димензију из дефинисане листе како бисте сачували оригиналне пропорције.

Primeri onoga što se može promeniti: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata pozadine.
Nakon narudžbine, tim ArtsDot.com će klijentu putem e-pošte poslati uputstva i dostaviti prikaz predloženog rešenja

Isporuka širom sveta () za 3/4 nedelje umesto uobičajenih 5 nedelja. (7 септембар). Bez kompromisa po pitanju kvaliteta.

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Ukupna cena

$ 838

reproduction

B:1/B:2

Tehnika reprodukcije

Dimenzije reprodukcije

-

Konačna cena

$ 838

Osnovne informacije

  • Artist: Tadanori Yokoo
  • Notable elements or techniques: Grid composition, Collage, Bold lines
  • Movement: Pop Art, Surrealism
  • Medium: Ink on paper (Screen print)
  • Title: B:1/B:2
  • Year: 1964

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the primary artistic style influencing Tadanori Yokoo's work, as seen in this poster?
Pitanje 2:
What color palette dominates the overall impression of the artwork?
Pitanje 3:
What theme is strongly suggested by the repetitive grid of identical faces?
Pitanje 4:
What technique is suggested by the flat color application characteristic of this artwork?
Pitanje 5:
The text '雷神いっひょう' (Raijin ippou) translates to what, reinforcing a theme of pressure?

The Unsettling Grid: Identity and Performance in Yokoo's Vision

To stand before Tadanori Yokoo’s 1964 poster, B:1/B:2, is to step into a meticulously constructed fever dream—a visual echo chamber of modern anxieties. This piece does not merely hang on a wall; it confronts the viewer with a barrage of stylized gazes, forcing an immediate reckoning with themes of conformity and the manufactured self. Yokoo masterfully employs a dense, almost suffocating grid composed of identical, mask-like faces. These repetitions are more than mere decoration; they function as a potent visual metaphor for the loss of individuality within the overwhelming machinery of mass culture or societal expectation. The initial impact is one of vibrant, yet deeply unsettling, order.

A Symphony of Pop and Surrealism

Stylistically, Yokoo operates at the electrifying intersection of Pop Art's graphic immediacy and Surrealism's dream logic. The palette itself—dominated by deep indigo and cerulean blues, sharply contrasted with stark white—lends the entire composition an artificial, stage-lit quality. The bold, graphic lines defining every feature suggest a technique rooted in screen printing, giving the work a flat yet intensely layered depth. This flatness is crucial; it denies any sense of naturalistic space, trapping the viewer within Yokoo’s constructed reality. While the subject matter references the theatrical—the flamboyant central figure, perhaps a showgirl or actress—the overall effect remains profoundly detached, suggesting that even performance itself can become a rigid, repetitive costume.

Decoding the Central Figure and Symbolism

At the heart of this visual cacophony resides the singular, larger face, an exaggerated caricature embodying both allure and artifice. This figure acts as the focal point against the backdrop of anonymity. The accompanying text, repeating the phrase translating to “Thunder God's shout,” imbues the piece with a sense of overwhelming, almost divine pressure. It suggests that beneath the veneer of conformity—the endless rows of blank stares—there is an underlying force, a sudden, loud pronouncement demanding attention. For the collector or designer, this tension between the controlled grid and the explosive central declaration offers rich symbolic depth for any curated space.

Echoes of Japanese Avant-Garde Culture

Understanding Yokoo requires acknowledging his deep immersion in the avant-garde spirit of post-war Tokyo. His background as a stage designer informs this work’s inherent theatricality; everything feels like set dressing, every face like an actor playing a role. This piece is not just about faces; it is a commentary on the performance required to exist within modern urban life. Reproducing Yokoo allows one to bring into a contemporary interior a piece steeped in intellectual provocation—a vibrant conversation starter that speaks volumes about identity, media saturation, and the beautiful, terrifying nature of being seen.