The Large Trees
Hand Made Oil Reproduction
Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Buy Print
Buy Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
You may enter your own dimensions to fit a specific frame or space. If your selected size does not match the original image's proportions, we will either crop the artwork or extend the painting with additional hand-painted elements. A digital mockup will be sent for your approval before production begins.
Please note that the on-screen preview does not reflect the actual cropping or extension. Only the mockup will accurately show the final composition.
While custom sizes are available, we recommend selecting a dimension from the predefined list to preserve the original proportions.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview
Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (16 August). No compromise on quality.
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
60-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
The Large Trees
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Glimpse into Breton Soul: Decoding Paul Gauguin’s ‘The Large Trees’
Paul Gauguin's *The Large Trees*, painted in 1889, is more than just a landscape; it’s a window into the artist’s evolving artistic vision and his search for authenticity beyond the confines of European civilization. Created during his first pivotal stay in Brittany, France, this oil on canvas embodies the spirit of Post-Impressionism while hinting at the Synthetist and Cloisonnist styles that would soon define Gauguin's unique aesthetic.Subject & Composition: A Sacred Grove
The painting depicts a serene yet subtly unsettling scene. Towering trees dominate the composition, their dark trunks reaching towards a vibrant blue sky. A small group of Breton women are positioned within this wooded space, seemingly engaged in quiet contemplation or perhaps ritualistic activity. The arrangement isn’t naturalistic; rather, it feels deliberately constructed, almost stage-like. This deliberate flattening of perspective and simplification of forms contribute to the painting's dreamlike quality. Gauguin wasn’t interested in replicating reality but in conveying its *essence* – a spiritual resonance with nature.Style & Technique: Bold Colors and Simplified Forms
Gauguin’s technique in *The Large Trees* is characterized by bold, non-naturalistic colors and broad, flat areas of paint. He moved away from the Impressionists' focus on capturing fleeting light effects, instead prioritizing symbolic color and simplified forms. The use of contrasting hues – the deep greens of the foliage against the intense blue of the sky – creates a visual dynamism that draws the viewer in. The brushstrokes are visible, adding texture and emphasizing the materiality of the paint itself. This approach anticipates the later developments of Fauvism and Expressionism.Historical Context: Brittany & The Search for Primitivism
In 1886, disillusioned with Parisian life and Impressionism’s limitations, Gauguin sought refuge in Pont-Aven, Brittany. He was drawn to the region's rugged landscapes and its deeply rooted Celtic traditions. Brittany represented a perceived “primitive” culture – untouched by industrialization and modern society – that he believed held the key to artistic renewal. *The Large Trees* reflects this fascination with Breton life and spirituality. Gauguin saw in these people and their surroundings a purity of spirit lost in the complexities of urban existence.Symbolism & Interpretation: Beyond the Surface
The symbolism within *The Large Trees* is open to interpretation, but several elements are noteworthy. The trees themselves can be seen as symbols of life, strength, and connection to the earth. Their imposing presence suggests a sense of awe and reverence for nature’s power. The women, dressed in traditional Breton attire, may represent figures from local folklore or embody archetypal feminine energies. Some scholars suggest the scene alludes to religious rituals or ancient Celtic beliefs. Gauguin often imbued his work with personal symbolism, making it challenging to arrive at definitive meanings.Emotional Impact & Legacy
*The Large Trees* evokes a sense of mystery, tranquility, and spiritual longing. The painting’s simplified forms and bold colors create an emotional resonance that transcends mere representation. It invites viewers to contemplate the relationship between humanity and nature, and to explore their own inner worlds. Gauguin's work profoundly influenced subsequent generations of artists, paving the way for modern art movements that prioritized subjective expression and symbolic meaning over realistic depiction.- Artist: Paul Gauguin
- Painting Title: The Large Trees
- Medium: Oil on Canvas
- Style: Post-Impressionism, Synthetism (proto)
- Date: 1889
Related Artworks
Artist Biography
A Life Painted in Bold Strokes: The World of Paul Gauguin
Eugène Henri Paul Gauguin, a name that resonates with vibrant color and rebellious spirit, stands as a pivotal figure in the transition from Impressionism to modern art. Born in Paris in 1848, his life was anything but conventional. His early years were shaped by an unusual upbringing; his father a journalist, and his mother descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer whose ideals undoubtedly resonated within the family. This heritage would profoundly shape Gauguin’s artistic vision, instilling in him a fascination with cultures beyond Europe. A formative period spent in Peru as a child, following his family's relocation in 1850, immersed him in a world vastly different from Parisian society, an experience that lingered and ultimately fueled his quest for authenticity in art. Returning to France after his father’s death, Gauguin received a formal education but found himself drawn not to academia, but to the burgeoning financial world, embarking on a career as a stockbroker—a path seemingly at odds with the artistic destiny that awaited him.From Finance to Artistic Calling
For years, Gauguin led a double life, diligently pursuing his business ventures while secretly nurturing a passion for painting. Initially influenced by the Impressionists, he began experimenting with color and light in his spare time, but soon felt constrained by their dedication to capturing fleeting moments of reality. The financial crisis of 1882 proved a turning point, forcing him to abandon his lucrative career and wholeheartedly embrace his artistic calling. This wasn’t merely a change in profession; it was a fundamental shift in worldview. He sought guidance from Camille Pissarro, who encouraged his development and introduced him to the avant-garde circles of Paris. However, Gauguin quickly began to diverge from Impressionistic principles, yearning for something more expressive, more symbolic—a means of conveying not just what he *saw*, but what he *felt*. This desire led him on a journey of artistic exploration that would take him far beyond the Parisian salons and into the heart of “primitive” cultures. He wasn’t simply interested in depicting these cultures; he sought to absorb their essence, believing they held a purity lost in Western civilization.The Call of Brittany and Tahiti
Gauguin’s artistic evolution was inextricably linked to his travels. He spent time in Brittany, captivated by the rugged landscapes and deeply rooted traditions of its people. This period saw him experimenting with flattened forms, bold outlines, and a simplification of composition—techniques that moved him further away from naturalism and closer to a more symbolic language. But it was his journey to Tahiti in 1891 that truly unleashed his creative potential. Seeking refuge from what he perceived as the stifling constraints of European civilization, Gauguin hoped to find inspiration in Polynesian culture, believing it offered a purer, more authentic way of life. This wasn’t simply an artistic pursuit; it was a spiritual quest. He immersed himself in local customs and beliefs, depicting Polynesian women, landscapes, and religious practices through his unique lens. Influenced by Japanese prints—Japonisme—and medieval art, he developed a distinctive aesthetic characterized by vibrant colors, exotic subject matter, and an air of mystery. Iconic paintings like “Vahine no te miti” (Woman with Mango), “Manao Tupapau” (Watched by the Spirit of the Dead), and “The Day of Gods emerged from this period, solidifying his reputation as a visionary artist. His use of color became increasingly bold and non-naturalistic, serving not to replicate reality but to express emotion and spiritual meaning.Legacy and Controversy
Despite his artistic breakthroughs, Gauguin’s life was often marked by hardship. He struggled with financial difficulties and declining health during his time in Tahiti and later on the Marquesas Islands, where he eventually settled. Yet, he continued to paint prolifically, relentlessly exploring themes of life, death, and spirituality. He died in 1903 on Hiva Oa, a remote island in the Marquesas archipelago, largely unrecognized for his genius. It was only after his death that Gauguin’s work began to receive the acclaim it deserved. Today, he is celebrated as a pivotal figure in the development of modern art, bridging the gap between Impressionism and Symbolism, and paving the way for movements like Fauvism. His use of color, simplified forms, and symbolic imagery profoundly influenced artists such as Pablo Picasso, Henri Matisse, and countless others. However, Gauguin remains a controversial figure due to aspects of his personal life—particularly his relationships with young Polynesian women—which continue to be debated and reinterpreted in light of contemporary ethical considerations. Nevertheless, his artistic contributions are undeniable, and his legacy continues to inspire artists and art lovers around the world. He was a true innovator, a rebel who dared to challenge conventions and forge his own path, leaving behind a body of work that is as captivating and enigmatic as the man himself.Key Influences & Artistic Characteristics
- Impressionism: Early influence on color and light, later rejected for its focus on fleeting reality.
- Japonisme: Inspired flattened perspectives, bold outlines, and decorative patterns.
- Medieval Art: Influenced symbolic imagery and a rejection of strict realism.
- Synthetism: A style developed by Gauguin emphasizing the creation of art based on subjective experience rather than objective observation.
- Primitivism: Fascination with non-Western cultures, believing they offered a more authentic and spiritual way of life. This is reflected in his subject matter and stylistic choices.
Eugène Henri Paul Gauguin
1848 - 1903 , France
Quick Facts
- Artistic Movement Or Style: Post-Impressionism, Symbolism
- Artists Or Movements Influenced By This Artist:
- Pablo Picasso
- Henri Matisse
- Fauvism
- Artists Who Influenced This Artist: ['Camille Pissarro']
- Date Of Birth: 1848
- Date Of Death: 1903
- Full Name: Eugène Henri Paul Gauguin
- Nationality: French
- Notable Artworks:
- Clearing
- Vahine no te miti
- Manao Tupapau
- Little Breton Shepherd
- Place Of Birth: Paris, France



Glass option is only available in size under 110 CM
