period

movement

1. Triumph of Titus and Vespasian — Giulio Romano, 1537
2. The Temptation of St Anthony Abbot — Annibale Carracci, 1597
3. Christ appearing to Saint Anthony Abbot — Annibale Carracci
4. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
5. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579

vibe

topics

keywords

1. View of the Sala di Psiche (west wall) — Giulio Romano, 1526
2. Triumph of Titus and Vespasian — Giulio Romano, 1537

tone

main color

1. Copy after Giulio Romano — Giulio Romano, 1536
2. left - Last Judgment d8 — Michelangelo Buonarroti
3. Nebuchadnezzar — William Blake, 1795
4. The ring of the nibelung 39 — Arthur Rackham
5. Triumph of Titus and Vespasian — Giulio Romano, 1537
6. Minos — William Blake
7. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579
8. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Federico Fiori Barocci
9. The Temptation of St Anthony Abbot — Annibale Carracci, 1597
10. View of the Palazzo del Tè — Giulio Romano, 1526
11. Whirlwind of Lovers — William Blake
12. right - Last Judgment (detail)94 — Michelangelo Buonarroti
13. Façade and courtyard view — Giulio Romano, 1526
14. The Birth of Bacchus — Giulio Romano, 1533
15. Daniel In The Lion's Den — James Northcote
16. The ring of the nibelung 57 — Arthur Rackham
17. Study for the Holy Family — Giulio Romano, 1518
18. View of the Sala di Psiche (west wall) — Giulio Romano, 1526
19. View of the Sala dei Giganti (west and north walls) — Giulio Romano, 1526

other

1. Portrait of Giulio Romano — Titian, 1536
2. Demons Armed with Sticks (detail from the Isenheim Altarpiece) — matthias grünewald, 1516
3. Study for the fresco in the Chiesa di Valmadrera — Luigi Sabatelli
4. Fresco on the south wall (detail) (9) — Giulio Romano, 1532