Artworks by MetaKeywords — 8 groups

FREE ART CONSULTATION

About Us

Displaying 8 groups of artworks by for the artist Giovanni Battista Piranesi

piranesi engraving 73

See All

The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi). — Giovanni Battista Piranesi

roman antiquities - Baroque

"The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi)." by Giovanni Battista Piranesi

The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial.

roman ruins - Neoclassicism

The Drawbridge, Plate Vii From The Series Carceri D — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Drawbridge, plate VII from the series Carceri d

castle - Neoclassicism

The Roman Antiquities, T. 1, Plate X. Aurelian Walls And Amphitheatrum Castrense. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense.

ancient rome ruins - Neoclassicism

The Roman Antiquities, T. 4, Plate Xii. View Of An Entrance To The Upper Room Into The Boulder Burial D`elio Adriano. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano.

roman architecture - Neoclassicism

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms

roman antiquities - Neoclassicism

The Roman Antiquities, T. 2, Plate Xvi. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)

roman ruins - Topographical

The Roman Antiquities, T. 2, Plate Xv. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault).

roman antiquities - Neoclassicism

View The Remains Of The Forum Of Nerva — Giovanni Battista Piranesi

Giovanni Battista Piranesi

View the remains of the Forum of Nerva

roman ruins - Baroque

The Roman Antiquities, T. 3, Plate Liv. Way In Which They Were Raised Big Travertine, Marble And Other Produce In The Large Tomb Of Cecilia Metella. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 3, Plate LIV. Way in which they were raised big travertine, marble and other produce in the large tomb of Cecilia Metella.

roman architecture - Baroque

The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XXXII. Following the above table.

roman architecture - Neoclassicism

18th century art 70

See All

Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli — Giovanni Battista Piranesi

roman ruins - Neoclassicism

"Ruins of a Gallery of Statues in Hadrian`s Villa at Tivoli" by Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi).

roman antiquities - Baroque

The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial.

roman ruins - Neoclassicism

The Drawbridge, Plate Vii From The Series Carceri D — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Drawbridge, plate VII from the series Carceri d

castle - Neoclassicism

The Roman Antiquities, T. 1, Plate X. Aurelian Walls And Amphitheatrum Castrense. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense.

ancient rome ruins - Neoclassicism

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms

roman antiquities - Neoclassicism

The Roman Antiquities, T. 2, Plate Xvi. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)

roman ruins - Topographical

The Roman Antiquities, T. 2, Plate Xv. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault).

roman antiquities - Neoclassicism

The Roman Antiquities, T. 3, Plate Liv. Way In Which They Were Raised Big Travertine, Marble And Other Produce In The Large Tomb Of Cecilia Metella. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 3, Plate LIV. Way in which they were raised big travertine, marble and other produce in the large tomb of Cecilia Metella.

roman architecture - Baroque

The Roman Antiquities, T. 4, Plate Xxxvii. Vista Of The Second-largest Share Of The Theatre Of Marcellus. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XXXVII. Vista of the second-largest share of the Theatre of Marcellus.

roman architecture - Neoclassicism

The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XXXII. Following the above table.

roman architecture - Neoclassicism

italian art history 37

See All

The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial. — Giovanni Battista Piranesi

roman ruins - Neoclassicism

"The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial." by Giovanni Battista Piranesi

The Drawbridge, Plate Vii From The Series Carceri D — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Drawbridge, plate VII from the series Carceri d

castle - Neoclassicism

The Roman Antiquities, T. 2, Plate Xvi. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)

roman ruins - Topographical

The Roman Antiquities, T. 2, Plate Xv. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault).

roman antiquities - Neoclassicism

View The Remains Of The Forum Of Nerva — Giovanni Battista Piranesi

Giovanni Battista Piranesi

View the remains of the Forum of Nerva

roman ruins - Baroque

The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XXXII. Following the above table.

roman architecture - Neoclassicism

Large Plan Of The Roman Campo Marzio (field Of Mars) In Rome — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Large plan of the Roman Campo Marzio (Field of Mars) in Rome

ancient rome - Neoclassicism

The Roman Antiquities, T. 2, Plate Xxi. Urn Of Marble Found In The Burial Chamber Above (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault).

roman art - Neoclassicism

The Roman Antiquities, T. 1, Plate Xxxiii. Veduta With Ruins Of Nero`s Golden House. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate XXXIII. Veduta with ruins of Nero`s Golden House.

roman ruins - Neoclassicism

Venus And Mars — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Venus and Mars

mythology - Baroque

Inside The Temple — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Inside the Temple

ancient ruins - Neoclassicism

neoclassical art 32

See All

Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli — Giovanni Battista Piranesi

roman ruins - Neoclassicism

"Ruins of a Gallery of Statues in Hadrian`s Villa at Tivoli" by Giovanni Battista Piranesi

Plan Of Ancient Rome — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Plan of Ancient Rome

roman ruins - Neoclassical Cartography

Large Plan Of The Roman Campo Marzio (field Of Mars) In Rome — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Large plan of the Roman Campo Marzio (Field of Mars) in Rome

ancient rome - Neoclassicism

The Roman Antiquities, T. 2, Plate Xxxii. Plan And External View Of The Tomb Of Alexander Severus Located Outside Porta S. John About A Mile From The Aqueducts. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts.

roman architecture - Neoclassicism

Bust Of Unknown, Unsigned — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Bust of unknown, unsigned

mythology - Neoclassicism

Chariot Of Mars — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Chariot of Mars

roman chariot - Neoclassicism

Tools Of Builder — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Tools of builder

roman architecture - Neoclassicism

Giovanni Battista Piranesi

Profile section of the monument

roman architecture - Neoclassicism

Mausoleum Of Santa Elena — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Mausoleum of Santa Elena

roman architecture - Neoclassicism

St. Anne, The Virgin And Child Jesus — Giovanni Battista Piranesi

Giovanni Battista Piranesi

St. Anne, the Virgin and Child Jesus

religious art - Neoclassicism

Trajan`s Column — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Trajan`s Column

roman architecture - Neoclassicism

roman architecture 24

See All

Perspective Of New Square In Padua — Giovanni Battista Piranesi

architecture - Baroque

"Perspective of New Square in Padua" by Giovanni Battista Piranesi

The Roman Antiquities, T. 1, Plate X. Aurelian Walls And Amphitheatrum Castrense. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense.

ancient rome ruins - Neoclassicism

The Roman Antiquities, T. 4, Plate Xxxvii. Vista Of The Second-largest Share Of The Theatre Of Marcellus. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XXXVII. Vista of the second-largest share of the Theatre of Marcellus.

roman architecture - Neoclassicism

Temple Of Ceres And Faustina — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Temple of Ceres and Faustina

roman ruins - Neoclassicism

The Creation Of Woman — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The creation of woman

women - Neoclassicism

Verso: Fragment Of The Etched Title Page — Giovanni Battista Piranesi

Giovanni Battista Piranesi

verso: fragment of the etched title page

roman architecture - Neoclassicism

Chariot Of Mars — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Chariot of Mars

roman chariot - Neoclassicism

Tools Of Builder — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Tools of builder

roman architecture - Neoclassicism

Two Friezes — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Two friezes

classical mythology - Baroque

Amphitheatre Of Verona — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Amphitheatre of Verona

architecture - Neoclassicism

Giovanni Battista Piranesi

Profile section of the monument

roman architecture - Neoclassicism

architectural drawing 22

See All

Plan Of Rome And Campo Marzio — Giovanni Battista Piranesi

roman architecture - Neoclassical Cartography

"Plan of Rome and Campo Marzio" by Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi).

roman antiquities - Baroque

The Drawbridge, Plate Vii From The Series Carceri D — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Drawbridge, plate VII from the series Carceri d

castle - Neoclassicism

The Roman Antiquities, T. 4, Plate Xii. View Of An Entrance To The Upper Room Into The Boulder Burial D`elio Adriano. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano.

roman architecture - Neoclassicism

The Roman Antiquities, T. 2, Plate Xxxii. Plan And External View Of The Tomb Of Alexander Severus Located Outside Porta S. John About A Mile From The Aqueducts. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts.

roman architecture - Neoclassicism

The Roman Antiquities, T. 1, Plate Xxix. Trajan`s Market. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market.

ancient rome - Baroque

The Roman Antiquities, T. 1, Plate Xiii — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate XIII

rome - Neoclassicism

The Pier With A Lamp — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Pier with a Lamp

architecture - Romanticism

Inside The Same Building — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Inside the same building

roman ruins - Baroque

The Sawhorse — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Sawhorse

architectural drawing - Baroque

Germanicus In The Guise Of Mercury — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Germanicus in the guise of Mercury

classical sculpture - Neoclassicism

italian engraving 21

See All

Bust Of Old Man — Giovanni Battista Piranesi

etching - Neoclassicism

"Bust of old man" by Giovanni Battista Piranesi

Perspective Of New Square In Padua — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Perspective of New Square in Padua

architecture - Baroque

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms

roman antiquities - Neoclassicism

The Roman Antiquities, T. 3, Plate Liv. Way In Which They Were Raised Big Travertine, Marble And Other Produce In The Large Tomb Of Cecilia Metella. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 3, Plate LIV. Way in which they were raised big travertine, marble and other produce in the large tomb of Cecilia Metella.

roman architecture - Baroque

Temple Of Ceres And Faustina — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Temple of Ceres and Faustina

roman ruins - Neoclassicism

Bust Of Unknown, Unsigned — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Bust of unknown, unsigned

mythology - Neoclassicism

Verso: Fragment Of The Etched Title Page — Giovanni Battista Piranesi

Giovanni Battista Piranesi

verso: fragment of the etched title page

roman architecture - Neoclassicism

Elmo And The Bronze Gladiator — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Elmo and the bronze gladiator

roman empire - Neoclassicism

Love Triumphant — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Love triumphant

mythology - Neoclassicism

Woman Reading (half Length) By Guercino — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Woman Reading (half length) by Guercino

portrait - Baroque

Trajan`s Column — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Trajan`s Column

roman architecture - Neoclassicism

black and white print 20

See All

The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi). — Giovanni Battista Piranesi

roman antiquities - Baroque

"The Roman antiquities, t. 3, Plate XXVI. View in perspective of a previous goal of the burial chamber (Drawing by Antonio Buonamici, inc. By Girolamo Rossi)." by Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xii. View Of An Entrance To The Upper Room Into The Boulder Burial D`elio Adriano. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 4, Plate XII. View of an entrance to the upper room into the boulder burial d`Elio Adriano.

roman architecture - Neoclassicism

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms

roman antiquities - Neoclassicism

The Roman Antiquities, T. 2, Plate Xvi. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 2, Plate XVI. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)

roman ruins - Topographical

Vedute Di Roma (104) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Vedute di Roma (104)

roman architecture - Neoclassicism

The Roman Antiquities, T. 1, Plate Xxiii. Aventine Hill. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate XXIII. Aventine Hill.

roman ruins - Neoclassicism

The Roman Antiquities, T. 1, Plate Xxix. Trajan`s Market. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market.

ancient rome - Baroque

The Creation Of Woman — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The creation of woman

women - Neoclassicism

Venus And Mars — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Venus and Mars

mythology - Baroque

Elmo And The Bronze Gladiator — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Elmo and the bronze gladiator

roman empire - Neoclassicism

Woman Reading (half Length) By Guercino — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Woman Reading (half length) by Guercino

portrait - Baroque