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period

  1. Clara Barton — Mathew Brady Studio, 1865
  2. Louisa May Alcott — George Kendall Warren Studio, 1872
  3. Mary Todd Lincoln — Mathew Brady Studio, 1861
  4. Untitled — samuel dixon bourne, 1865
  5. Symphony in White Number 1, The White Girl — James Abbott McNeill Whistler
  6. Boston, as the Eagle and the Wild Goose See It — james wallace black, 1860

movement

  1. Beatrice — Julia Margaret Cameron, 1866

vibe

  1. Symphony in White Number 1, The White Girl — James Abbott McNeill Whistler

topics

keywords

tone

  1. Boston, as the Eagle and the Wild Goose See It — james wallace black, 1860

main color

  1. Close No. 61 Saltmarket — Thomas Annan, 1868
  2. Beatrice — Julia Margaret Cameron, 1866
  3. Saturday Morning at the Hypermarket Semi final of the Miss Lovely Legs Competition, Boksburg — david goldblatt, 1980
  4. Close No. 139 Saltmarket — Thomas Annan, 1868
  5. Victoria Claflin Woodhull (1838-1927) — william roe howell
  6. Mrs. Herbert Duckworth — Julia Margaret Cameron, 1867
  7. Holland glory tulips Kenkenhof Gardens — karsh of ottawa, 1956
  8. Seated Young Woman — oliver h willard, 1857
  9. Lady in dress (Col. Jose Pessoa) — douglas de castro and renato pereira, 1875
  10. Church?St. Martin, Nova Scotia — Minor White, 1972
  11. Ophelia Study No. 2 — Julia Margaret Cameron, 1867
  12. Boston, as the Eagle and the Wild Goose See It — james wallace black, 1860
  13. Paul Nadar, Photographie Prise Le 26 Décembre 1888 — Félix Nadar, 1888
  14. Clara Barton — Mathew Brady Studio, 1865
  15. Black and Gold, (painting) — Thomas Wilmer Dewing, 1910
  16. Louisa May Alcott — George Kendall Warren Studio, 1872

other

  1. Marie Laurent, épouse Pasteur — louis-auguste bisson and auguste-rosalie bisson
  2. Photograph of Mercedes Cabello Llona de Carbonera wearing a black outfit. — michel eugène courret, 1889
  3. Tennessee Clafin (1844-1923) — william roe howell
  4. Sunday Morning, from the project The Most Crowded Block — Aaron Siskind, 1940
  5. White-Red-Black 1999-2001 (Starachowice) — wojciech prażmowski, 2001