period
movement
- Portrait of Nicolaes van der Borght
- Portrait of the Stadholder Frederik Hendrik (1584-1647), Prince of Orange, Anthony van Dyck (after), c. 1670
- Portrait of Hendrik Liberti (c. 1610-c. 1669), Anthony van Dyck (after), c. 1700
- Portrait of a Nobleman, possibly Adriaan van der Borcht, Anthony van Dyck, 1634 - c. 1635
- Portrait of Anna van Craesbecke
- Christ on the Cross
- Portrait of Jan Gaspar Gevaerts (1593-1666), Anthony van Dyck (after), c. 1630 - c. 1650
- Portrait of Peter Paul Rubens (1577-1640), Anthony van Dyck (after), c. 1630 - c. 1650
- William II, Prince of Orange, and his Bride, Mary Stuart, Anthony van Dyck, 1641
topics
main color
- John the Baptist
- Study Of A Standing Male Nude, Julian's Atelier
- Portrait of a Male Member of the Van der Borcht Family, Anthony van Dyck (follower of), c. 1635
- Standing Male Nude, Raised Right Arm, Right Foot Resting On Blocks
- Portrait of a Nobleman, possibly Adriaan van der Borcht, Anthony van Dyck, 1634 - c. 1635
- Study of a Standing Male Nude, Julian's Atelier
- Christ on the Cross
- The Lamentation of Christ
- Female Nude Study
- Female Nude Study
- Portrait of Nicolaes van der Borght
- Man of Sorrows – Ecce Homo
- Seated Male Nude, Frontal View
- Jacqueline van Caestre
- Männlicher Halbakt
- William II, Prince of Orange, and his Bride, Mary Stuart, Anthony van Dyck, 1641
- Portrait of a Man, Anthony van Dyck, c. 1620
- Portrait of Hendrik Liberti (c. 1610-c. 1669), Anthony van Dyck (after), c. 1700
- The Wounded following the Battle of Corunna Musket Ball Wound of Humerus
- Portrait of Jan Gaspar Gevaerts (1593-1666), Anthony van Dyck (after), c. 1630 - c. 1650
- Portrait of Peter Paul Rubens (1577-1640), Anthony van Dyck (after), c. 1630 - c. 1650