Huts under the Trees (also known as Martinican Scene with Mango Tree)
Oil On Canvas
WallArt
Post-Impressionism
1887
92.0 x 72.0 cm
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Huts under the Trees (also known as Martinican Scene with Mango Tree)
Reproduction Medium
Reproduction Size
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Total Price
$ 263
Artwork Description
Introduction to Paul Gauguin and His Work
Paul Gauguin, a French post-impressionist artist, is renowned for his vibrant and expressive paintings that often depicted scenes from everyday life. One of his notable works is Huts under the Trees (also known as Martinican Scene with Mango Tree), created in 1887.Artistic Style and Movement
This painting exemplifies Gauguin's adherence to the Post-Impressionism Art Movement, which emerged as a reaction against the naturalistic depiction of light and color by Impressionists. Post-Impressionism, spanning from 1886 to 1905, was characterized by its emphasis on bold colors and distorted forms.Painting Description
Huts under the Trees (also known as Martinican Scene with Mango Tree) measures 92 x 72 cm and is painted in oil on canvas. The scene depicts a lively village setting, with people standing in the grass under trees. Two dogs are present, one near the center-left side and another towards the right side, while a horse stands on the left side of the scene. A chair placed in the foreground suggests an outdoor gathering or event.Key Elements and Symbolism
- Vibrant Colors: The painting is characterized by its vibrant colors, which create a lively atmosphere. - Natural Setting: The trees provide shade and depth to the image, emphasizing the connection between nature and human life. - Everyday Life: The depiction of people going about their daily activities underscores Gauguin's interest in capturing the essence of village life.Comparison with Other Works
Gauguin's style can be compared to other notable post-impressionist artists. For example, Vincent Van Gogh's The Seine with the Pont de la Grande Jatte also captures a lively scene, though in an urban setting. Gauguin's Tropical Conversation and Riverside further demonstrate his ability to blend natural settings with human activity.Conclusion
Huts under the Trees (also known as Martinican Scene with Mango Tree) is a testament to Gauguin's skill in capturing the essence of village life through vibrant colors and expressive forms. This painting, along with his other works, contributes significantly to the Post-Impressionism movement. For those interested in exploring more of Gauguin's work or learning about other post-impressionist artists, ArtsDot offers a wide range of handmade oil painting reproductions.Related Artworks
Artist Biography
A Life Painted in Bold Strokes: The World of Paul Gauguin
Eugène Henri Paul Gauguin, a name that resonates with vibrant color and rebellious spirit, stands as a pivotal figure in the transition from Impressionism to modern art. Born in Paris in 1848, his life was anything but conventional. His early years were shaped by an unusual upbringing; his father a journalist, and his mother descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer whose ideals undoubtedly resonated within the family. This heritage would profoundly shape Gauguin’s artistic vision, instilling in him a fascination with cultures beyond Europe. A formative period spent in Peru as a child, following his family's relocation in 1850, immersed him in a world vastly different from Parisian society, an experience that lingered and ultimately fueled his quest for authenticity in art. Returning to France after his father’s death, Gauguin received a formal education but found himself drawn not to academia, but to the burgeoning financial world, embarking on a career as a stockbroker—a path seemingly at odds with the artistic destiny that awaited him.From Finance to Artistic Calling
For years, Gauguin led a double life, diligently pursuing his business ventures while secretly nurturing a passion for painting. Initially influenced by the Impressionists, he began experimenting with color and light in his spare time, but soon felt constrained by their dedication to capturing fleeting moments of reality. The financial crisis of 1882 proved a turning point, forcing him to abandon his lucrative career and wholeheartedly embrace his artistic calling. This wasn’t merely a change in profession; it was a fundamental shift in worldview. He sought guidance from Camille Pissarro, who encouraged his development and introduced him to the avant-garde circles of Paris. However, Gauguin quickly began to diverge from Impressionistic principles, yearning for something more expressive, more symbolic—a means of conveying not just what he *saw*, but what he *felt*. This desire led him on a journey of artistic exploration that would take him far beyond the Parisian salons and into the heart of “primitive” cultures. He wasn’t simply interested in depicting these cultures; he sought to absorb their essence, believing they held a purity lost in Western civilization.The Call of Brittany and Tahiti
Gauguin’s artistic evolution was inextricably linked to his travels. He spent time in Brittany, captivated by the rugged landscapes and deeply rooted traditions of its people. This period saw him experimenting with flattened forms, bold outlines, and a simplification of composition—techniques that moved him further away from naturalism and closer to a more symbolic language. But it was his journey to Tahiti in 1891 that truly unleashed his creative potential. Seeking refuge from what he perceived as the stifling constraints of European civilization, Gauguin hoped to find inspiration in Polynesian culture, believing it offered a purer, more authentic way of life. This wasn’t simply an artistic pursuit; it was a spiritual quest. He immersed himself in local customs and beliefs, depicting Polynesian women, landscapes, and religious practices through his unique lens. Influenced by Japanese prints—Japonisme—and medieval art, he developed a distinctive aesthetic characterized by vibrant colors, exotic subject matter, and an air of mystery. Iconic paintings like “Vahine no te miti” (Woman with Mango), “Manao Tupapau” (Watched by the Spirit of the Dead), and “The Day of Gods emerged from this period, solidifying his reputation as a visionary artist. His use of color became increasingly bold and non-naturalistic, serving not to replicate reality but to express emotion and spiritual meaning.Legacy and Controversy
Despite his artistic breakthroughs, Gauguin’s life was often marked by hardship. He struggled with financial difficulties and declining health during his time in Tahiti and later on the Marquesas Islands, where he eventually settled. Yet, he continued to paint prolifically, relentlessly exploring themes of life, death, and spirituality. He died in 1903 on Hiva Oa, a remote island in the Marquesas archipelago, largely unrecognized for his genius. It was only after his death that Gauguin’s work began to receive the acclaim it deserved. Today, he is celebrated as a pivotal figure in the development of modern art, bridging the gap between Impressionism and Symbolism, and paving the way for movements like Fauvism. His use of color, simplified forms, and symbolic imagery profoundly influenced artists such as Pablo Picasso, Henri Matisse, and countless others. However, Gauguin remains a controversial figure due to aspects of his personal life—particularly his relationships with young Polynesian women—which continue to be debated and reinterpreted in light of contemporary ethical considerations. Nevertheless, his artistic contributions are undeniable, and his legacy continues to inspire artists and art lovers around the world. He was a true innovator, a rebel who dared to challenge conventions and forge his own path, leaving behind a body of work that is as captivating and enigmatic as the man himself.Key Influences & Artistic Characteristics
- Impressionism: Early influence on color and light, later rejected for its focus on fleeting reality.
- Japonisme: Inspired flattened perspectives, bold outlines, and decorative patterns.
- Medieval Art: Influenced symbolic imagery and a rejection of strict realism.
- Synthetism: A style developed by Gauguin emphasizing the creation of art based on subjective experience rather than objective observation.
- Primitivism: Fascination with non-Western cultures, believing they offered a more authentic and spiritual way of life. This is reflected in his subject matter and stylistic choices.
Eugène Henri Paul Gauguin
1848 - 1903 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism, Symbolism
- Artists Or Movements Influenced By This Artist:
- Pablo Picasso
- Henri Matisse
- Fauvism
- Artists Who Influenced This Artist: ['Camille Pissarro']
- Date Of Birth: 1848
- Date Of Death: 1903
- Full Name: Eugène Henri Paul Gauguin
- Nationality: French
- Notable Artworks:
- Clearing
- Vahine no te miti
- Manao Tupapau
- Little Breton Shepherd
- Place Of Birth: Paris, France

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