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period

movement

vibe

  1. Th Adoration of the Magi — Hans Multscher, 1437
  2. Basket of Flowers — jacques linard
  3. Christ before Pilate — Hans Multscher, 1437
  4. The Nativity — Gerard David, 1490
  5. Visitation — jacques daret, 1434

topics

  1. Th Adoration of the Magi — Hans Multscher, 1437

tone

  1. Altarpiece of the Virgin (detail) — jacques daret, 1433
  2. The Adoration of the Magi — Gerard David, 1500
  3. Adoration of the Kings — Geertgen tot Sint Jans
  4. Adoration of the Child — jacques daret, 1434
  5. The Wings of the Wurzach Altar — Hans Multscher, 1437
  6. Visitation — jacques daret, 1434

main color

  1. The Adoration of the Magi — Gerard David, 1500
  2. Visitation — jacques daret, 1434
  3. The Adoration of the Magi — master of the view of st. gudule
  4. Oil Sketch for High Altarpiece, St Bavo, Ghent — Peter Paul Rubens
  5. Paris and Helen, oil on canvas, Musée du L — Jacques-Louis David, 1788
  6. Self portrait, oil on canvas — Rembrandt van Rijn, 1627
  7. Basket of Flowers — jacques linard
  8. LA VIERGE ET L'ENFANT ENTRE SAINT JACQUES ET SAINT DOMINIQUE PRESENTANT LES DONATEURS ET LEUR FAMILLE DIT LA VIERGE DE JACQUES FLOREINS — memling, hans
  9. Adoration of the Kings — Geertgen tot Sint Jans
  10. The Nativity — Gerard David, 1490
  11. The Adoration of the Magi (detail) — pietro perugino (pietro vannucci), 1476
  12. Self portrait, oil on canvas — Rembrandt van Rijn, 1629
  13. Th Adoration of the Magi — Hans Multscher, 1437
  14. Flemish Market and Washing Place — Joos de Momper
  15. Adoration of the Child — jacques daret, 1434
  16. Mrs Sickert — Jacques-Émile Blanche, 1908
  17. Christ before Pilate — Hans Multscher, 1437
  18. Altarpiece of the Virgin (detail) — jacques daret, 1433
  19. The middle panel of The Pearl of Brabant: Adoration of the Magi — dierec bouts, 1445
  20. Adoration Of The Magi — aelbrecht bouts
  21. Adoration of the Magi (detail) — Hieronymus Bosch, 1510
  22. The Wings of the Wurzach Altar — Hans Multscher, 1437
  23. London Bridge — Jacques-Émile Blanche, 1914