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Showing 24 artworks out of 174 with Kazimir Malevich

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Suprematistic Composition (feeling Of The Current. Telegraphy.) — Kazimir Malevich

Kazimir Malevich

1927
Suprematistic Composition (feeling Of The Current. Telegraphy.)

Kazimir Malevich's Suprematistic Composition (Feeling of the Current. Telegraphy.), created in 1927, exemplifies Suprematism’s radical rejection of representational imagery. Featuring simple geometric shapes—primarily circles and rectangles—arranged on a plain background, this black and white masterpiece captures dynamism through intersecting lines and embodies Malevich's pursuit of pure feeling.

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Black Square — Kazimir Malevich

Kazimir Malevich

1916
Black Square

Experience the radical void of Kazimir Malevich's Black Square, a 1915 Suprematist masterpiece that redefined abstract art through pure geometric emotion and invites you to explore this iconic piece for your collection.

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Demon — Kazimir Malevich

Kazimir Malevich

1914
Demon
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Girl In The Country — Kazimir Malevich

Kazimir Malevich

Girl In The Country

Kazimir Malevich’s Neo-Suprematism masterpiece captures a serene portrait amidst rural architecture—a bold exploration of geometric abstraction reflecting the artist's pioneering vision and inviting viewers to experience timeless beauty.

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Three Woman Figures — Kazimir Malevich

Kazimir Malevich

Three Woman Figures
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Suprematism (21) — Kazimir Malevich

Kazimir Malevich

Suprematism (21)
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Motherhood — Kazimir Malevich

Kazimir Malevich

Motherhood

Kazimir Malevich’s ‘Motherhood’ – a stark black & white Suprematist masterpiece. Explore geometric forms, emotional intensity & vulnerability in this unique drawing.

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Circle — Kazimir Malevich

Kazimir Malevich

Circle

Explore Kazimir Malevich’s ‘Circle,’ a meticulously detailed monochrome drawing embodying Suprematism. Admire its textured dot pointillism & balanced composition – a key piece of 20th-century art.

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Portrait Of Woman — Kazimir Malevich

Kazimir Malevich

Portrait Of Woman

Malevich’s exploration of color, form, and texture reflects the core tenets of Suprematism. This painting stands as a testament to his innovative approach to portraiture and its place within the broader context of modernist art.

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Female Figure — Kazimir Malevich

Kazimir Malevich

1932
Female Figure
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Landscape Near Kiev — Kazimir Malevich

Kazimir Malevich

1930
Landscape Near Kiev

Kazimir Malevich’s serene landscape near Kyiv embodies Impressionism's evocative beauty—a solitary figure observes the tranquil scene of a brick building and lush trees against a backdrop of rural Ukraine, inviting you to experience this timeless masterpiece.

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As We Stopped For Lyk — Kazimir Malevich

Kazimir Malevich

1914
As We Stopped For Lyk

Kazimir Malevich’s ‘As We Stopped For Lyk,’ painted in 1914, embodies Cubo-Futurist abstraction and pure emotion—a cornerstone of early 20th century art. Explore this iconic piece at WikiArt.org – your premier source for visual art.

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Front And Back Program Cover For The First Congress Of The Committees On Rural Poverty — Kazimir Malevich

Kazimir Malevich

Front And Back Program Cover For The First Congress Of The Committees On Rural Poverty

Kazimir Malevich's "Front and Back Program Cover" is an arresting abstract composition featuring bold red squares and black triangles—a seminal piece reflecting the spirit of Russian avant-garde during the turbulent years following World War I.

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Stage Design, Act 1, Scene1 — Kazimir Malevich

Kazimir Malevich

Stage Design, Act 1, Scene1

Explore Kazimir Malevich's 'Stage Design, Act 1, Scene1,' a striking black and white Suprematist sketch embodying geometric abstraction and theatrical dynamism. Discover its influence on modern art & see it reproduced in exquisite detail.

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Resting. Society In Top Hats — Kazimir Malevich

Kazimir Malevich

1908
Resting. Society In Top Hats

Kazimir Malevich's 'Composition VIII,' painted in 1935, embodies Suprematism—a radical abstraction prioritizing geometric forms like squares and circles over recognizable imagery. Its stark simplicity reflects Malevich’s belief in art as pure intellect.

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Dibujo Suprematista — Kazimir Malevich

Kazimir Malevich

Dibujo Suprematista

A striking black and white Suprematist painting by Kazimir Malevich featuring geometric shapes – circles, squares, triangles – arranged in an abstract composition reflecting the artist's pioneering exploration of pure visual form.

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Landscape With Five Houses — Kazimir Malevich

Kazimir Malevich

1932
Landscape With Five Houses

Kazimir Malevich’s ‘Landscape with Five Houses’ (1932) presents a striking abstract landscape featuring five white houses against a blue sky, showcasing the artist's pioneering work in early 20th-century art. Discover this unique piece and bring its timeless beauty into your space.

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Vertical Suprematist Construction — Kazimir Malevich

Kazimir Malevich

Vertical Suprematist Construction
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Square — Kazimir Malevich

Kazimir Malevich

1913
Square
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Suprematism. Splitting Of Construction From 78 — Kazimir Malevich

Kazimir Malevich

Suprematism. Splitting Of Construction From 78
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Cuadrado Negro Y Cuadrado Rojo — Kazimir Malevich

Kazimir Malevich

Cuadrado Negro Y Cuadrado Rojo

Explore Kazimir Malevich's iconic 'Cuadrado negro y Cuadrado rojo,' a groundbreaking abstract painting embodying Suprematism’s radical simplicity and contrasting geometric shapes—a testament to modernist art history.

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Harvest — Kazimir Malevich

Kazimir Malevich

Harvest

Kazimir Malevich's 'Harvest' (1929) is a powerful Suprematist painting depicting rural labor with dynamic lines and muted tones, capturing the essence of toil and community.

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Head Of Peasant — Kazimir Malevich

Kazimir Malevich

1932
Head Of Peasant

Kazimir Malevich’s ‘Head of Peasant’ presents a distorted, abstracted portrait with a striking black and white palette, reflecting the artist's pioneering abstract style from 1932. Discover this iconic work and bring its unique vision home.

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Suprematist Painting 5 — Kazimir Malevich

Kazimir Malevich

Suprematist Painting 5

Admire Kazimir Malevich’s Suprematist Painting 5 – a groundbreaking geometric abstraction featuring a dominant white square bisected by a diagonal line, embodying the core principles of suprematism.

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