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Woman

Discover Morie Ogiwara (1879-1910), a pioneering Japanese sculptor! He revolutionized bronze sculpture during the Meiji era, blending Western styles with unique themes.

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Total Price

$ 263

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Woman

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$ 263

Artwork Description

This masterpiece by Ogiwara Rokuzan, who discovered the essence of Rodin’s art in Paris, is his last work. Rokuzan greatly influenced those artists who went on to lead the next generation of sculptors in Japan. Ogiwara Rokuzan was born in the town of Hodaka in Nagano Prefecture. After moving to Tokyo and enrolling in the Fudosha, he made his way to the United States, where he became aquainted with Takamura Kotaro and Yanagi Keisuke in New York. Although he originally studied oil painting, his encounter with Rodin’s The Thinker in Paris in 1904 made such an impact on him that he decided to become a sculptor instead. Having been able to meet Rodin in person, Rokuzan traveled through Italy, Greece, and Egypt before finally returning to Japan in 1908. From then on, he sought to produce works that were more than just superficial imitations of Western sculpture. Woman, which he made while in the throes of anguished love for the married Kokko Soma, is said to reflect her exact features. Formally, Rokuzan has succeeded in evoking a gentle, quiet feeling by placing her in a pose that accounts for the balance of a Japanese woman’s figure. At the same time, the generous sense of mass and the organization of the whole that retains stability while generating movement are elements Rokuzan learned from Rodin but then made distinctively his own. In this way, Rokuzan became an artist who, along with Takamura Kotaro, created an expression that transcended mere productive depiction in modern Japanese sculpture. “I can state with certainty that the true beauty of sculpture lies in its inner strength of life,” Rokuzan stated, burning with the urge to create. In 1910, however, he died suddenly at the age of 30. Woman, his last work, was exhibited in the fourth Bunten exhibition and purchased by the Ministry of Education. (Writer : Misato Shimazu Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

Artist Biography

Morie Ogiwara: Pioneer of Modern Japanese Bronze

Born Morie Ogiwara in 1879 in the remote mountains of Azumino, Nagano Prefecture, Japan, and tragically passing away in 1910, Ogiwara was a pivotal figure in the burgeoning world of modern Japanese art. Often referred to as Rokuzan Ogiwara, his life’s trajectory is one of remarkable transformation – from a young man forced into early labor to a celebrated sculptor who bridged Western artistic traditions with uniquely Japanese themes. His brief but impactful career fundamentally altered the landscape of bronze sculpture in Japan during the Meiji period, establishing him as a true pioneer and a cornerstone of Japanese modernism.

Ogiwara’s early life was marked by hardship. Born into a farming family, he was compelled to abandon his education at a young age due to a congenital heart condition. This experience instilled in him a deep appreciation for the simple realities of rural life and a quiet resilience that would later inform many of his works. His relocation to Tokyo in 1899, facilitated by the influential patronage of Aizō and Kokkō Sōma – the wealthy owners of the Nakamura-ya bakery – proved transformative. The Sōmas recognized Ogiwara’s innate artistic talent and provided him with the resources and encouragement he desperately needed to pursue his passion.

Influences and Artistic Training

The Sōmas' generosity extended beyond mere financial support; they actively fostered Ogiwara’s artistic development. Recognizing his potential, they arranged for him to study in both America and France – two nations at the forefront of artistic innovation during this period. In 1901, he traveled to New York City, immersing himself in the vibrant art scene and studying with Robert Henri and William Merritt Chase at the New York School of Art and the Art Students League. This exposure to American realism profoundly influenced his early work, grounding him in a direct observation of the human form.

However, Ogiwara’s artistic journey took an unexpected turn when he encountered Auguste Rodin's “The Thinker” at the Metropolitan Museum of Art. Witnessing the power and emotional depth of this monumental sculpture ignited within him a fervent desire to master bronze casting. He abandoned his painting studies and dedicated himself entirely to sculpting, a decision that would ultimately define his legacy. Subsequently, he traveled to Paris in 1903, where he continued his artistic education at the Académie Julian under the guidance of French masters. Crucially, he also met Kōtarō Takamura, another Japanese sculptor who served as a mentor and guide during this formative period.

Technique and Subject Matter

Ogiwara’s artistic style was characterized by a remarkable synthesis of Western techniques and deeply rooted Japanese sensibilities. He meticulously studied classical sculpture in the British Museum in London, absorbing the principles of anatomical accuracy and dynamic composition. Yet, he never lost sight of his Japanese heritage. His subjects often reflected themes of Buddhist philosophy, rural life, and the dignity of labor – reflecting the values and experiences of his homeland. His bronze sculptures are notable for their expressive power, capturing a sense of both strength and vulnerability.

Notable works such as “The Worker” and “Hojo Torakichi,” created during his time in Japan, exemplify this fusion of styles. These pieces, particularly "The Worker," depict scenes of everyday life with remarkable realism and emotional depth, showcasing the physical labor and quiet dignity of the Japanese peasantry. His masterpiece, “Woman,” completed shortly before his death, is considered a poignant exploration of feminine beauty and strength – a testament to his artistic maturity.

Legacy and Recognition

Despite his tragically short career, Morie Ogiwara left an indelible mark on the development of modern Japanese sculpture. His pioneering work challenged traditional notions of art and paved the way for future generations of sculptors. His sculptures are now recognized as Important Cultural Properties of Japan, a testament to their artistic merit and historical significance. The Rokuzan Art Museum in Hotaka, Azumino, serves as a poignant memorial to his life and work, preserving his legacy for future generations.

Ogiwara’s influence extends beyond the realm of art history. His story – a tale of hardship, perseverance, and artistic transformation – resonates deeply with Japanese audiences. A commemorative postage stamp was issued in his honor, and a television movie, “Rokuzan’s Love,” brought his life story to a wider audience, solidifying his place as a beloved figure in Japanese cultural memory.

morie ogiwara

morie ogiwara

1879 - 1910 , Japan

Quick Facts

  • Artistic Movement Or Style: Western-style bronze
  • Artists Or Movements Influenced By This Artist: ['Kōtarō Takamura']
  • Artists Who Influenced This Artist:
    • Robert Henri
    • William Chase
    • Auguste Rodin
  • Date Of Birth: 1879
  • Date Of Death: 1910
  • Full Name: Morie Ogiwara (Rokuzan)
  • Nationality: Japanese
  • Notable Artworks:
    • Kengfu
    • Nu
    • Woman
  • Place Of Birth: Azumino, Japan
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