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Ocean of Flowers

Explore the intricate paper sculptures of Li Hongbo (born 1974). This Chinese artist creates stunning, lifelike works using only paper & glue. Discover his unique art!

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Ocean of Flowers (2012) was presented in the Mould Loft on upper level of Cockatoo Island, for the 18th Biennale of Sydney (2012).Over the past few years, Li Hongbo has been gluing piles of paper together. Ocean of Flowers begins with the honeycomb technique carved into forms resembling weapons that he twirls into new ‘flower shapes’. With the global proliferation of weapons – the utopian ideals of the 1950s in China, or the 1970s elsewhere, seem so long ago and forgotten – we now sit on powder kegs everywhere. The international making and trading of guns is a colossal business, yet superpowers argue that having big guns is a deterrent to proliferation. We have only created more sophisticated killing machines that take lives as easily, and as effortlessly, as picking flowers.Artist StatementDesire causes damage, damage results in hatred, hatred accumulates conflicts, conflict leads to war. Weapons are for war, not merely defend yourself but also to annihilate others. However all people are born of lust and destroyed by the same thing. This is the formation of blood and tears from thousands of years of human history and suffering, but also as the result. The ‘flower’ in my work looks so bright and grandstanding, whether people can really comprehend the damage hidden behind it. When the muzzle points to any creature, no matter for what purpose, it represents the end of life or a painful struggle. We are all losers when the fall of lives reveal in our sight. Where there is a life, strong or weak, long or short, large or small, coarse or fine, near or far, visible or invisible, born or to be born, all should be lived with infinite kindness and a heart to love. Do not do harm to others because of your own selfishness. The designer of AK47 once said that the purpose of manufacturing weapons is always for self-defence, not to kill. If this principle can be widely accepted, the world will not need weapons.

Artist Biography

Li Hongbo: Sculpting Silence and Tradition

Li Hongbo (born 1974 in Siping, Jilin Province) is a Chinese artist whose distinctive approach to sculpture—primarily utilizing paper—has garnered international acclaim. His work transcends mere materiality; it embodies a profound engagement with ancient Chinese traditions while simultaneously pushing the boundaries of contemporary artistic expression. Born into a region steeped in folklore and craftsmanship, Li Hongbo’s artistic journey began at Jilin Normal University where he honed his foundational skills before pursuing postgraduate studies at the Central Academy of Fine Arts in Beijing, cementing his commitment to both academic rigor and experimental innovation.
  • Early Influences: Li Hongbo's fascination with paper sculpture stems from a deep appreciation for the honeycomb technique—a method employed in crafting traditional Chinese lanterns—which he meticulously recreates in his monumental installations. This technique, rooted in centuries of artisanal practice, speaks to a reverence for heritage and meticulous attention to detail.
  • Formal Education: He earned his Bachelor of Fine Arts degree from Jilin Normal University in 1996 and subsequently pursued Master’s degrees in Folk Art (2001) and Experimental Art (2010), both at the Central Academy of Fine Arts, equipping him with a comprehensive understanding of art history and contemporary artistic methodologies.

The Honeycomb Technique: A Dialogue With Tradition

Li Hongbo’s signature method—the honeycomb technique—is more than just a sculptural process; it's a deliberate invocation of Chinese cultural memory. By painstakingly layering and gluing countless sheets of paper together, he achieves astonishing structural complexity while simultaneously mirroring the intricate patterns found in ancient lanterns. This approach isn’t merely about replicating form; it’s about embodying spirit—a quiet contemplation of time and transformation that echoes the enduring symbolism of lantern festivals throughout Chinese history. The resulting sculptures possess a remarkable fluidity, capable of expanding, contracting, and unfolding like accordion folds, hinting at influences from folk traditions and challenging conventional perceptions of sculptural permanence.
  • Material Exploration: Li Hongbo’s masterful manipulation of paper demonstrates an unwavering dedication to exploring the potential of seemingly humble materials. He elevates paper—often associated with simplicity and vulnerability—to monumental scale, transforming it into breathtaking sculptures that defy expectations.
  • Kinetic Sculpture: The movement inherent in his honeycomb creations underscores a core artistic principle: embracing change and acknowledging the ephemeral nature of existence. These sculptures invite viewers to contemplate the interplay between stillness and dynamism, mirroring the rhythms of life itself.

Notable Exhibitions and Recognition

Li Hongbo’s work has captivated audiences worldwide through numerous solo exhibitions and group shows featuring in prestigious institutions such as Ludwigsburg Museum (Germany), Sydney Biennale (Australia), Minsheng Art Museum (Beijing), and Found Museum (Beijing). His installations have been lauded for their conceptual depth, technical virtuosity, and evocative visual language. Particularly noteworthy is his participation in the 18th Biennale of Sydney where his monumental paper sculptures garnered critical acclaim for their ambitious scale and profound engagement with themes of tradition and innovation. Furthermore, he has showcased his artistic vision at institutions like Jeonbuk Museum of Art (South Korea) and Islamic Art Festival (UAE), solidifying his position as a leading voice in contemporary Chinese art.
  • Ludwigsburg Museum: His monumental paper sculptures were prominently displayed at Ludwigsburg Museum, showcasing the artist’s ability to transform ordinary materials into extraordinary artistic statements.
  • Sydney Biennale: Li Hongbo's contribution to the Sydney Biennale cemented his reputation as a visionary sculptor who seamlessly blends historical references with innovative sculptural techniques.

A Legacy of Quiet Innovation

Li Hongbo’s artistic philosophy centers on a belief that “May I be like a piece of paper: pure at birth and silent in death,” reflecting his profound appreciation for simplicity, contemplation, and the acceptance of inevitable change. His sculptures serve as powerful reminders that beauty can reside in unexpected places—that even the most unassuming materials can convey complex ideas and emotions. Through his unwavering dedication to craftmanship and his exploration of symbolic themes rooted in Chinese cultural heritage, Li Hongbo has established himself as a singular figure in contemporary art, leaving an indelible mark on the artistic landscape.
Li Hongbo

Li Hongbo

1974 - , China

Quick Facts

  • Artistic Movement Or Style: Paper Sculpture Art
  • Artists Or Movements Influenced By This Artist: ['Honeycomb Lantern Technique']
  • Artists Who Influenced This Artist: ['']
  • Date Of Birth: 1974
  • Full Name: Li Hongbo
  • Nationality: Chinese
  • Notable Artworks:
    • Ocean of Flowers
    • Textbooks
  • Place Of Birth: Siping, China