Exodus #18, And he wrote upon the tablets the words of the covenant, the Ten Commandments
German Expressionism
1960
Modern
51.0 x 65.0 cm
Leo Baeck Institute
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Collectible Description
A Divine Encounter in Ink and Wood
In the profound stillness of Peter Lipman-Wulf’s 1960 masterpiece, Exodus #18, And he wrote upon the tablets the words of the covenant, the Ten Commandments, we are invited to witness a moment of cosmic significance. This evocative work transcends mere biblical illustration, offering instead a visceral connection to the sacred. The painting presents a striking close-up of two weathered wooden tablets, their surfaces etched with the ancient Hebrew script of the Decalogue. There is an undeniable weight to the composition; the texture of the wood and the deliberate, almost rhythmic engraving of the letters suggest a permanence that defies the passage of time. Through his masterful use of detail, Lipman-Wulf captures not just the text of the covenant, but the very essence of divine law being etched into the physical world.
The brilliance of this piece lies in its unexpected visual tension. While the tablets serve as the structural anchor of the work, a hauntingly beautiful element emerges from the periphery: a face peeking softly from behind the heavy wood. This subtle inclusion transforms the painting from a historical tableau into a psychological experience. It introduces a sense of divine presence—or perhaps human witness—that watches over the sacred text with an intensity that is both protective and awe-struck. This interplay between the tangible, textured tablets and the ethereal, partially obscured figure creates a dynamic composition that keeps the viewer’s eye moving, searching for meaning within the shadows and the light.
Expressionist Roots and Spiritual Depth
Drawing from his rich heritage of German Expressionism, Lipman-Wulf employs a technique that favors emotional truth over photographic realism. The bold lines and the interplay of light and shadow serve to heighten the drama of the Exodus narrative. As a sculptor and printmaker by training, the artist brings a tactile sensibility to this painting; one can almost feel the grain of the wood and the depth of the incisions. This mastery of form allows the artwork to resonate with a profound sense of gravity, making it an ideal centerpiece for those who appreciate art that speaks to the soul. The piece serves as a bridge between the turbulent history of the twentieth century and the timelessness of ancient myth.
For the discerning collector or interior designer, this reproduction offers more than just aesthetic beauty; it provides a focal point of contemplation. Whether placed in a quiet study, a grand library, or a contemporary living space, the painting’s rich textures and deep symbolic layers command attention. It is a work that invites conversation, prompting reflections on law, morality, and the unseen forces that shape human existence. Owning such a piece is an opportunity to surround oneself with a fragment of history that remains vibrantly alive, capturing a moment where the earthly and the divine momentarily intersect.
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Artist Biography
early life and education
lipman-wulf, peter, a german-born sculptor and printmaker, was born on april 27, 1905, in berlin, germany. his father, a lawyer, and his mother, a sculptor and portraitist, instilled in him an early appreciation for the arts. lipman-wulf studied at the berlin academy, laying the foundation for his future artistic endeavors.artistic career and migration
in 1933, with the rise of the nazi regime, lipman-wulf left germany, immigrating to the united states. this pivotal move marked a significant shift in his career, as he became a professor at adelphi university in garden city, ny.artistic style and influences
lipman-wulf's work, characterized by its expressionist undertones, reflects the turbulent era in which he lived. his sculptures and prints, often featuring bold lines and vibrant colors, demonstrate a unique blend of german expressionism and american influences.notable works and collections
- lipman-wulf's works can be found in various collections, including the museum collection lippmann (berlin, germany), which showcases a diverse array of artistic styles and periods.
- his engravings and woodcuts, such as those featured in the museum collection lippmann, demonstrate his technical prowess.
- similar to ernst ludwig kirchner's works, like variety dancer, lipman-wulf's pieces often capture the essence of human experience.
legacy and later life
lipman-wulf passed away on september 25, 1993, in hamburg, germany. his legacy, however, endures through his art, which continues to inspire new generations.- explore more of lipman-wulf's works and the museum collection lippmann at https://ArtsDot.com/@/lipman-wulf.
- discover the lehmbruck museum, germany, and its unique collection of modern sculptures at https://ArtsDot.com/@@/a@d3b3fp.
references
lipman-wulf, peter
1905 - 1993 , Germany
Quick Facts
- Artistic Movement Or Style: Expressionism
- Artists Or Movements Influenced By This Artist: ['German Expressionism']
- Artists Who Influenced This Artist: ['Ernst Ludwig Kirchner']
- Date Of Birth: April 27, 1905
- Date Of Death: September 25, 1993
- Full Name: Peter Lipman-Wulf
- Nationality: German
- Notable Artworks:
- Fire--The Descent, #3
- In its foliage, leaf by leaf, thickly gathered as dew-drops sat, #8
- The night circled in its immense space, the orb turned by Atlas, #4
- Place Of Birth: Berlin, Germany