24 Tales of Filial Piety : No.6 He Shan Nan
Woodblock Print
Ukiyo-e
1890
19th Century
35.0 x 23.0 cm
Keio University Library
toyohara chikanobu (1838 – 1912)
Toyohara Chikanobu (1838-1912) was a prominent Japanese woodblock artist of the Meiji era, known for his vibrant depictions of historical events, landscapes, and bijinga (beautiful women). Explore his art & legacy!
Keio University Library (Tokyo, Japan)
n 8 minutes on foot from JR Tamachi Station 7 minutes on foot from Toei Subway Mita Station 8 minutes on foot from Akabanebashi Station
A Moment of Serenity in the Meiji Era
In the delicate interplay of light and shadow captured within "24 Tales of Filial Piety : No.6 He Shan Nan," we are transported to a quiet, intimate corner of late 19th-century Japan. Created in 1890 by the master woodblock artist Toyohara Chikanobu, this exquisite work serves as more than just a visual narrative; it is a window into the soul of the Meiji era. The scene unfolds with a profound sense of stillness, depicting a woman dressed in traditional Japanese attire, cradling her child amidst a gathering of loved ones. As natural light streams through a nearby window, it bathes the room in a warm, golden glow, illuminating the textures of the floor and the soft contours of the figures. This composition does not merely present a domestic scene; it invites the viewer to participate in a shared moment of peace, where the boundaries between the observer and the observed dissolve into a singular, breathing atmosphere of familial devotion.
The artistry of Chikanobu is on full display through his masterful command of the ukiyo-e tradition. While many artists of his time were racing toward Westernization, Chikanobu utilized the woodblock medium to preserve the elegance of classical Japanese aesthetics. In this specific piece, the technique allows for a breathtaking level of detail—from the subtle folds in the woman's kimono to the gentle expressions on the faces of the surrounding companions. The balance of the composition, with figures strategically placed to guide the eye through the room, creates a sense of depth and spatial harmony. For the discerning collector or interior designer, this work offers a sophisticated interplay of organic shapes and structured light, making it an ideal centerpiece for spaces that value tranquility, heritage, and the timeless beauty of Eastern craftsmanship.
The Symbolism of Devotion and Heritage
Beyond its aesthetic allure, "He Shan Nan" carries a profound emotional and cultural weight. As part of Chikanobu’s series celebrating tales of filial piety, every element within the frame is imbued with symbolic meaning. The act of the mother holding her child serves as a powerful metaphor for the continuity of lineage and the sacred duty of care that defines the human experience. The presence of other figures in the background—some standing near the periphery, others resting quietly—suggests a community bound together by shared values and mutual respect. This theme of devotion is central to the artwork's impact; it resonates with anyone who finds beauty in the quiet strength of family bonds.
For those looking to integrate this piece into a curated collection or a modern living space, its value lies in its ability to evoke nostalgia and emotional resonance. It is an artwork that speaks of stability in a changing world. The soft palette and the gentle narrative make it a versatile choice for high-end decor, providing a sense of historical depth to contemporary interiors. Owning a reproduction of such a significant work allows one to bring a piece of Japan's golden age of printmaking into the home, offering a daily encounter with a legacy of peace, love, and enduring cultural pride.
About this artwork
- Title: 24 Tales of Filial Piety : No.6 He Shan Nan
- Artist: toyohara chikanobu
- Year: 1890
- Original dimensions: 35.0 x 23.0 cm
- Format: Portrait
- Copyright status: Public domain
- Where to see it: Keio University Library
- Movement: Ukiyo-e
- Creative period: Meiji Era
- Main color: Brown
Quick Facts
- Artist: Toyohara Chikanobu
- Subject or theme: Filial piety and family life
- Title: 24 Tales of Filial Piety : No.6 He Shan Nan
- Year: 1890
- Artistic style: Meiji era woodblock print