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Self portrait

Discover Elizabeth May Norriss Tait, Australian watercolorist & miniaturist (1878-1939). Admired for her exquisite portraits & landscapes, showcased in Paris & London. Explore her legacy at ArtsDot.

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Total Price

$ 263

reproduction

Self portrait

Reproduction Medium

Reproduction Size

-

Total Price

$ 263

Artwork Description

Bess Norriss Tait (1879–1939), artist, was born in Melbourne and had her first art lessons, aged ten, from the landscape painter, Jane Sutherland. Between 1897 and 1901, she studied under Frederick McCubbin and Bernard Hall at the National Gallery School and began exhibiting watercolours and miniatures with the Victorian Art Society. At the instigation of one of her first patrons, she sent examples of her miniatures to a London expert, George Williamson, who recognised the quality of Norriss’s work and encouraged her to go to England. For six years she ‘scraped and saved’ enough money for the fare, eventually leaving Melbourne in 1905. In London, Williamson introduced her to influential critics and potential patrons who admired her originality, her portraits being ‘painted with spirit’ and in a style which dispensed with what she later described as ‘the superficial, pretty, chocolate-box’ fashion in miniature painting. She studied at the Slade School, became a member of the Royal Society of Miniature Painters and in 1908 achieved the first of her many inclusions in exhibitions such as those of the Royal Academy and the New Salon, Paris. By 1910, the Sydney Morning Herald was declaring her to be ‘universally accepted as a miniature painter of exceptional talent’. She married Australian theatre entrepreneur James Nevin Tait in London in 1908 and through him developed associations with the community of creative Australian expats that included Percy Grainger, Nellie Melba and Ada Crossley. Norriss Tait returned to Australia briefly in 1910, completing a number of portrait commissions here and holding exhibitions in Sydney and Melbourne from which works were acquired by the National Galleries of Victoria and New South Wales. She returned to London in 1911 and settled in Chelsea, where she died in January 1939.

Artist Biography

Early Life and Influences – A Western Dream Takes Root

William Gollings, born in the rugged Territory of Idaho in 1878, was shaped by the very landscape he would later immortalize on canvas. His early years were spent amidst the boom-and-bust realities of Pierce City, a rough mining camp that instilled within him a deep appreciation for the untamed West and its enduring spirit. His parents, recognizing the limitations of an education solely provided in such a remote location, sent him to live with his aunt in Michigan, a move that ironically exposed him to more formal artistic training. This initial exposure led to enrollment at the Academy of Fine Arts in Chicago, where he honed his foundational skills before embarking on a transformative journey westward. The influence of Frederic Remington, a figure Gollings deeply admired, proved particularly potent – both artists shared a yearning for the forgotten West and a desire to authentically capture its essence. Remington’s romanticized depictions of cowboys and Native Americans served as a powerful starting point, but Gollings sought to move beyond mere imitation, striving instead for a more nuanced and emotionally resonant portrayal of the frontier experience. The stark beauty of the American West, coupled with the allure of a bygone era, became the driving force behind his artistic vision.

A Life on the Range – Authenticity Through Labor

Leaving Chicago in 1909, Gollings sought to immerse himself fully within the world he depicted. He traveled alone by horse across South Dakota, taking on various odd jobs—branding cattle, driving stagecoaches, and even attempting gold panning—to earn his living and experience firsthand the realities of frontier life. This period of self-imposed exile proved crucial to his artistic development. It wasn’t simply a matter of observation; Gollings actively participated in the rhythms of the West, absorbing its sights, sounds, and smells. He sought not just to *see* the West, but to *live* it, believing that true authenticity could only be achieved through direct engagement with its people and environment. This commitment to experiential learning profoundly shaped his artistic style, imbuing his paintings with a palpable sense of immediacy and ruggedness. The hardships he endured – the relentless sun, the physical labor, the isolation—became integral elements of his artistic expression.

Developing Style and Connections – Mentorship and Artistic Growth

Returning to Chicago in 1906, Gollings found himself surrounded by fellow artists who shared his passion for the West. He benefited immensely from the guidance of J.H. Sharp, a prominent figure in the American art scene, who recognized Gollings’ potential and encouraged him to refine his technique. Sharp's influence was particularly significant, helping Gollings develop a more sophisticated approach to composition, color, and brushwork. Beyond Sharp, Gollings cultivated relationships with other notable Western artists of the era, including Edward Borein, W.H.D. Koerner, Charles M. Russell, Will James, and Joe D. Young. These encounters provided invaluable insights into different artistic perspectives and further fueled his creative exploration. The exchange of ideas and techniques fostered a vibrant artistic community that profoundly impacted Gollings’ artistic trajectory.

Major Works and Legacy – A Painter of the American West

Gollings' oeuvre is characterized by its evocative depictions of cowboys, Native Americans, landscapes, and wildlife—all rendered with remarkable detail and emotional depth. His paintings often capture fleeting moments of interaction between humans and nature, conveying a sense of both beauty and melancholy. Notable works include “The Last Roundup,” depicting a weary cowboy overseeing the final branding session of the season; "Indian Camp," a poignant scene of Native Americans gathered around a campfire; and numerous studies of wildlife, showcasing his keen observational skills. While he never achieved the widespread fame of Remington or Russell, Gollings’ work is highly regarded for its authenticity, emotional resonance, and masterful execution. His paintings offer a unique window into the American West—a time of both hardship and opportunity, of frontier spirit and enduring beauty. William Gollings died in 1932 at the age of 54 in Sheridan Wyoming, leaving behind a legacy as one of the most compelling chroniclers of the American West.
elizabeth may norriss tait

elizabeth may norriss tait

1878 - 1939 , Australia

Quick Facts

  • Artistic Movement Or Style: Western art
  • Artists Or Movements Influenced By This Artist: ['J.H. Sharp']
  • Artists Who Influenced This Artist: ['Frederic Remington']
  • Date Of Birth: 1878
  • Date Of Death: 1932
  • Full Name: William Gollings
  • Nationality: American
  • Notable Artworks:
    • Sea View by Moonlight
    • Haymaking
    • Lakeside Dwelling
  • Place Of Birth: Idaho Territory, USA
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