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Vivir con ilusión [Living in Illusion]

A surreal distorted face with multiple eyes emerges from darkness in this striking 1963 masterpiece by Argentine pioneer Rómulo Macció, offering a profound opportunity to own a piece of Nueva Figuración history.

Discover rómulo macció, Argentine painter & pioneer of Nueva Figuración. His rebellious art critiques social issues & earned the Konex Award. Explore his legacy at ArtsDot!

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. (Buy Print Buy PrintBuy Image Buy Image)

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Total Price

$ 263

reproduction

Vivir con ilusión [Living in Illusion]

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Total Price

$ 263


Artist Biography

Frank Auerbach: A Life Painted in Thick Emotion

Born in Berlin in 1931, Frank Auerbach’s life was profoundly shaped by the tumultuous events of the 20th century. His early years were marked by upheaval – a refugee from Nazi Germany, he arrived in England with his parents as a child, only to witness their tragic deaths during World War II. This experience of loss and displacement became a central, unspoken theme throughout his prolific career, informing the raw emotionality that permeates every brushstroke.

Auerbach’s artistic journey began at St Martin's School of Art in London, where he found mentorship under David Bomberg, a key figure in the School of London movement. This group, characterized by its rejection of academic formality and embrace of subjective expression, provided a fertile ground for Auerbach’s development. He honed his skills at the Royal College of Art but quickly gravitated away from the prevailing trends, forging his own distinctive style – one defined by intensely layered paint, often applied with palette knives and fingers, creating a tactile, almost sculptural surface.

His early models were deeply personal: his wife, Julia; Juliet Yardley Mills ('J.Y.M.'); and later, Stella West ('E.O.W.'), a close friend who served as the subject of many of his most intimate nudes and portraits. These figures weren’t rendered with photographic accuracy but rather imbued with Auerbach's own emotional state – a sense of vulnerability, loneliness, and quiet contemplation. He rarely left London, establishing a studio that remained his constant throughout his life, a space where he could immerse himself in the process of creation.

The Language of Thick Paint

Auerbach’s technique is instantly recognizable. He eschewed traditional blending methods, instead building up layers upon layers of paint – often using a thick impasto that dominates the surface of his canvases. This physicality isn't merely decorative; it’s integral to the expressive power of his work. The ridges and peaks of the paint seem to vibrate with emotion, conveying a sense of urgency and immediacy.

Critics initially struggled to categorize Auerbach’s art. Some dismissed it as “sculpture,” pointing to the sheer volume of paint applied, while others saw it as a departure from conventional painting. However, figures like David Sylvester recognized its profound psychological impact, arguing that despite the apparent density, these were undeniably paintings – ‘painterly images, not sculptural ones,’ capturing a deeply felt emotional landscape.

His use of color is equally significant. Auerbach favored dark, muted tones—browns, ochres, and blacks—often punctuated by flashes of red or yellow. These colors aren’t used to create realistic representations but rather to evoke mood and atmosphere, contributing to the overall sense of introspection.

The School of London and Beyond

Auerbach was a key member of the “School of London,” a group of British artists who emerged in the post-war era. Alongside figures like Leon Kossoff and Roger Hilton, they rejected the dominant trends of European modernism and developed a distinctly English style—characterized by its focus on urban landscapes, working-class subjects, and intensely personal expression.

His work gained recognition through exhibitions at the Beaux-Arts Gallery and later the Marlborough Gallery. A retrospective at the Hayward Gallery in 1978 solidified his place as one of Britain’s most important post-war painters. Auerbach's influence extends beyond the School of London, with artists like Bridget Riley acknowledging his impact on their own development.

Legacy and Enduring Emotion

Frank Auerbach died in 2016 at the age of 84, leaving behind a vast body of work that continues to resonate with viewers. His paintings are not merely representations of figures or landscapes; they are windows into the artist’s soul—a testament to the power of art to express profound human emotions.

His legacy lies in his uncompromising commitment to personal expression, his innovative use of paint, and his ability to create works that are both intensely intimate and universally relatable. Auerbach's paintings remain a powerful reminder of the enduring capacity of art to confront difficult truths and illuminate the complexities of the human experience.

rómulo macció

rómulo macció

1931 - 2016 , Argentina

Quick Facts

  • Artistic Movement Or Style: Op art
  • Artists Or Movements Influenced By This Artist:
    • Bridget Riley
    • Op art
  • Artists Who Influenced This Artist:
    • Jackson Pollock
    • Yves Klein
  • Date Of Birth: 24 April 1931
  • Full Name: Bridget Louise Riley
  • Nationality: British
  • Notable Artworks:
    • Prism Structure
    • Cornwall Sequence
    • The Red Series
  • Place Of Birth: Norwood, London
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