period

1. Prayer manual — hâfiz osman, 1669
2. Karalama (calligraphy exercise) — ahmed karahisari, 1500
3. Al Kahf (the Cave) sura from the Qur’an — Copied By Kadı Mahmud Efendi, 1559
4. Hilye-i Şerif — hâfiz osman, 1670
5. Murakka (calligraphic album) — hâfiz osman, 1690

movement

1. Karalama (calligraphy exercise) — ahmed karahisari, 1500
2. Levha (calligraphic inscription) — Abū Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī, 1800
3. Al Kahf (the Cave) sura from the Qur’an — Copied By Kadı Mahmud Efendi, 1559
4. Levha (calligraphic inscription) — Mehmed Şefik, 1869
5. Kıt’a (single piece) — kadıasker mustafa izzet efendi, 1871

vibe

1. In the Name of Allah, the Most Compassionate, the Most Marciful — Aisha Cahn, 2006
2. Karalama (calligraphy exercise) — ahmed karahisari, 1500
3. Levha (calligraphic inscription) — Abū Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī, 1800
4. Al Kahf (the Cave) sura from the Qur’an — Copied By Kadı Mahmud Efendi, 1559
5. Hilye-i Şerif — hâfiz osman, 1670
6. Kıt’a (single piece) — kadıasker mustafa izzet efendi, 1871
7. The Rememberance of God is Great — Aisha Cahn, 2004
8. Qur’an — Mehmed Şevki Efendi, 1862

topics

1. Murakka (calligraphic album) — hâfiz osman, 1690
2. Kıt’a (single piece) — i̇smail zühdi efendi, 1800
3. Kıt’a (single piece) — kadıasker mustafa izzet efendi, 1871
4. Karalama (calligraphy exercise) — ahmed karahisari, 1500
5. Qur’an — Mehmed Şevki Efendi, 1862
6. Al Kahf (the Cave) sura from the Qur’an — Copied By Kadı Mahmud Efendi, 1559
7. Levha (calligraphic inscription) — Mehmed Şefik, 1869
8. Murakka (calligraphic album) — containing kadıasker mustafa i̇zzet efendi, 1849
9. The Rememberance of God is Great — Aisha Cahn, 2004

keywords

tone

1. In the Name of Allah, the Most Compassionate, the Most Marciful — Aisha Cahn, 2006
2. Prayer manual — hâfiz osman, 1669
3. Karalama (calligraphy exercise) — ahmed karahisari, 1500
4. Kıt’a (single piece) — i̇smail zühdi efendi, 1800
5. Levha (calligraphic inscription) — Abū Al-Thanā’ Shihāb Ad-Dīn Sayyid Maḥmūd Ibn ‘Abd Allāh Al-Ḥusaynī Al-Ālūsī Al-Baghdādī, 1800
6. Al Kahf (the Cave) sura from the Qur’an — Copied By Kadı Mahmud Efendi, 1559
7. Hilye-i Şerif — hâfiz osman, 1670
8. Levha (calligraphic inscription) — Mehmed Şefik, 1869
9. Levha (calligraphic inscription) — abdulhamid ii, 1951
10. Murakka (calligraphic album) — hâfiz osman, 1690
11. Kıt’a (single piece) — kadıasker mustafa izzet efendi, 1871
12. The Rememberance of God is Great — Aisha Cahn, 2004
13. Qur’an — Mehmed Şevki Efendi, 1862

main color

1. CALLIGRAPHY COUPLET IN REGULAR SCRIPT — hua shikui
2. Murakka (calligraphic album) — hâfiz osman, 1690
3. Karalama (calligraphy exercise) — ahmed karahisari, 1500
4. Hilye-i Şerif — hâfiz osman, 1670
5. “An Inscription by Zhao Mengfu on the Copies of Wang Xizhi’s Zhanjintie and Hanshitie by Someone in the Tang Dynasty” in Running Regular Script — ke jiusi
6. Figure in Red (Personnage au costume rouge) — jean philippe arthur dubuffet, 1961
7. Levha (calligraphic inscription) — Mehmed Şefik, 1869
8. Murakka (calligraphic album) — containing kadıasker mustafa i̇zzet efendi, 1849
9. Copy of the Inscription on the Chugong Bell — nakabayashi gochiku i, 1901
10. Qur’an — Mehmed Şevki Efendi, 1862
11. Lisp — edward joseph ruscha iv, 1968
12. CALLIGRAPHY IN XINGSHU — liang tongshu
13. The Rememberance of God is Great — Aisha Cahn, 2004
14. Levha (calligraphic inscription) — abdulhamid ii, 1951

other

1. CALLIGRAPHY COUPLET IN XINGSHU — zhou zuoren
2. Indeed God is with those who are patient — Aisha Cahn, 2004
3. Indeed God is with those who are patient — Aisha Cahn, 2005
4. Levha (calligraphic inscription) — mehmed ali efendi, 1879