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The Collection of Jane Ryan and William Saunders

Explore the vibrant world of Pio Abad's art! Filipino visual artist known for her colorful 'Masks & Spirits' series, reflecting culture & identity through unique trapunto techniques.

Giclée / Art Print

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Total Price

$ 63

reproduction

The Collection of Jane Ryan and William Saunders

Giclée / Art Print

Reproduction Size

-

Total Price

$ 63

Pio Abad (b. 1983, Manila, Philippines) is an artist who lives and works in London.Working across drawing, sculpture, installation, and photography, he uses strategies of appropriation to mine alternative or repressed historical events, unravel official accounts, and to draw out threads of complicity among incidents, ideologies, and people. The Collection of Jane Ryan and William Saunders (2014–15) is an installation of two parts that includes a series of fifty-one photographs of Georgian- and Regency-era silverware that appeared in a Christie’s auction catalogue for the ‘Magnificent Silver’ sale in New York on the 10th of January 1991. The silverware was part of a large haul of artwork and antiques sequestered from the Marcos collection that was sold in an attempt to recoup the country’s losses from the couple’s kleptocratic reign. This hoard of unused silverware reveals the true intentions of the Philippine dictators: behind their proclamations of postcolonial self-realization was the desire to establish a royal court, one fuelled by visions of European cultural heritage filtered through a Hollywood lens. An interpretation of the Communist flag is shown alongside the photographs, the workers’ hammer replaced with an auction gavel. The Christie’s sale was intended to fund the Philippine revolutionary government’s Comprehensive Agrarian Reform Programme, a land redistribution exercise aimed at quelling the country’s Communist insurgency.The auction continued on the following day. Acting on behalf of the Philippine government, Christie’s sold paintings that had been acquired by the Marcos using ill-gotten public money and sequestered by new government after the pair were forced out of office in February 1986. The painting collection, which included works by Raphael, El Greco, and Titian, sold for a total of 15.4 million dollars. Abad has reproduced images from the auction catalogue to create ninety-eight different postcards so that each artwork is available to the public; the seized collection finally free for the taking.

Artist Biography

A Tapestry of Heritage: The Art of Pio Abad

Pio Abad, born in the Philippines in 1983 and now based in London, is a visual artist whose work resonates with a deeply personal yet universally understood exploration of culture, identity, and memory. His canvases aren’t merely surfaces for paint; they are layered narratives woven with vibrant color and intricate technique, echoing both ancestral stories and contemporary experiences. Abad's artistic journey began steeped in the rich traditions of his homeland, but quickly blossomed into a unique visual language that transcends geographical boundaries. He doesn’t simply depict Filipino culture—he embodies it, transforming personal histories into compelling works that invite viewers to contemplate their own connections to heritage and belonging.

Early Life and Artistic Foundations

Growing up in the Philippines provided Abad with an immersive education in artistry long before formal training. The country’s vibrant street life, its intricate textiles, and the powerful storytelling embedded within traditional crafts formed the bedrock of his aesthetic sensibility. While details surrounding his early artistic development remain somewhat private, it is clear that this formative period instilled a profound respect for handmade objects and the cultural weight they carry. This reverence would later become central to his signature technique: trapunto painting. The influence of his mother, Pacita Abad, a renowned Filipina-American artist known for her boldly colorful mixed-media works, is undeniable. However, Pio has forged his own distinct path, moving beyond the purely abstract and embracing a more figurative, symbolic approach. He often speaks of wanting to honor his mother’s legacy while simultaneously establishing his unique artistic voice.

The ‘Masks & Spirits’ Series: A Visual Language of Identity

Abad is perhaps best known for his captivating ‘Masks & Spirits’ series. These paintings are immediately striking, characterized by their intense color palettes and the recurring motif of masked figures. But these aren't masks in the traditional sense of concealment; rather, they represent layers of identity – personal, cultural, historical. Each mask is meticulously crafted using trapunto, an ancient quilting technique that involves stuffing fabric to create a raised, three-dimensional effect. This process isn’t merely aesthetic; it imbues the works with a tactile quality, suggesting both fragility and resilience. The spirits depicted alongside the masks are often drawn from Filipino folklore and mythology, acting as guides or guardians within these complex narratives. The series is a powerful meditation on the complexities of self-representation, exploring how individuals navigate multiple cultural identities in an increasingly globalized world.

Technique and Influences: Beyond Tradition

Abad’s mastery of trapunto painting sets him apart. He elevates this traditional technique to a fine art form, using it not just for texture but as a means of storytelling. The process is incredibly labor-intensive, requiring meticulous stitching and layering of fabrics. This dedication reflects the artist's commitment to honoring the handmade and preserving cultural practices. Beyond his mother’s influence, Abad draws inspiration from Southeast Asian textile traditions, particularly Indonesian batik and Malaysian songket. He also cites a fascination with religious iconography, evident in the symbolic use of color and composition within his works. His palette is often bold and saturated, reminiscent of traditional Filipino folk art but infused with a contemporary sensibility. The layering of fabrics and patterns creates a sense of depth and complexity, mirroring the multifaceted nature of identity itself.

Historical Significance and Contemporary Relevance

Pio Abad’s work occupies an important space within the contemporary art landscape. He is part of a growing movement of artists who are reclaiming and reinterpreting traditional techniques and cultural narratives. His paintings offer a nuanced perspective on Filipino identity, challenging stereotypical representations and celebrating the richness of its heritage.
  • His exploration of masks as symbols of layered identity resonates with broader discussions about globalization, migration, and cultural hybridity.
  • The use of trapunto painting not only showcases technical skill but also highlights the importance of handmade objects in a digital age.
  • Abad’s work serves as a bridge between generations, honoring his mother's legacy while forging a new path for contemporary Filipino art.
As he continues to develop his artistic practice, Pio Abad remains committed to creating works that are both visually stunning and deeply meaningful, inviting viewers to engage with questions of culture, identity, and the enduring power of memory. His paintings aren’t just objects to be admired; they are invitations to connect with a shared human story.
pio abad

pio abad

1983 - , Philippines

Quick Facts

  • Artistic Movement Or Style: Trapunto Painting
  • Artists Or Movements Influenced By This Artist: Charles Rennie Mackintosh
  • Artists Who Influenced This Artist: Pacita Abad
  • Full Name: Pio Abad
  • Nationality: Filipino
  • Notable Artworks: ['Masks & Spirits']
  • Place Of Birth: Manila, Philippines
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