Building with external lifts, gallery, covered walkway, on three floors
antonio sant'elia (1888 – 1916)
Antonio Sant'Elia (1888-1916) was a visionary Italian Futurist architect. Explore his bold sketches of futuristic cityscapes, industrial buildings & innovative designs that influenced modern architecture and sci-fi aesthetics.
Pinacoteca Civica di Palazzo Volpi (Comasco, Italy)
Discover Como’s art heritage at Pinacoteca Civica di Palazzo Volpi! Explore medieval to 20th-century masterpieces, including works by Gruppo Como & Paolo Giovio, in a stunning 17th-century palace.
A Visionary Blueprint of Tomorrow
In the hauntingly beautiful lines of Antonio Sant’Elia’s "Building with external lifts, gallery, covered walkway, on three floors," we encounter not merely an architectural sketch, but a prophetic window into a lost future. Created in 1914, at the precipice of a world about to be irrevocably changed by the Great War, this black and white drawing serves as a cornerstone of the Futurist movement. The composition presents a monumental structure that defies the static traditions of the 19th century, replacing heavy ornamentation with the raw, kinetic energy of industrial progress. Through his masterful use of stark contrasts and precise linework, Sant’Elia invites us to step into a cityscape defined by motion, where the boundaries between architecture and machinery begin to dissolve.
The drawing captures an intricate dance of geometric forms, showcasing a building that feels alive with technological vitality. The presence of external lifts and covered walkways suggests a structure designed for constant flux—a place where human movement is integrated into the very skeleton of the edifice. As the eye wanders across the multiple levels and soaring towers, one notices the rhythmic placement of windows and the structural honesty of the design. There is a profound sense of verticality here; the building does not simply sit upon the earth but seems to reach upward, driven by an unyielding ambition to conquer space through the use of modern materials like iron and glass.
The Soul of Futurist Dynamism
To understand this work is to understand the heartbeat of Italian Futurism. Sant’Elia, a figure whose life was tragically brief, sought to strip architecture of its historical baggage, favoring instead a vitalistic activism that celebrated the speed, noise, and power of the modern age. This piece embodies his "Città Nuova" (New City) concept—a vision of an urban labyrinth interconnected by bridges, flyovers, and train tracks. The technique employed here is deceptively simple yet emotionally heavy; the monochromatic palette strips away the distraction of color to focus our attention on the structural rhythm and the interplay of light and shadow. It is a study in strength, symmetry, and the beauty of functionalist design.
For the discerning collector or interior designer, this artwork offers a sophisticated intellectual depth that transcends mere decoration. It serves as a powerful focal point for spaces that celebrate modernism, industrial chic, or avant-garde aesthetics. The piece evokes a sense of nostalgia for a future that never quite arrived, making it an evocative conversation starter in any curated collection. Whether displayed in a minimalist gallery setting or integrated into a contemporary living space, Sant’Elia’s vision brings a timeless, structural elegance and a profound sense of historical importance to its surroundings.
About this artwork
- Title: Building with external lifts, gallery, covered walkway, on three floors
- Artist: antonio sant'elia
- Year: 1914
- Format: Square
- Copyright status: Public domain
- Where to see it: Pinacoteca Civica di Palazzo Volpi
- Movement: Futurism
- Medium: Drawing
- Period: Modern
- Corpus context: core of città nuova , modern technological innovation


