period

1. Group of Three Male Nudes (recto) — Michelangelo Buonarroti, 1503
2. Two Nude Studies (recto) — Michelangelo Buonarroti, 1504
3. Male Nude, Seen from the Rear (recto) — Michelangelo Buonarroti, 1503
4. Four Studies for the Crucified Haman (recto) — Michelangelo Buonarroti, 1512
5. Studies of Arms and Hands (recto) — Michelangelo Buonarroti, 1513
6. Sitting Male Nude (recto) — Michelangelo Buonarroti, 1504
7. Nude Studies, 1515 — raphael coxcie, 1515

movement

1. Studies of Arms and Hands (recto) — Michelangelo Buonarroti, 1513
2. Nude Studies, 1515 — raphael coxcie, 1515

vibe

1. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
2. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
3. Euridice uccisa dal serpente alla presenza di Aristeo — Amico Aspertini
4. Four Studies for the Crucified Haman (recto) — Michelangelo Buonarroti, 1512

topics

1. Male Nude, Seen from the Rear (recto) — Michelangelo Buonarroti, 1503
2. Studies of Arms and Hands (recto) — Michelangelo Buonarroti, 1513
3. Group of Three Male Nudes (recto) — Michelangelo Buonarroti, 1503

keywords

tone

main color

1. A Male Nude Study; And A Female Nude Study — William Etty
2. Young Man Carrying an Old Man on His Back, c. 1514 — raphael coxcie, 1514
3. Two male figure studies and St Peter — Pisanello
4. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
5. Kneeling Male Nude — Michelangelo Buonarroti
6. Group of Three Male Nudes (recto) — Michelangelo Buonarroti, 1503
7. Nude Studies, 1515 — raphael coxcie, 1515
8. Two Nude Studies (recto) — Michelangelo Buonarroti, 1504
9. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
10. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Federico Fiori Barocci, 1583
11. Male Nude(Apollo Poynter) — Albrecht Dürer
12. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
13. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Federico Fiori Barocci, 1583
14. Male nude turned to the right, upper body and hands laid on a desk. Study on the faculty painting — Gustav Klimt, 1907
15. Euridice uccisa dal serpente alla presenza di Aristeo — Amico Aspertini
16. Studies of Arms and Hands (recto) — Michelangelo Buonarroti, 1513
17. Male Nude with Arms Spread, Seem from Behind, Repetition of Head and Shoulder Area (Study for the oil sketch or the transfer sketch for — Gustav Klimt, 1898
18. St. Alberto — Jusepe de Ribera
19. Seated Semi Nude Male Model at the Herkomer School — kate ethel cowderoy
20. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Federico Fiori Barocci, 1579
21. The incredulity of st. thomas — polidoro da caravaggio
22. Four Studies for the Crucified Haman (recto) — Michelangelo Buonarroti, 1512
23. Sitting Male Nude (recto) — Michelangelo Buonarroti, 1504
24. Male Nude, Seen from the Rear (recto) — Michelangelo Buonarroti, 1503

other