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period

  1. Elevation Drawing of the Facade — jean francois de la vallee, 1669

movement

  1. Teatro alla Scala in Milan. Gaetano Mercoli — giuseppe piermarini, giacomo mercoli (1745-1825), 1789

topics

keywords

tone

  1. Church of Sts. Peter and Paul, Strzegom — Adolph von Menzel, 1847

main color

  1. A Drawing of the First Floor — Isak Gustaf Clason, 1894
  2. Temple of Baalshamin, plan and reconstruction — pierre nicolas ransonnette after louis-francois cassas, 1799
  3. Montagnola — Tito Azzolini, 1848
  4. Situla bronze to three feet (inc. in outline) — Giovanni Battista Piranesi
  5. Design of external arch and plan of the Chapel of Saint John the Baptist — luigi vanvitelli, 1742
  6. An Extensive Landscape With Drovers And Sheep On A Track — thomas collier
  7. Design for Church Grill — Paul Manship
  8. Elevation Drawing of the Facade — jean francois de la vallee, 1669
  9. St John the Baptist Church, Okewood, near Ockley, Surrey — ernest c christie, 1924
  10. The Roman antiquities, t. 3, Plate XXV. Details of the ornaments of the burial chambers above (inc. by Girolamo Rossi). — Giovanni Battista Piranesi
  11. Index of the second volume — Giovanni Battista Piranesi
  12. Hove church, — john varley i (the older), 1824
  13. From the Town Hall, Stockholm — Robin Darwin, 1936
  14. Ministero degli Affari Esteri già Casa Littoria: progetto dell — Enrico Del Debbio
  15. The church of St Nicholas at the Malaya Neva river — albert nikolaevich benois, 1880
  16. The Parochial Schools, Church Street, Trowbridge, Wiltshire — bessie rodway
  17. Kenilworth Church Hagam — moses griffith
  18. San Romano — Giulio Falzoni, 1945
  19. The Roman antiquities, t. 4, Plate XXXIV. Vista of some of the great parts of the first order of the Theatre of Marcellus. — Giovanni Battista Piranesi
  20. Teatro alla Scala in Milan. Gaetano Mercoli — giuseppe piermarini, giacomo mercoli (1745-1825), 1789
  21. Church in Saint James’ Parish, Goose Creek — Charles Fraser
  22. Part Of The Door Of The Temple, From 'ruins Of The — Robert Adam