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Now you see me, now you don’t

Explore the striking angular sculptures of ante dabro – Croatian-Australian artist. Known for evocative bronzes depicting suffering, hope & humanity.

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Collectible Description

Ante Dabro was born in Croatia. He completed both his undergraduate and graduate studies at the Academy of Fine Art in Zagreb before moving to Australia in 1967. In 1968 he arrived in Canberra where he taught at the (then) Canberra Technical College. From 1978 Dabro lectured in the Sculpture Workshop of the ANU School of Art. In 2004 he left the Art School and since that time has been involved in a number of commissions for the Brindabella Business Park, adjacent to Canberra Airport. Dabro has exhibited in many solo and group exhibitions since 1964 in Europe, the United Kingdom, Canada and Australia. In 1999 he was the subject of a major survey exhibition at the ANU Drill Hall Gallery. Dabro has received many commissions, most notably the Royal Australian Navy Memorial on Anzac Parade, Canberra (1984-86); the Commonwealth of Australia commission to commemorate the French Bicentenary (1989); and the Queensland Cultural Centre, Brisbane (1984). In 1982 he was awarded a Winston Churchill Trust Fellowship. Dabro’s art is based on the human figure, and indeed his practice places him as a champion of figurative sculpture in Australia. For him the figure is an invaluable and infinite resource, one that has informed all the best art of the Western tradition since Classical Greek times. His work is exemplified by an absolute mastery of technique and an assured expressive control which give each work authority and presence.The present work (as all his smaller works) is characterised by marvellously nuanced surfaces. This intimacy is played against the striking overall visual Gestalt with which this work is imbued. The assertive presence and sculptural integrity so evident here are the clear result of Dabro’s conceptual and technical skill and the assuredness of his aesthetic language.

Artist Biography

A Life Forged in Form: The Sculptural Journey of Ante Dabro

Ante Dabro’s story is one of displacement, resilience, and the enduring power of artistic expression. Born in Čavoglave, Croatia in 1938, his early life was steeped in a cultural heritage that would later subtly inform the universal themes explored within his work. Though he now calls Canberra, Australia home – having arrived in the late 1960s – Dabro’s artistic roots remain deeply connected to his origins. His journey wasn't one of immediate artistic recognition; rather, it was a gradual unfolding, a quiet dedication to translating complex human emotions into tangible form. The weight of history, both personal and collective, seems to resonate within the angular lines and powerful presence of his sculptures. Dabro’s work isn’t simply *about* suffering or hope; it embodies them, offering a silent testament to the enduring spirit in the face of adversity.

The Language of Angles: Style and Technique

Dabro is perhaps best known for his distinctive sculptural style – characterized by sharp angles, fragmented forms, and a deliberate eschewing of traditional smoothness. This isn’t an aesthetic choice made lightly; it's a conscious attempt to reflect the fractured nature of human experience. His preferred medium is bronze, a material that allows him to capture both strength and vulnerability. The bronzes often depict nude figures, not in a celebratory or idealized manner, but as raw embodiments of emotion. These aren’t portraits of specific individuals; they are archetypes – representations of universal struggles and aspirations. The angularity isn't harshness for its own sake, but rather a way to dissect the human form, revealing the underlying tensions and complexities that lie beneath the surface. He masterfully manipulates light and shadow across these planes, creating a dynamic interplay that draws the viewer into a deeper contemplation of the work’s emotional core. Dabro's technique is deeply personal, often involving meticulous hand-modeling before casting, ensuring each sculpture retains a unique energy and presence.

Themes of Existence: Suffering, Hope, and the Outsider

While his sculptures are visually striking, it is the profound thematic depth that truly sets Dabro apart. Suffering is a recurring motif, not as an end in itself, but as a catalyst for growth and understanding. His figures often appear burdened, contorted by unseen forces, yet there’s always a glimmer of resilience, a suggestion of hope amidst the darkness. This duality is central to Dabro's artistic vision – acknowledging the pain inherent in existence while simultaneously affirming the possibility of transcendence. Equally prominent is his exploration of sexuality and heroism, often intertwined with spiritual undertones. He doesn’t shy away from difficult subjects; instead, he confronts them head-on, offering a nuanced and deeply empathetic perspective. A subtle but consistent thread throughout his oeuvre is an acknowledgement of the ‘outsider,’ those marginalized or overlooked by society. His sculptures seem to give voice to the voiceless, celebrating the strength and dignity of individuals who exist on the periphery.

Achievements and Legacy

Although Dabro’s work hasn't always received widespread mainstream attention, it has garnered a dedicated following among collectors and art enthusiasts. He has exhibited extensively throughout Australia, establishing himself as a significant figure in the contemporary sculpture landscape. His sculptures are held in numerous public and private collections, serving as enduring reminders of his artistic vision.
  • His consistent dedication to exploring complex human themes over decades.
  • The unique stylistic voice he has cultivated – instantly recognizable for its angularity and emotional depth.
  • The ability to connect with viewers on a deeply personal level, prompting introspection and empathy.
Dabro’s legacy lies not in grand pronouncements or overt displays of virtuosity, but in the quiet power of his forms. He has created a body of work that speaks to the fundamental human condition – our struggles, our hopes, and our enduring capacity for resilience. His sculptures are more than just objects; they are vessels of emotion, silent witnesses to the complexities of life.
ante dabro

ante dabro

1938 - , Croatia