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Apipakótene (The Other Hand)

Explore Natalia Revilla’s evocative Peruvian art! Known for ‘Apipakótene,’ her work blends Andean traditions & contemporary expression, capturing unique cultural narratives.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. (Buy Hand Made Painting Buy Hand Made PaintingBuy Image Buy Image)

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Total Price

$ 63

reproduction

Apipakótene (The Other Hand)

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Collectible Description

For Peruvian artist Natalia Revilla, a material as simple as a white sheet of paper allows her to develop a poetics of vacuity, absence, and loss. Each of her series is based on a different technique, such as embossing, cutting, and burning. The basic principle of the visual arts that divides the pictorial field between negative and positive space serves as a metaphor to re-examine the social impact of violence within the collective and personal memory. The incisions and burns that Revilla makes on the paper, as interventions on her drawings, intercept the figurative and graphic language of documentary images to convey the loss and violence that they, as images, naturally conceal. From an initial period when the artist experimented with various techniques and effects that produce the fissure, in her series Twenty Words, embossing emerged as a new treatment of the paper that revealed its sculptural dimension. In these works, the artist reflects on how the flat surface of a white sheet of paper is implicated in linear and mathematical forms of representation. Simultaneously a fragile and malleable material, the embossing technique used in her work turns paper into a zone of reconciliation between presence and absence. The human touch lost in the documentary record also speaks to the environmental damage caused by indiscriminate logging, an action closely linked to the reproduction of images.

Artist Biography

Natalia Revilla: Echoes of the Andes in Contemporary Art

Natalia Revilla, a Peruvian artist born and working in Lima, is a compelling voice within contemporary South American art. Her work isn’t merely visual; it's an immersive exploration of cultural memory, indigenous narratives, and the complex relationship between humanity and the natural world. Revilla’s artistic journey is deeply rooted in her Peruvian heritage, drawing inspiration from the rich traditions and profound symbolism of Andean civilizations – a lineage she meticulously investigates through a unique blend of meticulous technique and poignant conceptualization.

Revilla's artistic practice is characterized by a deliberate layering of techniques. She frequently employs paper cutting, embossing, burning, and ink—a potent combination that creates textured surfaces brimming with visual and tactile interest. This isn’t simply decorative; each element carries symbolic weight, reflecting the artist’s engagement with themes of epistemicide – the systematic erasure of indigenous knowledge – and the inherent ambiguities within communication when attempting to understand cultures vastly different from one's own. Her process is deeply meditative, a dialogue between herself, the materials, and the stories she seeks to convey.

Tracing Influences: Andean Roots and Beyond

Revilla’s artistic vision is undeniably shaped by her Peruvian roots. The legacy of pre-Columbian civilizations – the intricate artistry of the Inca, the vibrant textiles of the Moche, and the profound spiritual connection to Pachamama (Mother Earth) – permeate her work. However, she doesn't simply replicate these traditions; instead, she critically engages with them, questioning Western paradigms that often prioritize dominance and control over a more reciprocal relationship with nature. This engagement is further informed by a keen awareness of contemporary social and political realities in Peru, particularly the ongoing struggles faced by indigenous communities.

Beyond her immediate cultural context, Revilla’s work also demonstrates an appreciation for artists who have similarly explored themes of memory, trauma, and social justice. The influence of artists like Ovidio Murguía de Castro, known for his powerful Social Realist paintings depicting Indigenous life in Ecuador, is evident in Revilla's commitment to representing marginalized voices and challenging dominant narratives. Similarly, the meticulous documentation of indigenous cultures by Karl Bodmer, a 19th-century German explorer, speaks to Revilla’s own desire to preserve and honor cultural heritage.

“Apipakótene (The Other Hand)” – A Key Work

"Apipakótene (The Other Hand)," created in 2016, is arguably Revilla's most significant work to date. This piece exemplifies her signature style—a complex interplay of paper cutting, embossing, and burning—to create a layered visual narrative. The title itself – “Apipakótene” – refers to a Quechua term signifying the "other hand," representing the unseen or marginalized perspective. The artwork explores themes of communication breakdown, cultural misunderstanding, and the importance of acknowledging alternative viewpoints. It’s a powerful meditation on the challenges of bridging divides and fostering genuine empathy.

The work was exhibited at ARTBO 2024 in Bogotá, where it garnered significant attention for its evocative imagery and thought-provoking commentary. Revilla's participation in this international art fair further solidified her position as a rising star within the contemporary Peruvian art scene.

Current Development & Future Directions

Currently, Natalia Revilla continues to push the boundaries of her artistic practice, experimenting with new materials and techniques while remaining steadfastly committed to her core themes. Her work has been featured in exhibitions across Peru and internationally, including a solo show at RoFa Art Gallery in Lima. She is deeply invested in exploring the complexities of indigenous knowledge systems and advocating for cultural preservation through her art.

Looking ahead, Revilla’s artistic trajectory suggests a continued focus on social commentary, environmental awareness, and the power of visual storytelling. Her unique blend of traditional techniques and contemporary concerns positions her as an artist to watch – one who is not only creating beautiful works of art but also contributing meaningfully to critical dialogues about identity, history, and the future.

Quick Facts

  • Artistic Movement Or Style: Andean traditions & contemporary expression
  • Full Name: Natalia Revilla
  • Nationality: Peruvian
  • Notable Artworks: ['Apipakótene (The Other Hand)']
  • Place Of Birth: Peru
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