Baby (Nativity of Tahitian Christ)
Acrylic On Canvas
WallArt
Post-Impressionism
1896
19th Century
66.0 x 75.0 cm
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the image with a mirrored or solid-fill edge. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (5 September)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Baby (Nativity of Tahitian Christ)
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
A Vision of Faith and Paradise: Paul Gauguin’s “Baby (Nativity of Tahitian Christ)”
Paul Gauguin's "Baby (Nativity of Tahitian Christ)," painted in 1896, is far more than a simple depiction of the biblical scene; it’s a profound meditation on faith, culture, and the artist’s own evolving spiritual journey. Created during his pivotal decade spent in French Polynesia, this work embodies Gauguin's groundbreaking Synthetism – a style he developed to synthesize elements of Western art with the vibrant colors and forms of Polynesian life. The painting, measuring 66 x 75 cm, immediately captivates with its bold color palette and distinctive Cloisonnistic technique, drawing the viewer into a world where Christian iconography is subtly interwoven with indigenous traditions. It’s a testament to Gauguin's audacious vision and his desire to forge a new artistic language entirely his own.The Language of Cloisonnism: Form and Color
At the heart of "Baby (Nativity of Tahitian Christ)" lies Gauguin’s masterful application of Cloisonnism, a technique borrowed from medieval enamelwork. This style is characterized by strong, flat forms delineated by thick, dark outlines – almost like painted wireframes – that separate areas of color. These bold contours create an immediate sense of graphic intensity and contribute to the painting's overall stylized appearance. The colors themselves are deliberately heightened and non-naturalistic; deep blues, vibrant reds, and ochre yellows dominate, creating a luminous and dreamlike atmosphere. This deliberate departure from realistic representation was central to Gauguin’s Synthetism – he sought to create an art that wasn’t about faithfully depicting the world but rather expressing its essence through simplified forms and intense color. The composition is deliberately flattened, further emphasizing this effect, pushing the figures and objects into a single plane of visual experience.A Fusion of Worlds: Tahitian Culture and Christian Symbolism
The scene depicted isn't a straightforward rendering of the Nativity story as it’s traditionally portrayed. Instead, Gauguin presents a distinctly Polynesian interpretation. A young woman, likely representing a local Tahitian figure, cradles a baby – a clear reference to the infant Jesus – while surrounded by other villagers and animals. The inclusion of these figures—a cow, sheep, and dogs—adds an element of earthly realism and connects the biblical narrative to the everyday life of his adopted home. This blending of Christian symbolism with Polynesian customs is a defining characteristic of Gauguin’s work during this period, reflecting his fascination with and attempts to understand the culture he encountered in Tahiti. The halo surrounding the baby, a subtle nod to traditional religious iconography, further underscores this fusion. It's important to note that Gauguin wasn’t necessarily attempting to convert the Tahitian people; rather, he was exploring the potential for spiritual connection through a shared visual language.The Artist's Legacy and Beyond
Paul Gauguin’s journey to Tahiti profoundly shaped his artistic development. Prior to this move, he had been grappling with the limitations of Impressionism, seeking a more expressive means of conveying emotion and meaning. In Polynesia, he found inspiration in the vibrant colors, simplified forms, and spiritual beliefs of the indigenous people. “Baby (Nativity of Tahitian Christ)” stands as a pivotal work from this period, demonstrating his growing confidence in his own artistic vision and his willingness to challenge conventional notions of representation. His bold experimentation with color and form paved the way for later movements like Fauvism and significantly influenced modern art. The painting’s enduring appeal lies not only in its striking visual qualities but also in its complex exploration of cultural exchange, faith, and the search for a new artistic language.Explore High-Quality Reproductions
ArtsDot offers meticulously crafted hand-painted reproductions of Paul Gauguin’s “Baby (Nativity of Tahitian Christ)”, capturing the essence of this iconic artwork with exceptional detail and vibrancy. Bring this captivating piece into your home or office, enjoying its beauty and historical significance for years to come.
Related Artworks
Artist Biography
A Life Painted in Bold Strokes: The World of Paul Gauguin
Eugène Henri Paul Gauguin, a name that resonates with vibrant color and rebellious spirit, stands as a pivotal figure in the transition from Impressionism to modern art. Born in Paris in 1848, his life was anything but conventional. His early years were shaped by an unusual upbringing; his father a journalist, and his mother descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer whose ideals undoubtedly resonated within the family. This heritage would profoundly shape Gauguin’s artistic vision, instilling in him a fascination with cultures beyond Europe. A formative period spent in Peru as a child, following his family's relocation in 1850, immersed him in a world vastly different from Parisian society, an experience that lingered and ultimately fueled his quest for authenticity in art. Returning to France after his father’s death, Gauguin received a formal education but found himself drawn not to academia, but to the burgeoning financial world, embarking on a career as a stockbroker—a path seemingly at odds with the artistic destiny that awaited him.From Finance to Artistic Calling
For years, Gauguin led a double life, diligently pursuing his business ventures while secretly nurturing a passion for painting. Initially influenced by the Impressionists, he began experimenting with color and light in his spare time, but soon felt constrained by their dedication to capturing fleeting moments of reality. The financial crisis of 1882 proved a turning point, forcing him to abandon his lucrative career and wholeheartedly embrace his artistic calling. This wasn’t merely a change in profession; it was a fundamental shift in worldview. He sought guidance from Camille Pissarro, who encouraged his development and introduced him to the avant-garde circles of Paris. However, Gauguin quickly began to diverge from Impressionistic principles, yearning for something more expressive, more symbolic—a means of conveying not just what he *saw*, but what he *felt*. This desire led him on a journey of artistic exploration that would take him far beyond the Parisian salons and into the heart of “primitive” cultures. He wasn’t simply interested in depicting these cultures; he sought to absorb their essence, believing they held a purity lost in Western civilization.The Call of Brittany and Tahiti
Gauguin’s artistic evolution was inextricably linked to his travels. He spent time in Brittany, captivated by the rugged landscapes and deeply rooted traditions of its people. This period saw him experimenting with flattened forms, bold outlines, and a simplification of composition—techniques that moved him further away from naturalism and closer to a more symbolic language. But it was his journey to Tahiti in 1891 that truly unleashed his creative potential. Seeking refuge from what he perceived as the stifling constraints of European civilization, Gauguin hoped to find inspiration in Polynesian culture, believing it offered a purer, more authentic way of life. This wasn’t simply an artistic pursuit; it was a spiritual quest. He immersed himself in local customs and beliefs, depicting Polynesian women, landscapes, and religious practices through his unique lens. Influenced by Japanese prints—Japonisme—and medieval art, he developed a distinctive aesthetic characterized by vibrant colors, exotic subject matter, and an air of mystery. Iconic paintings like “Vahine no te miti” (Woman with Mango), “Manao Tupapau” (Watched by the Spirit of the Dead), and “The Day of Gods emerged from this period, solidifying his reputation as a visionary artist. His use of color became increasingly bold and non-naturalistic, serving not to replicate reality but to express emotion and spiritual meaning.Legacy and Controversy
Despite his artistic breakthroughs, Gauguin’s life was often marked by hardship. He struggled with financial difficulties and declining health during his time in Tahiti and later on the Marquesas Islands, where he eventually settled. Yet, he continued to paint prolifically, relentlessly exploring themes of life, death, and spirituality. He died in 1903 on Hiva Oa, a remote island in the Marquesas archipelago, largely unrecognized for his genius. It was only after his death that Gauguin’s work began to receive the acclaim it deserved. Today, he is celebrated as a pivotal figure in the development of modern art, bridging the gap between Impressionism and Symbolism, and paving the way for movements like Fauvism. His use of color, simplified forms, and symbolic imagery profoundly influenced artists such as Pablo Picasso, Henri Matisse, and countless others. However, Gauguin remains a controversial figure due to aspects of his personal life—particularly his relationships with young Polynesian women—which continue to be debated and reinterpreted in light of contemporary ethical considerations. Nevertheless, his artistic contributions are undeniable, and his legacy continues to inspire artists and art lovers around the world. He was a true innovator, a rebel who dared to challenge conventions and forge his own path, leaving behind a body of work that is as captivating and enigmatic as the man himself.Key Influences & Artistic Characteristics
- Impressionism: Early influence on color and light, later rejected for its focus on fleeting reality.
- Japonisme: Inspired flattened perspectives, bold outlines, and decorative patterns.
- Medieval Art: Influenced symbolic imagery and a rejection of strict realism.
- Synthetism: A style developed by Gauguin emphasizing the creation of art based on subjective experience rather than objective observation.
- Primitivism: Fascination with non-Western cultures, believing they offered a more authentic and spiritual way of life. This is reflected in his subject matter and stylistic choices.
Eugène Henri Paul Gauguin
1848 - 1903 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism, Symbolism
- Artists Or Movements Influenced By This Artist:
- Pablo Picasso
- Henri Matisse
- Fauvism
- Artists Who Influenced This Artist: ['Camille Pissarro']
- Date Of Birth: 1848
- Date Of Death: 1903
- Full Name: Eugène Henri Paul Gauguin
- Nationality: French
- Notable Artworks:
- Clearing
- Vahine no te miti
- Manao Tupapau
- Little Breton Shepherd
- Place Of Birth: Paris, France

Glass option is only available in size under 110 CM
