Suprematism. Splitting of Construction From 78
Kazimir Malevich (1878 – 1935)
Kazimir Malevich (1878-1935): Ukrainian founder of Suprematism & pioneer of abstract art. Explore iconic works like Black Square, geometric forms, & pure feeling's impact on 20thC art.
Kazimir Malevich: A Pioneer of Abstract Art
Kazimir Severinovich Malevich (1879-1935) stands as a monumental figure in the history of art, recognized globally for his groundbreaking contribution to abstract expressionism and his unwavering belief in the transformative power of pure artistic form. Born in Kyiv Oblast, Ukraine, Malevich’s formative years instilled within him an appreciation for Ukrainian folk traditions alongside a burgeoning fascination with European avant-garde movements—a duality that would profoundly shape his artistic trajectory.
The Essence of Suprematism
Malevich's artistic philosophy centered on “Suprematism,” a radical movement he founded in 1915, rejecting representational imagery altogether. Driven by the conviction that art should transcend mere imitation of nature and instead communicate directly with the viewer’s subconscious mind, Malevich sought to distill painting down to its most fundamental elements—geometric shapes like squares, circles, and rectangles—and their relationships to each other. This approach wasn't merely stylistic; it represented a profound epistemological shift, aiming for “the supremacy of pure feeling” and spiritual liberation.
Analyzing "Splitting of Construction From 78"
“Splitting of Construction From 78,” created around 1917-9, exemplifies Malevich’s Suprematist aesthetic with remarkable precision. The artwork depicts a stylized hat—a familiar object imbued with symbolic significance—deconstructed into fragmented geometric forms. A dominant curved shape dominates the upper portion, mirroring the brim of the hat, while a rectangular form represents its crown. Beneath this, a tapering handle diagonally descends, connecting to the crown and emphasizing linearity.
The background is rendered as an expanse of pristine white space—a deliberate choice that underscores the isolation of the shapes and reinforces Malevich’s concept of “non-objectivity.” The drawing utilizes hatching and crosshatching techniques to generate tonal variations and suggest volume, achieved through careful manipulation of graphite pencil strokes. These lines are loose and gestural, conveying spontaneity and dynamism—a characteristic antithetical to traditional artistic conventions.
Historical Context & Artistic Legacy
Malevich’s Suprematism emerged during a period of intense intellectual ferment in Russia following the Bolshevik Revolution. Influenced by Cubism and Futurism, he sought to liberate art from the constraints of realism, aligning himself with the broader movement toward experimentation and innovation. “Splitting of Construction From 78” serves as a testament to Malevich’s unwavering commitment to this vision—a bold declaration that pure geometric abstraction could achieve a higher level of artistic expression than representational depiction.
His work continues to resonate with artists and critics alike, cementing his place as one of the most influential figures in 20th-century art. Malevich’s insistence on reducing visual experience to its essential components—a principle that anticipates developments in Minimalism and Conceptual Art—remains remarkably pertinent today.
About this artwork
- Title: Suprematism. Splitting of Construction From 78
- Artist: Kazimir Malevich
- Format: Portrait
- Copyright status: Public domain
- Medium: Acrylic On Canvas
- Medium type: WallArt
- Purpose: Accent
- Keywords: avant garde painting style , geometric abstraction , minimalist art
- Color hue: Blue-Violet to Rose
- Perceived brightness: brilliant
Quick Facts
- Influences: Cubism
- Artist: Kazimir Malevich
- Medium: Pencil drawing on paper
- Artistic style: Abstract expressionism
- Title: Suprematism. Splitting of Construction From 78
- Notable elements or techniques: Geometric forms; hatching and crosshatching shading
