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Labour in a Single Shot

The Weight of Labor: Deconstructing Modernity Through ‘Labour in a Single Shot’

Antje Ehmann and Harun Farocki's “Labour in a Single Shot” isn’t merely a collection of short films; it’s a meticulously constructed, profoundly unsettling meditation on the nature of work itself. Born from a deceptively simple premise – filmmakers tasked with capturing one to two minutes of labor within a single shot, devoid of any cuts – this project exploded into a global phenomenon, yielding over 550 distinct videos that document the diverse and often brutal realities of contemporary employment. Farocki, a pioneer in operational image cinema, coupled his technical expertise with Ehmann’s curatorial vision to create an artwork that transcends traditional documentary filmmaking, forcing viewers to confront the hidden mechanics and emotional toll embedded within seemingly mundane activities.

The project's roots lie deep within cinematic history. Farocki deliberately referenced Lumière’s “Workers Leaving the Lumière Factory” (1895), a seminal early film that captured the nascent days of cinema. By imposing similar constraints – a single shot, no editing – on contemporary filmmakers across fifteen cities and five continents, he sought to strip away the seductive illusions of narrative and expose the raw, unvarnished truth of labor. This wasn’t about romanticizing or glorifying work; it was an interrogation, a deliberate attempt to reveal the underlying power dynamics and social conditions that shape our working lives.

A Global Tapestry of Faces and Spaces

What distinguishes “Labour in a Single Shot” is its astonishing breadth. The resulting videos offer a kaleidoscopic view of labor across cultures and industries – from textile factories in Bangladesh to construction sites in China, from call centers in India to shipping docks in Europe. Each film presents a fleeting moment captured with stark realism: the sweat-drenched brow of a seamstress, the weary hands of a dockworker, the vacant stare of an office employee. The visual language is deliberately unadorned; the camera often fixed, emphasizing the immediacy and intensity of the scene. This simplicity serves to amplify the emotional impact, forcing viewers to confront the human cost of production without the distraction of elaborate storytelling.

The project’s geographic diversity is equally compelling. The filmmakers weren't simply documenting work in developed nations; they ventured into some of the world’s most economically vulnerable regions, capturing scenes of precarious employment and often exploitative conditions. These images aren’t pretty or comforting; they are a direct challenge to our assumptions about progress and prosperity, revealing the dark underbelly of globalization.

Technique and Symbolism: The Language of Operational Image

Farocki's signature technique – operational image – is central to “Labour in a Single Shot.” This approach prioritizes the mechanics of filmmaking itself, emphasizing the process of capturing an image rather than its narrative content. By eliminating editing, he compels viewers to engage with each frame as a discrete unit, analyzing the composition, lighting, and movement within that single shot. The absence of cuts creates a sense of temporal compression, intensifying the feeling of immediacy and forcing us to confront the present moment.

The project is rich in symbolism. The constraint of “one shot” represents a deliberate rejection of traditional cinematic storytelling, suggesting that labor itself is often fragmented, repetitive, and devoid of narrative arc. The fixed camera positions can be interpreted as a form of surveillance, reflecting the constant monitoring and control inherent in many workplaces. Furthermore, the diverse range of subjects – from factory workers to service providers – highlights the universality of labor as a fundamental aspect of human existence.

A Legacy of Critical Inquiry

“Labour in a Single Shot” remains a profoundly relevant artwork today, particularly in an era defined by automation, precarious employment, and widening economic inequality. It’s not simply a historical document; it's a call to action, urging us to critically examine the systems that shape our working lives and to demand greater justice and dignity for all laborers. The project’s legacy extends beyond its visual impact, inspiring countless artists and filmmakers to explore the complex relationship between labor, technology, and society. Reproductions of these powerful images offer a potent reminder of the human cost of progress and the urgent need for social change.

antje ehmann and harun farocki (1960 – 2014)

Explore the collaborative art of antje ehmann & Harun Farocki: German filmmakers known for thought-provoking documentaries, experimental film, and critical investigations into labor, politics, and the power of images. Featured at Venice Biennale.

la Biennale di Venezia (Venice, Italy)

Explore La Biennale di Venezia: A world-renowned exhibition showcasing art, architecture, film & more! Immerse yourself in contemporary creativity and cultural exchange in Venice.

About this artwork

Quick Facts

  • Medium: Video
  • Title: Labour in a Single Shot
  • Location: Various locations
  • Influences: Lumière brothers
  • Notable elements or techniques: Single shot, no cuts
  • Artistic style: Documentary, Operative Image
  • Artist: Antje Ehmann & Harun Farocki

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