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Real Housewives of Old Oyo- Aja

Explore 'Real Housewives of Old Oyo-Aja,' a layered paper cut-out by ayobola kekere-ekun. Surreal, richly detailed & evocative, blending nature & human form – a unique Nigerian artwork.

Explore ayobola kekere-ekun’s intricate quillings! Nigerian artist tackles gender, mythology & trauma through evocative personal narratives.

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Quick Facts

  • Subject or theme: Humanoid figure integrated with nature
  • Artistic style: Surrealism and fantastical illustration
  • Artist: Ayobola Kekere-Ekun
  • Medium: Layered paper cut-out
  • Year: 2018

A Symphony of Paper and Persona

In the mesmerizing work Real Housewives of Old Oyo- Aja, the Nigerian contemporary artist Ayobola Kekere-Ekun invites viewers into a lush, primordial world where the boundaries between humanity and nature dissolve. This intricate layered paper cut-out presents a stylized face, partially veiled by an explosion of verdant foliage, creating a composition that feels both deeply intimate and vast. The subject, a humanoid figure with striking, exaggerated features—large, soulful eyes and a prominent, commanding nose—emerges from the greenery not as a visitor, but as an intrinsic inhabitant of the forest itself. Through the masterful use of negative space and complex layering, Kekere-Ekun crafts a sense of profound depth, drawing the eye into a dense thicket of shadows and light that suggests a hidden, enchanted realm.

The technique employed in this piece is a testament to the artist's extraordinary precision and patience. Utilizing various shades of green paper, Kekere-Ekun meticulously cuts and stacks organic shapes to simulate the tactile complexity of leaves, branches, and undergrowth. The result is a sculptural quality that transcends the two-dimensional nature of the medium; the overlapping layers create soft, diffused shadows that lend a lifelike dimension to the foliage. While the artist is renowned for her expertise in quilling, here she utilizes the broader language of paper cutting to achieve a surrealist aesthetic. The flowing, organic lines of the flora contrast beautifully with the more geometric foundations of the face, creating a visual tension that keeps the observer perpetually engaged in the act of discovery.

Mythology and the Layers of Memory

Beyond its breathtaking technical execution, Real Housewives of Old Oyo- Aja serves as a profound exploration of identity and myth. Rooted in the rich cultural tapestry of Nigeria, the work evokes the legends and ancestral spirits of the Old Oyo Empire, blending personal narrative with broader historical echoes. Kekere-Ekun’s practice is deeply informed by her exploration of themes such as gender, trauma, and memory; in this piece, the act of "hiding" the face within the leaves can be seen as a metaphor for the way history and personal experience are often obscured by the layers of time and nature. The subject's emergence from the greenery suggests a reclamation of identity—a surfacing of truth from beneath the dense canopy of the past.

For the discerning collector or interior designer, this artwork offers more than mere decoration; it provides a focal point of mystery and tranquility. The emotional resonance of the piece lies in its ability to evoke enchantment and a sense of quiet wonder. It is a work that demands slow contemplation, rewarding those who linger with new details found within the shadows of the paper leaves. As a high-quality reproduction, this piece brings a sophisticated, avant-garde energy to any space, offering a conversation starter that bridges the gap between contemporary Nigerian art and universal themes of nature, myth, and the human spirit.


Artist Biography

The Delicate Architecture of Memory

Born in the vibrant, bustling landscape of Lagos, Nigeria, in 1993, Ayobola Kekere-Ekun has emerged as a profound voice in contemporary visual arts, crafting a language that is as fragile as it is resilient. Her artistic journey is one of deep introspection, where the boundaries between personal history and universal myth begin to blur. Trained at the University of Lagos with degrees in both Graphic Design and Visual Arts, Kekere-Ekun possesses a technical mastery that allows her to transform simple materials into complex psychological landscapes. Her practice is not merely about decoration; it is an architectural reconstruction of the self, using the meticulous medium of paper quilling to navigate the labyrinthine corridors of memory and trauma.

At the heart of her work lies the painstaking technique of quilling—the art of rolling, shaping, and gluing thin strips of paper into intricate forms. While often categorized as a decorative craft, Kekere-Ekun elevates this method to a high-stakes symbolic language. Each coiled strip and layered cutout serves as a metaphor for the layers of identity and the repetitive, often cyclical nature of processing past experiences. Through these delicate structures, she explores heavy, profound themes such as gender dynamics, power, and the enduring impact of childhood trauma. The physical labor required by her process—the immense patience and time-consuming precision—mirrors the emotional labor involved in confronting difficult truths and reconstructing a fractured sense of self.

Symbolism and the Sculptural Line

Kekere-Ekun’s visual aesthetic is defined by a captivating tension between linear patterns and organic, sculptural forms. Her work often feels like a topographical map of the human psyche, where the ridges and valleys of paper create a sense of depth that invites the viewer to look closer. By integrating elements of mythology with personal narrative, she creates a space where the individual experience meets the collective unconscious. This fusion allows her to address contemporary issues of gender and social power through a lens that feels both ancient and urgently modern.

The artist's development is marked by a transition from formal graphic precision to a more fluid, emotive exploration of space. Her current academic pursuits, including a PhD in Art and Design at the University of Johannesburg, suggest an ongoing evolution of thought, where her role as a lecturer and researcher informs the intellectual depth of her compositions. The following elements are central to her artistic identity:

  • Materiality: The use of paper as a medium that represents both vulnerability and structural strength.
  • Narrative Depth: The weaving of personal trauma into broader mythological and social discourses.
  • Process as Performance: The meditative, repetitive nature of quilling acting as a ritualistic way to process memory.
  • Visual Complexity: A reliance on intricate layering and geometric precision to evoke psychological states.

Recognition and Global Presence

The contemporary art world has taken significant notice of Kekere-Ekun’s unique contribution to paper arts. Her rise has been characterized by prestigious exhibition opportunities that have brought her Nigerian perspective to a global stage. From the Latitudes Art Fair in Johannesburg to the Arte Fiera Bologna and SCOPE Miami Beach, her work has proven to be a powerful communicator across cultural boundaries. A pivotal moment in her career was her debut solo exhibition, “Resilient Lines,” at rele gallery in 2019, which received critical acclaim and was supported by a grant from the esteemed Dean Collection.

As she continues to push the boundaries of what paper can achieve, Kekere-Ekun remains a vital figure in the movement of contemporary African art. Her ability to take the minute, the small, and the fragile—a single strip of paper—and expand it into a monumental exploration of human existence ensures her place as an artist of profound historical and emotional significance. Through her hands, the ephemeral becomes permanent, and the whispers of the past are given a tangible, breathtaking form.

Ayobola Kekere-Ekun

Ayobola Kekere-Ekun

1993 - , Nigeria

Quick Facts

  • Artistic Movement Or Style: Quilling
  • Artists Or Movements Influenced By This Artist: ['Contemporary Art']
  • Artists Who Influenced This Artist: ['']
  • Date Of Birth: 1993
  • Full Name: Ayobola Kekere-Ekun
  • Nationality: Nigerian
  • Notable Artworks:
    • Real Housewives of Old Oyo-Aja
    • Hide but never seek I
    • She and I. The Protectors
  • Place Of Birth: Lagos, Nigeria