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Die Heiligen Augustinus, Ludwig von Frankreich, Johannes Evangelist und Magnus

Explore Tiepolo’s lost 'Die Heiligen' sketch! A stunning 18th-century Venetian drawing featuring Augustine, John & Magnus. Loose lines, rich detail, & a glimpse into a masterpiece. #Tiepolo #VenetianArt #Renaissance

Discover Giambattista Tiepolo: Master of Rococo frescoes & paintings! Explore his dramatic scenes, vibrant colors, & legacy in Venice & beyond.

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In seiner Federzeichnung hielt Giambattista Tiepolo die erste Idee (prima idea) für ein großformatiges Altarbild in der venezianischen Kirche S. Salvador fest. Den Auftrag für das Gemälde erteilte 1737 die Familie Cornaro als eine der ältesten und bedeutendsten Familien Venedigs, denn sie plante aus Anlass der bevorstehenden zweiten Weihe von S. Salvador im Jahr 1739 eine Neugestaltung des gesamten Querhauses. Tiepolos Gemälde sollte den Altar des heiligen Augustinus schmücken, der sich im rechten Querschiffarm unmittelbar neben dem Kenotaph (Leeres Grab) der Caterina Cornaro, der gefeierten Königin von Zypern, befand. Für den Maler bedeutete der prestigereiche Auftrag einen entscheidenden Meilenstein in seiner Karriere, die auch weiterhin durch die Cornaro gefördert werden sollte. Unglücklicherweise wurde Tiepolos Altargemälde bei einem Brand in den Jahren zwischen 1765–72 zerstört. Ein ungefähres Bild vom Aussehen des verlorenen Gemäldes vermitteln allerdings bis heute die Braunschweiger Federzeichnung sowie eine Kreidezeichnung im venezianischen Kunsthandel und eine Ölskizze in der National Gallery, London. Die skizzenhafte, summarische Anlage kennzeichnet die Braunschweiger Zeichnung als den ersten Entwurf des Meisters. Mit sicherem, fließendem Federstrich gestaltete er zunächst die fest gefügte Figurenkonstellation, indem er die Umrisse der Figuren mit brauner Feder anlegte, und trug dann mit dem Pinsel lavierend die Flächen und Schattenpartien auf. In zwei Ebenen übereinander angeordnet charakterisierte der Künstler die Figuren bereits in Typus, Alter und Gewandung und deutete das architektonische Umfeld durch den Ansatz eines Rundbogens und ein Säulenkapitell an. Zuoberst schwebt der heilige Augustinus mit weit ausgebreiteten Armen und gen Himmel gerichtetem Blick; er kommt hier zur Darstellung, weil die Brüder von S. Salvador unter der Regel des heiligen Augustinus lebten. Ganz rechts steht der jugendliche Evangelist Johannes mit erhobenem Blick. Den bärtigen Alten in kirchlichem Gewand und Krummstab konnte Barcham als den heiligen Magnus identifizieren, einen der Stadtpatrone Venedigs, der auch als Gründer von S. Salvador galt. Der junge, reich gekleidete Mann mit Stock links unten ist als heiliger Ludwig von Frankreich identifizierbar. Die tiefe Frömmigkeit und Gottergebenheit dieses Königs bot eine Parallele zu Caterina Cornaro, die zugunsten der Republik Venedig auf ihr Königreich Zypern verzichtete. Insbesondere die dezentrale Position des heiligen Augustinus und der aufwärts gerichtete Blick des heiligen Johannes sind bei Feder- und Kreidezeichnung identisch und deuten auf eine zeitliche Nähe hin. Demnach wäre die Ölskizze mit dem mittig auf einem Podest thronenden Augustinus, zu dessen Füßen die anderen Heiligen mit Messdienern stehen, als das späteste Werk in der Reihe und als unmittelbare Vorstufe für das ausgeführte Gemälde anzusehen. Darstellungen der sacra conversazione (heiliges Gespräch) mit einem erhöht sitzenden Heiligen haben in der venezianischen Kunst eine längere Tradition. (Ausst. Kat. Braunschweig HAUM 2009, epochal, Kat. Nr. 96, Judith Claus)

Artist Biography

Giambattista Tiepolo: The Architect of Venetian Light

Giovanni Battista Tiepolo (1696 – 1770) stands as a titan amongst the painters of his era, an undisputed master of Rococo and arguably the most influential fresco artist of the eighteenth century. Born in Venice, Italy—a city steeped in artistic tradition—Tiepolo ascended to unparalleled fame through his breathtaking canvases and monumental murals that transformed churches and palaces into immersive experiences of color, drama, and illusionistic grandeur. His legacy continues to inspire artists today, cementing his place as one of the foremost figures in Venetian art history.
  • Early Life & Training: Tiepolo’s artistic journey began under the tutelage of Giovanni Antonio Pellegrini, a respected Venetian painter who instilled in him a foundational understanding of disegno—the Italian term for drawing and design—a cornerstone of Baroque aesthetics. Recognizing his prodigious talent, Pellegrini encouraged Tiepolo to pursue studies at Bolognese academies, where he honed his skills alongside artists like Francesco Bartolomeo Rastrelli and Antonio Canaletto, absorbing influences from both Baroque grandeur and emerging Rococo elegance.
  • The Venetian Workshop & Artistic Breakthrough: Returning to Venice in 1726, Tiepolo established a prolific workshop that quickly became synonymous with artistic excellence. He embraced the stylistic precepts of Rococo—characterized by delicate ornamentation, pastel hues, and asymmetrical compositions—yet retained a core commitment to classical principles of proportion and perspective. This harmonious blend resulted in works that captivated audiences and garnered critical acclaim, notably his frescoes adorning Palazzo Labia and Ca’ Rezzonico.
  • Royal Patronage & Grand Commissions: Tiepolo's artistic reputation swiftly attracted the attention of European monarchs, securing him lucrative commissions from kings and princes across Italy, Spain, and Prussia. His monumental frescoes in Schönbrunn Palace near Vienna and Sanssouci Palace in Potsdam exemplify his mastery of scale and theatrical presentation—transforming spaces into opulent spectacles that celebrated royal power and artistic innovation.
  • Technique & Innovation: Tiepolo’s distinctive technique involved meticulous preparation, utilizing grisaille underdrawings to establish precise spatial relationships before applying layers of vibrant color. He pioneered innovative methods of pigment mixing and glazing—creating luminous surfaces that seemed to emanate light itself—a hallmark of his unparalleled artistic vision. His frescoes are renowned for their masterful use of chiaroscuro—the interplay between light and shadow—generating a palpable sense of depth and dynamism.
  • Legacy & Influence: Tiepolo’s influence extended far beyond his lifetime, shaping the aesthetic sensibilities of subsequent generations of artists. His emphasis on illusionistic painting profoundly impacted Baroque and Rococo styles, establishing him as an undisputed champion of theatrical grandeur and visual splendor. Today, Tiepolo's works continue to inspire awe and admiration, serving as enduring monuments to Venetian artistic genius.

Notable Works & Artistic Achievements

  • Assumption of Mary at San Giorgio Maggiore: Considered Tiepolo’s masterpiece, this monumental fresco exemplifies his unparalleled skill in creating immersive environments and conveying profound spiritual emotion. Its soaring ceiling depicts the Virgin Mary ascending into heaven amidst a celestial procession—a breathtaking spectacle of color and movement that remains unsurpassed.
  • The Triumph of Saint Peter: Located in St. Peter’s Basilica, Rome, this fresco commemorates the papal coronation ceremony—a grand celebration of papal authority rendered with meticulous detail and luminous vibrancy.
  • Palazzo Labia Frescoes: Tiepolo's frescoes within Palazzo Labia showcase his mastery of illusionistic painting—creating a captivating panorama of Venetian life that transports viewers back to the eighteenth century.

Connections & Artistic Influences

Tiepolo’s artistic development was profoundly shaped by the prevailing stylistic currents of his time. He absorbed influences from Caravaggio’s dramatic chiaroscuro and Bernini’s sculptural virtuosity—embracing Baroque grandeur while simultaneously exploring the delicate aesthetic principles of Rococo. Furthermore, he collaborated closely with Antonio Canaletto, whose meticulous cityscape paintings served as inspiration for Tiepolo's own depictions of Venetian urban landscapes.
giambattista tiepolo

giambattista tiepolo

1696 - 1770 , Italy

Quick Facts

  • Artistic Movement Or Style: Rococo
  • Artists Or Movements Influenced By This Artist: ['Baroque']
  • Artists Who Influenced This Artist: ['Nicolas Frémiet']
  • Date Of Birth: Venice, Italy (1696)
  • Date Of Death: Madrid, Spain (1770)
  • Full Name: Giovanni Battista Tiepolo
  • Nationality: Italian
  • Notable Artworks:
    • Assumption Tiepolo
    • Young Man with Bow and large Quiver
  • Place Of Birth: Venice