Ascending
Acrylic On Canvas
WallArt
Cubist Modernism
1936
100.0 x 76.0 cm
Royal Scottish Academy of Art - Architecture
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Ascending
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
The Genesis of a Vision
William George Gillies’ “Ascending,” painted in 1936, isn't merely a landscape; it’s an invitation. An invitation to contemplate the sublime, to witness a moment of profound upward movement captured with startling immediacy. Housed within the Royal Scottish Academy of Art & Architecture in Edinburgh, this canvas pulsates with a vibrant energy that belies its relatively compact dimensions – 100 x 76 cm. The painting immediately draws the eye towards its central element: a colossal white circle, seemingly suspended against a deep azure backdrop, radiating an almost palpable sense of ascension. This isn’t a static depiction; it feels as though the circle is actively rising, propelled by an unseen force, creating a dynamic tension that anchors the entire composition.
- The Royal Scottish Academy Context: Gillies' work was deeply rooted in the artistic landscape of Scotland during this period. He was part of a generation grappling with the legacy of Cubism while simultaneously forging their own distinct style, informed by both European avant-garde movements and the rich traditions of Scottish art.
- Early Influences: The painting’s genesis can be traced back to Gillies' exposure to the works of Paul Klee in 1934 – a pivotal moment that unlocked his willingness to embrace imaginative color palettes and childlike qualities within his compositions, moving beyond strict geometric forms.
A Symphony of Color and Form
Gillies’ masterful technique is immediately apparent. He employs bold, layered brushstrokes—a hallmark of his style—to build up the image with a remarkable sense of texture and depth. The colors are intensely saturated, yet carefully balanced; the fiery reds and yellows of the surrounding shapes contrast dramatically with the cool blues and greens, creating a visual feast for the eye. Notice how he utilizes negative space to amplify the impact of the central circle – its emptiness becomes as significant as its form. The arrangement of smaller shapes—reds, yellows, and blues—isn’t haphazard; they are deliberately positioned to guide the viewer's gaze upwards, reinforcing the painting’s theme of ascent.
Technique Note: Gillies’ use of impasto – applying paint thickly to create a textured surface – is particularly evident in the central circle and surrounding shapes, adding a tactile quality to the image that invites closer inspection.Decoding the Symbolism
“Ascending” transcends a simple landscape depiction. The white circle itself is laden with symbolic weight. It can be interpreted as representing the soul, enlightenment, or perhaps even the divine – an upward journey towards something greater. The surrounding shapes—often described as fragments of earthly experience—suggest a world in transition, shedding its old forms to embrace a new state of being. The deep blue background evokes both the vastness of the heavens and the depths of introspection. Some art historians have linked it to Celtic symbolism, referencing themes of rebirth and cyclical time.
- Celtic Roots: The use of blue as a dominant color in the background is often associated with Celtic spirituality, representing the connection between earth and sky, life and death.
- The Circle’s Significance: Circles frequently symbolize wholeness, unity, and eternity – concepts central to many spiritual traditions.
Emotional Resonance and Lasting Impact
“Ascending” isn't just a beautiful painting; it’s an emotionally resonant experience. It evokes a sense of wonder, hope, and perhaps even a touch of melancholy – the awareness that all things must eventually rise or fall. The dynamic composition and vibrant colors create a feeling of movement and energy, inviting the viewer to join in the ascent. Reproductions of this artwork offer a powerful way to bring its uplifting spirit into any space, serving as a constant reminder of the potential for growth, transformation, and spiritual elevation. Consider it not just a decoration, but an investment in a moment of contemplative beauty.
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Artist Biography
Sir William George Gillies: A Life in Scottish Art
Early Life and Education
- Born: Haddington, East Lothian, United Kingdom, 1898.
- Gillies initially enrolled at the Edinburgh College of Art but his studies were interrupted by service in World War I with the Royal Engineers.
- Following the war, he returned to complete his education at the Edinburgh College of Art, graduating and subsequently becoming a dedicated teacher there for over 40 years.
Artistic Development and Influences
- Gillies’ artistic journey began with an exploration of Cubism after studying under André Lhote in Paris (1923) and traveling to Italy (1924).
- Early works, like “Two Pots, Saucer and Fruit” (1933), demonstrate this influence, showing a Cézanne-inspired arrangement with Braque and Picasso’s understated color palettes.
- A pivotal moment came in 1934 when he encountered the work of Paul Klee, inspiring him to adopt a more imaginative use of colour and childlike qualities in his compositions.
- He gradually moved away from strict Cubism, developing a distinctive style rooted in Scottish landscape and still life traditions.
The 1922 Group and Collaborative Spirit
- In 1922, Gillies co-founded the “1922 Group” alongside fellow artists including William Crozier, William Geissler, and William MacTaggart.
- This exhibition society provided a platform for emerging Scottish artists to showcase their work at the New Gallery in Edinburgh for a decade.
- The group fostered a sense of community and innovation within the Scottish art scene.
Themes and Subject Matter
- Landscapes: Gillies is renowned for his depictions of the Lothian, Fife, and Border regions of Scotland. He captured the essence of these landscapes with a sensitive eye.
- Still Lifes: Still life compositions were another significant focus, often featuring ceramics created by his younger sister, Emma Smith Gillies, whose premature death in 1936 deeply affected him.
- Portraiture: While he experimented with portraiture early in his career, landscapes and still lifes became his primary subjects.
Major Achievements and Recognition
- Gillies served as Principal of the Edinburgh College of Art from 1959 until his retirement in 1966.
- His prolific output and dedication to teaching had a profound influence on generations of Scottish painters.
- He was elected a Royal Academician (RA), signifying significant recognition within the art world.
Historical Significance and Legacy
- Sir William George Gillies is considered one of Scotland’s most important 20th-century painters.
- His work bridges the gap between early modernism and a distinctly Scottish artistic identity.
- Legacy: His influence extends beyond his paintings, shaping the direction of Scottish art through his teaching and mentorship.
- He died in 1973, leaving behind a rich body of work that continues to be celebrated for its beauty, sensitivity, and enduring relevance.
sir william george gillies
1898 - 1973 , United Kingdom
Quick Facts
- Birth Date: 1898
- Birth Place: Haddington, United Kingdom
- Death Date: 1973
- Influenced By:
- André Lhote
- Cézanne
- Braque
- Picasso
- Paul Klee
- Movement:
- Cubism
- Scottish Colourists
- Name: Sir William George Gillies
- Nationality: Scottish
- Notable Works:
- Young Boy with a Teapot
- Mediterranean Landscape with Overcast Sky
- Still Life – Yellow Jug and Striped Cloth
- The Origin of the Milky Way (after Jacopo Tintoretto)

Glass option is only available in size under 110 CM
