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A Youth Expires When His Beloved Approaches and Speaks to Him: Page from a Gulistan of Sa’ di Manuscript (central section only) Reverse of penbox by 'Abid.

  • Creation date1610
  • Dimensions19.0 x 13.0 cm

Explore the Mughal art of balchand (1595-Living), a master painter in Delhi's royal ateliers. Discover intricate crowd scenes & psychological dramas from the Shah Jahan album & more! #MughalArt #IndianPainting #ArtsDot

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Total Price

$ 263

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A Youth Expires When His Beloved Approaches and Speaks to Him: Page from a Gulistan of Sa’ di Manuscript (central section only) Reverse of penbox by 'Abid.

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Artwork Description

Balchand’s skill in the portrayal of psychological drama is exemplified in this remarkable fragment, which is mounted onto a lacquered wood mirror box cover. It depicts the moment in Sa’di’s Gulistan when a youth collapses and expires on seeing the handsome young prince, long the object of his desire, who approaches him on horseback. The prince expresses astonishment and perhaps puzzlement with his raised hand, a gesture repeated by several of his entourage. This is a beautifully observed scene of unrequited love. It is set in an atmospheric landscape in which a series of intercepting hillocks leads the viewer’s eye to the center of the drama, the visual engagement of the prince and his admirer. BalchandHindu artist active at the Mughal courts in Delhi, Lahore, Allahabad, and Agra, 1595–ca. 1650, brother of Payag An Indian recruit who appears to have converted to Islam, Balchand entered the royal atelier in the last decade of Akbar’s reign and had a long career spanning the reigns of three emperors. He followed Prince Salam to his court-in-exile in Allahabad in 1600 and returned with him in 1605 to Agra, where he continued to serve at court under Shah Jahan into the early1650s. As a junior member of the inner circle of painters at court, Balchand was entrusted in 1589 with a double spread in the Akbarnama (Victoria and Albert Museum, London) and in 1595 with painting the figures in the border decorations of a deluxe imperial edition of the Baharistan, rare privileges for his age. Although his work of this period does not warrant the confidence placed in him, he matured into a master painter excelling in portraiture and was entrusted with the most important commissions of his age. The grisaille-rendered figures — termed nim qalam (half-colored) in Persian — in the border decorations of a folio devoted to Faqir Ali’s celebrated calligraphy of 1606, demonstrate Balchand’s new mastery of figure studies. The marginalia of another folio in the series depict the stages of making a calligraphic album, notably paper making, burnishing, and the act of writing. Balchand received his major imperial commissions under Shah Jahan, including a (retrospective) double-portrait of Jahangir and Akbar. As father and son are depicted in cordial and respectful attitudes, we can only assume that this was produced at Shah Jahan’s instruction to “re-write history.” Their relations were far from harmonious, the impatient Prince Salam having openly rebelled against his father. This and other works of the period demonstrate Balchand’s gift at psychologically penetrating portraiture, a talent he displayed to its fullest in the complex dardar scenes that Shah Jahan increasingly demanded. This reached its highest expression in the illustrations to the Padshahnama, prepared for the emperor under the direction of the historian Abdu’l Hamid Lahori. Balchand’s paintings display a chromatic sophistication that enlivens and unifies his compositions. That Balchand had some standing at court beyond that of a respected painter is indicated by the inclusion of a prominently positioned self-portrait in an imperial dardar scene; to do so otherwise would have been a dangerous presumption. He displayed a picture portfolio, emblematic of his trade, upon which is inscribed “the likeness of Balchand.” This is an artist who was confident of his place in the court order.

Artist Biography

Michelangelo Merisi da Caravaggio: A Life Painted in Shadow and Fire

Michelangelo Merisi da Caravaggio, more famously known simply as Caravaggio, remains one of the most enigmatic and influential figures in art history. Born in Milan in 1571, his life was a turbulent tapestry woven with threads of artistic genius, violent outbursts, and profound personal tragedy. His brief but intensely productive career revolutionized painting, introducing a dramatic realism that continues to captivate audiences centuries later. Caravaggio’s legacy isn't just found in the masterpieces he created; it lies within the very techniques he pioneered – particularly his masterful use of *chiaroscuro*, the stark contrast between light and dark – which fundamentally altered the course of Western art.

Early Life and Artistic Beginnings

Caravaggio’s early life was marked by profound loss. Orphaned at just eleven years old following a devastating plague, he spent his formative years in Milan under the care of relatives. This early trauma profoundly shaped his personality, contributing to the volatile nature that would characterize much of his adult life. He began an apprenticeship with Simone Peterzano around 1584, learning the fundamentals of painting but quickly developing his own distinctive style. His initial work focused on still lifes – vibrant depictions of fruits and flowers – a skill he honed while struggling to make ends meet in Milan. It was during this period that he developed a keen eye for detail and an understanding of color and composition, laying the groundwork for his later dramatic achievements.

Rome: A Crucible of Innovation

In 1592, at the age of twenty-one, Caravaggio fled to Rome, a city teeming with artistic opportunity but also rife with social unrest and crime. He quickly found work assisting other painters, often in less prestigious studios, while simultaneously developing his own unique style. His breakthrough came through the patronage of Cardinal Francesco Maria del Monte, a wealthy art collector who recognized Caravaggio’s extraordinary talent. Del Monte provided him with commissions and a studio, allowing Caravaggio to flourish and establish himself as a rising star. It was during this period that he began to paint religious scenes in a strikingly realistic style – a departure from the idealized depictions prevalent at the time.

The Revolutionary Technique of *Chiaroscuro*

Caravaggio’s most significant contribution to art lies in his revolutionary use of light and shadow, known as *chiaroscuro*. He didn't simply paint a scene; he sculpted it with light. He employed dramatic contrasts between intensely bright areas and deep shadows, creating an almost theatrical effect that heightened the emotional impact of his paintings. This technique wasn’t merely stylistic; it served to draw the viewer’s eye to key figures and details, intensifying their drama and immediacy. Caravaggio often worked directly onto the canvas without preliminary sketches, layering paint in rapid succession – a method that contributed to the spontaneity and dynamism of his work. His use of modeling, creating three-dimensional forms through subtle gradations of light and shadow, further enhanced the realism of his figures.

Major Works and Lasting Influence

Caravaggio’s most celebrated works include *The Musicians* (1595), a vibrant depiction of musicians playing in a Roman courtyard, showcasing his innovative use of perspective and everyday models. His series of paintings depicting the Passion of Christ – *The Entombment of Christ*, *The Crucifixion*, and *The Washing of the Feet* – are considered masterpieces of Baroque art. The *Calling of St. Matthew* (1599-1600) is particularly notable for its dramatic composition and realistic portrayal of a humble biblical scene. His work, *David with the Head of Goliath* (1607-1608), exemplifies his ability to infuse historical narratives with intense emotion and psychological depth. Caravaggio’s influence extended far beyond his own lifetime. Artists like Rembrandt, Velázquez, and Gentileschi were profoundly inspired by his techniques, shaping the development of Baroque painting across Europe.

Caravaggio's life ended tragically in 1610 at the age of thirty-nine. He was killed during a street brawl in Porto Ercole, Italy, after an argument over a woman. Despite his short and tumultuous career, Caravaggio’s legacy as one of the greatest artists of all time remains secure, his paintings continuing to resonate with viewers today through their raw emotion, dramatic intensity, and groundbreaking artistic innovations.

balchand

balchand

1595 - , India

Quick Facts

  • Artistic Movement Or Style: Baroque; Tenebrism
  • Artists Or Movements Influenced By This Artist: ['Baroque Painting']
  • Artists Who Influenced This Artist: ['Caravaggio']
  • Date Of Birth: September 29, 1571
  • Date Of Death: July 18, 1610
  • Full Name: Michelangelo Merisi da Caravaggio
  • Nationality: Italian
  • Notable Artworks:
    • The Musicians
    • The Death of the Virgin
    • David with the Head of Goliath
    • Supper at Emmaus
  • Place Of Birth: Milan, Italy
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