Purchase a copy of Triptych with the Lamentation of Christ (center), flanked by the male Donor with Saint Benedict (left, inner wing) and female Donor with Saint Elizabeth of Thuringia (right, inner wing), Cornelis Cornelisz II Buys (attributed to), c. 1540 - c. 1545

Artwork Description

The centre panel of this triptych depicts The Lamentation of Christ. The composition is a reduced and slightly simplified version of SK-A-4219 or fig. f, which is attributed to Cornelis Buys II. The proportions of the figures have changed, Joseph of Arimathaea is turning Christ’s head towards the Virgin, and the standing and kneeling Marys behind Mary Magdalen have changed places. Mount Calvary behind the figure group has been replaced by an empty cross and a ladder. The cloudy sky and the rather minimalist landscape behind the figures extend onto the wings. On the left wing is a kneeling monk accompanied by St Benedict holding a crosier adorned with a small pennant. In the past it was thought that this figure was probably St Francis,3 which is unlikely, given the crosier and the absence of a stigmata. On the right panel is a nun in a brown habit and the crowned St Elizabeth of Thuringia with her usual attributes of a double crown in her hand and a beggar at her feet.4 Unfortunately it is not possible to identify the monk and the nun or to tie them to specific monastic institutions. The outer wings were left unpainted. The small size of the triptych suggests that it was used for private devotion. As noted, the centre panel is a simplification of an existing composition. The linear underdrawing, which was followed faithfully in the painted surface, appears to have been done freehand from a model. Taking the difference in size into account, the nature of the underdrawing differs little from that of the larger version of The Lamentation SK-A-4219. Although it is conceivable that the wings were added to the centre panel later, the mouldings of the frames resemble each other very closely. The painting of the wings could have been later than that of the centre panel, but one argument against that is the background landscape, which is in the same style on all three panels. The cursory underdrawing on the wings is comparable to that on the centre panel, but the way in which the donors and their patron saints were painted is more refined and old-fashioned, and is more closely related to the work of Jacob Cornelisz van Oostsanen. Only the broadly painted landscape extending across the panels, the style of which is reminiscent of Jan van Scorel, appears to be by one hand. The figures on the wings were probably painted by an artist other than the one responsible for the centre panel and the landscape. Dendrochronology suggests a late date for the wings: the beginning of the 1540s at the earliest. This rules out the possibility that the young Jan van Scorel painted the figures in Jacob Cornelisz’s workshop, as suggested by Kloek.5 In view of the broad similarities to SK-A-4219 and the resemblance of the underdrawings, it seems likely that the triptych was made in the workshop of Cornelis Buys II, which is why we have retained that attribution. (Jan Piet Filedt Kok)

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Artist Biography

life and works

cornelis cornelisz ii buys, a dutch painter from alkmaar, is known for his significant contributions to the art world in the 16th century. although his birth and death dates are not well-documented, it is believed that he was born around 1500 and passed away in 1545 or 1546. cornelis cornelisz ii buys is often mentioned in the context of his father, cornelis buys i, a well-known painter from alkmaar. the younger buys is attributed to several religious paintings, including "the lamentation of christ," which showcases his skill in capturing emotive scenes.

artistic style and influences

buys' work is characterized by its attention to detail and the use of oil on panel, a common practice during the early netherlandish painting period. his style, while not as widely recognized as some of his contemporaries, reflects the evolving artistic landscape of the netherlands in the 16th century.

key works:
- the lamentation of christ (attributed)
museums featuring his work:
- museum huis ten bosch in the hague, netherlands
artistic movement:
- early netherlandish painting

legacy and resources

despite the limited information available on cornelis cornelisz ii buys, his contributions to dutch art are undeniable. for those interested in exploring more of his work or learning about the early netherlandish painting period, the following resources are recommended:

the museum huis ten bosch (the hague, netherlands) - a comprehensive guide on ArtsDot.com
early netherlandish painting on wikipedia
explore cornelis cornelisz ii buys's attributed works, including the lamentation of christ, through ArtsDot.com's extensive collection.

conclusion

cornelis cornelisz ii buys remains a notable figure in the history of dutch art, with his work reflecting the transitional period between the gothic and renaissance styles. through ArtsDot.com and other resources, art enthusiasts can delve into the world of early netherlandish painting and appreciate the contributions of pioneers like cornelis cornelisz ii buys.

cornelis cornelisz ii buys

1545 , Netherlands

Quick Facts

Artistic Movement Or Style: World Goes Pop
Date Of Death: 1545
Notable Artworks:
- Evelyne Axell
- Joav BarEl
- Thomas Bayrle

Cornelis Cornelisz Ii Buys: The Full Collection

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Triptych with the Lamentation of Christ (center), flanked by the male Donor with Saint Benedict (left, inner wing) and female Donor with Saint Elizabeth of Thuringia (right, inner wing), Cornelis Cornelisz II Buys (attributed to), c. 1540 - c. 1545

Triptych with the Lamentation of Christ (center), flanked by the male Donor with Saint Benedict (left, inner wing) and female Donor with Saint Elizabeth of Thuringia (right, inner wing), Cornelis Cornelisz II Buys (attributed to), c. 1540 - c. 1545

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