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Showing 23 artworks with Federico Fiori Barocci and with artwork date before 1584 and with artwork date after 1574

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Annunciation — Federico Fiori Barocci

Federico Fiori Barocci

1582
Annunciation

Discover Federico Barocci’s stunning Annunciation (1582). A Baroque masterpiece featuring dramatic lighting & rich colors. Explore this pivotal religious scene's symbolism & technique.

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Madonna Del Popolo — Federico Fiori Barocci

Federico Fiori Barocci

1575
Madonna Del Popolo

Admire Federico Barocci's 'Madonna del Popolo' (1575-79), a masterpiece showcasing emotive spirituality & transition from Mannerism. Explore its rich details, including figures and serene atmosphere.

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Five Studies Of Male Figure And Two Of His Right Hand And Arm (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi) — Federico Fiori Barocci

Federico Fiori Barocci

1579
Five Studies Of Male Figure And Two Of His Right Hand And Arm (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi)

Federico Barocci’s charcoal study ‘Five Studies…’ showcases Baroque dynamism & anatomical detail. Explore this preparatory drawing for the ‘Madonna del Popolo’ masterpiece.

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Nude Male Figure Playing Hurdy-gurdy, Studies Of His Bust, Head And Hands (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi) — Federico Fiori Barocci

Federico Fiori Barocci

1579
Nude Male Figure Playing Hurdy-gurdy, Studies Of His Bust, Head And Hands (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi)

Federico Barocci’s ‘Nude Male Playing Hurdy-gurdy’ – a stunning Renaissance study of the human form in charcoal. Explore this exquisite 1579 sketch's detail & symbolism.

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Nude Male Figure Playing Hurdy-gurdy, Studies Of His Bust, Head And Hands (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi) — Federico Fiori Barocci

Federico Fiori Barocci

1579
Nude Male Figure Playing Hurdy-gurdy, Studies Of His Bust, Head And Hands (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi)

Delve into Federico Barocci’s masterful charcoal sketch 'Nude Male Playing Hurdy-gurdy,' a preparatory study for the Madonna del Popolo masterpiece. Explore anatomical precision & Renaissance artistry.

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Three Studies Of Sitting Figure, Drapery Sketches (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Three Studies Of Sitting Figure, Drapery Sketches (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Explore Federico Fiori Barocci's 'Three Studies of Sitting Figure,' a preparatory sketch for Saint Vitalis’ martyrdom, showcasing Renaissance anatomical study and expressive lines at Pinacoteca di Brera.

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One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Federico Barocci's 'Calling of Saint Andrew' study showcases three nude figures – standing and kneeling – reflecting his masterful use of light, form, and dynamic composition. Explore this Renaissance masterpiece!

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One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
One Study Of A Standing Nude Male Figure And Two Studies Of A Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Experience the captivating beauty of Federico Barocci's 'One Study...' – a masterful nude figure painting from 1583, showcasing dynamic poses and exquisite detail. Explore Renaissance art at its finest!

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Three Studies Of Sitting Figure, Drapery Sketches (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Three Studies Of Sitting Figure, Drapery Sketches (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Admire Federico Fiori Barocci’s masterful study of Saint Vitalis' martyrdom – a pivotal Mannerist sketch executed in 1583, showcasing dynamic poses and loose charcoal strokes.

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Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Federico Barocci's 'Three Studies...' showcases preparatory sketches for a Saint Vitalis martyrdom scene. Explore dynamic figures, anatomical detail & Renaissance techniques in this captivating study of form and emotion.

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Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Witness the brilliance of Federico Barocci's 'Calling of Saint Andrew'! This captivating nude study showcases dynamic composition and masterful light, foreshadowing Baroque art. Explore a Renaissance masterpiece.

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Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Kneeling Nude Male Figure (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Witness the brilliance of Federico Barocci's 'Kneeling Nude Male Figure'! This Renaissance masterpiece captures grace & strength, showcasing his innovative style and masterful technique. Explore a timeless work of art.

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Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Three Studies Of Male Bust And Two Of A Knee (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Admire Federico Barocci's masterful preparatory sketch 'Three Studies of Male Bust and Two of Knee,' capturing the essence of Renaissance art with its monochrome palette and expressive charcoal lines – a cornerstone of Brera Art Gallery’s collection.

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Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Federico Barocci's 'Cloaked Male Figure' (1583) is a captivating study of drapery and form, part of his preparatory work for "Calling of Saint Andrew." Explore the masterful detail & Baroque influence in this exquisite drawing.

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Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Cloaked Male Figure And Studies Of His Left Leg; Drapery Studies (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Federico Barocci's 'Cloaked Male Figure' captures the pre-Baroque era with striking drapery studies and a mysterious male form. Explore this intimate drawing from 1583, a window into his artistic process.

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Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Explore Federico Barocci's 'Partial Study' – a captivating preparatory sketch for the ‘Martyrdom of Saint Vitalis’. Witness dynamic figures, anatomical detail & Renaissance artistry in this study of form and emotion.

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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Barocci's 'Two Figure Studies' showcases a nude woman and a clothed man with an angel, a dynamic Baroque masterpiece from 1579 at the Uffizi Gallery in Florence.

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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Barocci's 'Two Figure Studies' showcases a nude and clothed figure with a putto, inspired by Florence’s ‘Madonna del Popolo.’ Explore the dynamic composition & Renaissance artistry in this 1579 masterpiece.

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Five Studies Of Male Figure And Two Of His Right Hand And Arm (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi) — Federico Fiori Barocci

Federico Fiori Barocci

1579
Five Studies Of Male Figure And Two Of His Right Hand And Arm (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi)

Delve into Federico Barocci’s masterful charcoal sketch 'Nude Male Playing Hurdy-gurdy,' a preparatory study for the Madonna del Popolo masterpiece. Explore anatomical precision & Renaissance artistry.

$19.00
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Man’s Head (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Man’s Head (for “calling Of Saint Andrew”, Bruxelles, Musées Royaux Des Beaux-arts De Belgique)

Federico Barocci’s ‘Man’s Head,’ a meticulously rendered graphite study from 1583, captures Renaissance precision with Baroque foreshadowing. Explore this preparatory drawing for Rubens’ ‘Calling of Saint Andrew’ and own a piece of art history.

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Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera) — Federico Fiori Barocci

Federico Fiori Barocci

1583
Partial Study Of Two Nude Male Figures, One With Raised Arm, The Other On The Ground And Leg And Arm Studies Of The First One (for “martyrdom Of Saint Vitalis”, Milano, Pinacoteca Di Brera)

Explore Federico Barocci's 'Partial Study' – preparatory sketches for ‘Martyrdom of Saint Vitalis’. Witness dynamic nude figures, anatomical detail & Renaissance artistry in this captivating study from 1583.

$19.00
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Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies — Federico Fiori Barocci

Federico Fiori Barocci

1579
Two Figure Studies, One Nude And The Other Clothed With A Putto In His Arms (for “madonna Del Popolo”, Firenze, Galleria Degli Uffizi); Drapery Studies

Federico Fiori Barocci's 'Two Figure Studies,' one nude and the other clothed with a putto in his arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), created in 1579, is a charcoal drawing measuring 21 x 32 cm housed at the Uffizi Gallery. This study exemplifies Barocci's influence on Baroque art and showcases anatomical precision.

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Stone-thrower For The Martyrdom Of St Vitalis — Federico Fiori Barocci

Federico Fiori Barocci

1582
Stone-thrower For The Martyrdom Of St Vitalis

Federico Barocci’s dramatic depiction captures a moment of fervent piety—a stone-thrower passionately confronting martyrdom—reflecting the Baroque fervor and showcasing masterful detail in Urbino during 1582. Explore this evocative artwork and bring Renaissance artistry into your home.

$19.00
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