period

1. Hermit in Mountain — chou ch'en, 1644

movement

1. 明 傳仇英 十六羅漢圖 卷 The Sixteen Luohans — Qiu Ying

vibe

1. Hermit in Mountain — chou ch'en, 1644
2. Persimmon Tree — Sakai Hōitsu, 1816

topics

keywords

tone

1. Hermit in Mountain — chou ch'en, 1644
2. Persimmon Tree — Sakai Hōitsu, 1816

main color

1. Vase of Flowers — chen hongshou
2. Mandarin ducks and cotton rose hibiscus — liu chi or lü chi or lü ki, 401
3. Calligraphy by the Suzhou Masters\n\nFrontispiece 1 — gu yingxiang, 1400
4. Flowers — lu jincfu or liu king-fou or lu ching-fu, 301
5. Tree Peonies — yun shouping
6. Bird among Camellias in Snow — Sō Shiseki
7. Folding Screens of Flowers — fukae roshū 深江蘆舟
8. CALLIGRAPHY IN RUNNING SCRIPT — wu xizai
9. Hermit in Mountain — chou ch'en, 1644
10. 明 傳仇英 十六羅漢圖 卷 The Sixteen Luohans — Qiu Ying
11. “An Inscription by Zhao Mengfu on the Copies of Wang Xizhi’s Zhanjintie and Hanshitie by Someone in the Tang Dynasty” in Running Regular Script — ke jiusi
12. Birds and Flowers of Early Spring — yin hong, 1500
13. Poppies — Kitagawa Sōsetsu, 601
14. Returning Fishermen — tang yun, 1342
15. Arrowroot Flowers with Crab and Bamboo — Sesson Shūkei
16. Morning Glories And Tree Frog — Katsushika Hokusai
17. Ink Meditation — Wang Dongling, 2005
18. Immortal in Splashed Ink — liáng kǎi
19. CALLIGRAPHY AFTER ZHONG YOU — dong qichang
20. “The Epitaph of Tang Yan” in Cursive Script (handscroll) — zhu zhishan
21. Persimmon Tree — Sakai Hōitsu, 1816

other

1. Grass and Insects — shin saimdang, 1500
2. Ink set — henrik immanuel wigström
3. CALLIGRAPHY COUPLET IN RUNNING SCRIPT — ni yuanlu