period

movement

1. Woman Figure — Gabriel Metsu
2. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
3. Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) — Federico Fiori Barocci, 1573
4. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569

vibe

topics

keywords

tone

main color

1. Portrait of a woman from Brussels — Albrecht Dürer
2. Portrait of an Englishwoman — Hans Holbein the Younger, 1532
3. Study for a portrait of mrs nathalie sedgwick colby — konstantin andreevic somov
4. Sketch 160 — George Romney
5. Sketch of the dog's head — Alfred Freddy Krupa, 1991
6. Geese (recto), Horse — charles joseph fiscus, 1883
7. Sketch of landscape 36 — Nicholas Roerich
8. Portrait of a Young Woman with Fan — Bernardino Luini, 1520
9. Woman Figure — Gabriel Metsu
10. Portrait of a Lady, thought to be Anne Boleyn — Hans Holbein the Younger, 1534
11. Head of woman — Peter Paul Rubens, 1630
12. Untitled (316) — Hans Holbein the Younger
13. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
14. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
15. Portrait of a Girl — Jean-Antoine Watteau
16. Drawing- 02 — Shubhankar Chandere
17. Labourers — Penry Williams
18. Several sketches — Nicholas Roerich
19. Portrait of Lady Mary Guildford — Hans Holbein the Younger
20. Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) — Federico Fiori Barocci, 1573
21. Jossine de Pisseleu d — François Clouet, 1550
22. Sketch Book of Drawings for Costumes — joshua charles taylor

other

1. Study for — antónio teixeira lopes, 1893
2. Martha Washington, (painting) — james sharples, 1796