Untitled (photograph of pigeon reflected in water taken by Susan McCartney)
Black and White Photography
Photo
Surrealism
1972
Modern
23.0 x 18.0 cm
Joseph Cornell (1903 – 1972)
Discover Joseph Cornell (1903-1972), a visionary American artist renowned for his poetic shadow boxes & experimental films. Explore his surreal assemblages and influence on avant-garde art.
A Moment of Stillness: The Poetic Vision of Joseph Cornell
In the quiet intersection of reality and reflection lies Untitled (photograph of pigeon reflected in water taken by Susan McCartney), a profound work from 1972 that captures the essence of introspection. Created by the American master of assemblage, Joseph Cornell, this piece transcends its modest dimensions of 23 x 18 cm to offer a window into a much larger, more contemplative universe. The artwork presents a stark, black and white photograph of a pigeon perched at the edge of a body of water, its gaze fixed intently upon its own mirrored image. Through this simple yet evocative composition, Cornell invites us to pause, stripping away the distractions of color to focus on the raw, monochromatic beauty of nature’s quietest moments.
The technique employed here is one of masterful restraint. By utilizing a black and white medium, the artist achieves a sense of timelessness that allows the textures of the rock, the ripples in the water, and the delicate feathers of the bird to emerge with striking clarity. The symmetry created by the reflection acts as a visual anchor, drawing the viewer’s eye toward the center of the frame where the physical world meets its liquid twin. This duality is central to Cornell's artistic language; he often sought to bridge the gap between the tangible object and the dreamlike realm of the imagination, using found imagery to construct much deeper emotional landscapes.
Symbolism and the Mirror of the Soul
Beyond its surface beauty, the piece serves as a powerful metaphor for the human condition. The pigeon, lost in the observation of its own reflection, becomes a symbol of self-reflection and introspection. In the context of Cornell’s broader body of work—often characterized by his enigmatic shadow boxes and surrealist-leaning collages—this photograph functions as a meditation on identity. As the bird gazes into the water, it confronts a version of itself that is both identical and subtly altered by the movement of the tide, mirroring the way our own identities are shaped by our internal thoughts and external perceptions.
For collectors and interior designers alike, this artwork offers a unique emotional resonance. It possesses a serene and calming aura, making it an ideal centerpiece for spaces designed for contemplation, such as a private study, a library, or a minimalist living area. The piece does not demand attention through loud colors or chaotic movement; instead, it commands respect through its profound stillness. Owning a high-quality reproduction of this work allows one to bring a sense of peace and intellectual depth into a modern home, serving as a constant reminder of the beauty found in quiet observation.
A Legacy of Found Wonders
Joseph Cornell’s contribution to American art remains unparalleled due to his ability to find the extraordinary within the ordinary. Though he was largely self-taught, his connection to the Surrealist movement allowed him to imbue everyday subjects—like a common pigeon or a simple photograph—with a sense of mystery and magic. This specific work, created toward the end of his life, showcases his enduring ability to manipulate scale and subject matter to evoke a sense of wonder. It stands as a testament to a career spent exploring the "worlds within worlds," making it an essential piece for any serious enthusiast of 20th-century American assemblage and photography.
About this artwork
- Title: Untitled (photograph of pigeon reflected in water taken by Susan McCartney)
- Artist: Joseph Cornell
- Year: 1972
- Original dimensions: 23.0 x 18.0 cm
- Format: Portrait
- Copyright status: Under copyright
- Movement: Surrealism
- Period: Modern
- Medium type: Photo
- Corpus context: use of found objects , nature and self relationship
Quick Facts
- Notable elements: Reflection, symmetry, found objects
- Location: Smithsonian American Art Museum
- Year: 1972
- Artistic style: Surrealist assemblage
- Artist: Joseph Cornell
- Subject or theme: Nature, introspection, and contemplation