period

movement

1. Der Triumph der Ariadne — Hans Makart, 1874
2. The Summer (Ruth and Boaz), oil on canvas, — Nicolas Poussin, 1664
3. The Birth of Marie de' Medici — Peter Paul Rubens
4. The Rape of Europa — Luca Giordano, 1675
5. Sts Peter and Paul — reni guido (le guide)
6. An allegory of Truth and Time — Annibale Carracci, 1585
7. The Immaculate Conception (oil on canvas) — Bartolomé Esteban Murillo
8. Homage to Pomona — Jacob Jordaens, 1616
9. Self portrait, oil on canvas — Rembrandt van Rijn, 1629

vibe

1. Oil Sketch for High Altarpiece, St Bavo, Ghent — Peter Paul Rubens
2. An allegory of Truth and Time — Annibale Carracci, 1585
3. Self portrait, oil on canvas — Rembrandt van Rijn, 1629

topics

1. Der Triumph der Ariadne — Hans Makart, 1874
2. Diana and Callisto — Titian, 1556
3. The Rape of Europa — Luca Giordano, 1675
4. Venus adored by the Graces — pietro liberi

keywords

1. Die Ernte — Hans Makart, 1872
2. Der Triumph der Ariadne — Hans Makart, 1874

tone

main color

1. Der Triumph der Ariadne — Hans Makart, 1874
2. Apollo and The Nine Muses — Gustave Moreau, 1856
3. Die Ernte — Hans Makart, 1872
4. The Immaculate Conception (oil on canvas) — Bartolomé Esteban Murillo
5. Homage to Pomona — Jacob Jordaens, 1616
6. The Bath of Diana — Pacecco De Rosa, 1645
7. Satan Starting from the Touch of Ithuriels Spear — johann heinrich füssli
8. The Entrance of Emperor Charles V into Antwerp in 1520 — Hans Makart, 1878
9. Apollo and the Nine Muses — Gustave Moreau
10. The Summer (Ruth and Boaz), oil on canvas, — Nicolas Poussin, 1664
11. selbstportrat — Hans Makart
12. The Birth of Marie de' Medici — Peter Paul Rubens
13. An allegory of Truth and Time — Annibale Carracci, 1585
14. Diana and Callisto — Titian, 1556
15. Venus adored by the Graces — pietro liberi
16. Oil Sketch for High Altarpiece, St Bavo, Ghent — Peter Paul Rubens

other

1. Die Niljagd der Kleopatra — Hans Makart, 1876
2. Triumph der Galathea — theodoor van thulden, 1659
3. Die fünf Sinne — Hans Makart, 1879
4. Opferszene — Hans Makart, 1880
5. Geschmack — Hans Makart, 1879