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- Mary Degg, Lady Robert Manners (1737 - 1829)
- The Duchess of Rutland (possibly Katherine Manners, née Noel, 1657–1733, Duchess of Rutland, wife of John Manners, 1st Duke of Rutland)
- \n\nUpper choir - the stalls
- View of the Tomb Chapel of Queen Theodolinda
- Lady Louisa Manners
- Head of a Man in the Antique Manner
- Lady Louisa Manners
- The Honourable John Nevile Manners
- Prato-View of the fresco cycle
- View of the Peruzzi and Bardi Chapels (from left)
- Madonna dal Collo Lungo (Madonna with Long Neck)
- View of the Chapel of St Martin
- John Manners (1721 1770), Marquess of Granby
- The San Zeno Polyptych
- Catherine Manners, Duchess of Buckingham
- Saint Antoine Abbé Résistant À La Tentation
- The Elect Being Called to Paradise and The Damned Being Plunged into Hell
- The Last Judgment (The right part of the composition - The Damned Consigned to Hell; the left part of the composition - The Blessed Taken into Paradise)
other
- The Marchioness of Granby, Later Duchess of Rutland (1856–1937), Mother of Marjorie, Violet and Diana Manners (self portrait)
- Madonna and Child
- The Lady Marjorie Manners, afterwards Marchioness of Anglesey, Daughter of the Duke of Rutland (1883–1946) (sister of Lady Diane Duff Cooper, née Manners)
- Mary Digges, Lady Robert Manners