Composition With a Female Figure II (in Red Tones)
A Symphony of Crimson and Form
In the evocative masterpiece Composition With a Female Figure II (in Red Tones), the viewer is immediately swept into a vibrant, rhythmic dance of color and geometry. Created in 1962 by the Ukrainian avant-garde master Hryhorii Havrylenko, this work serves as a profound exploration of mid-century abstraction. The canvas is dominated by a warm, pulsating palette where deep reds, fiery oranges, and sun-drenched yellows collide with subtle, cooling accents of muted blue. It is not merely a painting but an atmospheric experience; the lower register of the work anchors the soul with its intense, saturated reds, while the upper reaches offer a lighter, more ethereal movement through creams and pale ochres. This careful balance of weight and light creates a visual tension that keeps the eye perpetually moving across the fragmented planes.
The composition itself is a sophisticated architectural feat of the intellect. Drawing deep inspiration from the legacies of Cubism and Suprematism, Havrylenko eschews traditional perspective in favor of a flattened, layered pictorial space. Through the strategic overlapping of rectangular and triangular shapes, he constructs a sense of depth that feels both structural and mysterious. There is no singular vanishing point to guide the gaze; instead, one must navigate a labyrinth of intersecting lines and sharp edges. The technique appears remarkably controlled, with smooth transitions of color suggesting a meticulous application of oil on canvas. This lack of visible, heavy brushwork allows the geometric forms to speak with clarity, emphasizing the purity of the shapes and the precision of the artist's vision.
The Ghost in the Geometry
While the work is fundamentally non-representational, a hauntingly beautiful subtlety resides within its abstract architecture. Amidst the sharp intersections and bold color blocks, there exists a delicate suggestion of a female figure—a phantom presence woven into the very fabric of the geometric arrangement. This integration of the human element into an otherwise rigid, mathematical landscape adds a layer of profound emotional complexity. The figure does not demand attention through realism but rather invites the viewer to find humanity within the abstraction. It transforms the painting from a mere study of form into a narrative of presence and memory, suggesting that even within the most structured or fragmented environments, the essence of life persists.
For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a sense of sophisticated energy into a space. The symbolic weight of the red tones—evoking passion, vitality, and intensity—makes it a commanding focal point for modern living environments. Whether placed in a minimalist gallery setting or as a bold statement in a contemporary lounge, the artwork provides a rich, intellectual texture. It is a piece that rewards repeated viewing, offering new insights into its layered depths and subtle shadows each time the light hits its surface. Owning a reproduction of this Havrylenko treasure means bringing home a fragment of the Ukrainian avant-garde spirit, a timeless intersection of human emotion and geometric perfection.
hryhorii havrylenko (1927 – 1984)
Discover Hryhorii Havrylenko (Grigory Gavrilenko), a Ukrainian avant-garde painter, graphic artist & book illustrator known for bold experimentation with color and form. Explore his legacy at ArtsDot.
About this artwork
- Title: Composition With a Female Figure II (in Red Tones)
- Artist: hryhorii havrylenko
- Year: 1962
- Format: Landscape
- Copyright status: Under copyright
- Medium: Oil On Canvas
- Period: Modern
- Corpus context: cubism and suprematism influences , exploration of form and color
- Main color: Brown
- Keywords: warm red tones , orange and yellow , ukrainian avant-garde
Quick Facts
- Subject or theme: Abstract forms with a subtle female figure
- Movement: Ukrainian Avant-garde
- Artist: Hryhorii Havrylenko
- Influences:
- Cubism
- Suprematism
- Artistic style: Mid-century modern abstraction
- Year: 1962

