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Sake cup with maki-e design of plum garden

Takizawa Koryūsai II (1756-1810) was a Japanese ukiyo-e artist known for delicate prints of beautiful women, kabuki actors & landscapes. A student of Katsukawa Shunshō, his works showcase mastery of woodblock printing and lacquer techniques. Explore

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This garden existed on an estate called ‘Seiko-an’ in the Kameido district. The owner of the estate, Kiemon, was a landlord of the district. There used to be so many plum trees in his garden that it became known as ‘plum garden.’ The picture on the cup depicts people enjoying the view of the flowering plum trees in the foreground, Kiemon’s residence on the left and a small shrine on the right. Among these plum trees, Garyubai (Sleeping Dragon plum) shown in the center is particularly famous. This plum tree was also depicted in the Ukiyo-e artist Hiroshige’s masterpiece “One Hundred Famous Views of Edo”.

Artist Biography

Takizawa Koryūsai II: A Delicate Master of Edo Ukiyo-e

Takizawa Koryūsai II (1756 – 1810) stands as a testament to the refined beauty and meticulous craftsmanship that characterized the Edo period’s artistic landscape. Born in Tokyo, he emerged from a lineage steeped in artistic tradition, inheriting the legacy of his father, Takizawa Koryūsai I, who himself was a respected printmaker. Influenced profoundly by the towering figure of Katsukawa Shunshō, Koryūsai II honed his skills under Shunshō’s tutelage, absorbing the stylistic principles that would define his distinctive oeuvre.
  • Early Life and Training:
  • Koryūsai II’s formative years were spent mastering the techniques of woodblock printing – a cornerstone of Edo-era art – alongside Shunshō’s studio. This immersive experience instilled in him an unwavering dedication to precision and detail, qualities that would permeate his subsequent artistic endeavors. Shunshō's emphasis on capturing fleeting moments of beauty and emotion undoubtedly shaped Koryūsai II’s approach to composition and subject matter.
  • Notable Works and Artistic Style:
  • Koryūsai II excelled in portraying scenes from Kabuki theatre, depicting actors with remarkable accuracy and expressive dynamism. However, his true brilliance shone through in landscapes—particularly those infused with subtle tonal gradations and evocative atmospheric effects—demonstrating a deep understanding of Japanese aesthetics. Perhaps most captivating are his depictions of women, rendered with exquisite delicacy and imbued with an ethereal grace that reflects the idealized beauty prevalent during the Edo period.

Technique and Innovation: The Art of Maki-e

Koryūsai II’s artistic vision extended beyond conventional woodblock printing; he embraced innovative techniques like *maki-e*, a gilding process that elevates prints to breathtaking levels of visual splendor. This painstaking method involved applying thin layers of lacquer infused with gold leaf, resulting in shimmering surfaces that captured the luminescence of natural light and conveyed an unparalleled sense of luxury. As evidenced by works such as “Sake Cup with Maki-e Design of Plum Garden,” Koryūsai II skillfully blended traditional printing methods with cutting-edge gilding techniques—a hallmark of his artistic innovation.
  • Influence of Katsukawa Shunshō:
  • Shunshō’s influence extended beyond stylistic guidance; he championed a philosophy centered on capturing the essence of human emotion and portraying subjects with profound psychological depth. Koryūsai II absorbed these principles, striving to imbue his prints with similar emotional resonance.
  • Legacy and Significance:
  • Koryūsai II’s contribution to ukiyo-e art is undeniable—he solidified the genre's reputation for capturing fleeting beauty and elevating artistic expression. His meticulous attention to detail, combined with his masterful command of *maki-e*, established him as one of Edo’s foremost printmakers, securing his place in art history.

Exploring Further: The World of Ukiyo-e

To appreciate Koryūsai II's artistic achievements fully, it is essential to delve into the broader context of ukiyo-e—the “pictures of the floating world.” This vibrant art movement flourished during the Edo period (1603–1868), reflecting the social and cultural dynamism of Japan at the time. Artists like Hokusai and Hiroshige similarly explored themes of nature, theatre, and everyday life, utilizing woodblock printing to disseminate images widely throughout society. Examining these artists’ techniques and philosophies illuminates the intellectual currents that propelled ukiyo-e into its golden age.
  • Notable Prints:
  • Among Koryūsai II's celebrated works are “Miss Hiroshima,” showcasing a captivating portrayal of female beauty, and “Sake Cup with Sugoroku Board Game Design,” demonstrating his versatility in capturing both decorative motifs and narrative scenes. These prints serve as enduring reminders of Koryūsai II’s artistic prowess and the aesthetic ideals of his era.

Resources for Further Study

For a deeper understanding of Takizawa Koryūsai II's life and work, consider visiting ArtsDot.com to examine reproductions of his prints and gain insights into the techniques employed during the Edo period. Furthermore, exploring resources on ukiyo-e art movement will enrich your appreciation for this pivotal chapter in Japanese artistic history.
takizawa koryūsai ii

takizawa koryūsai ii

1756 - 1810 , Japan

Quick Facts

  • Artistic Movement Or Style: Ukiyo-e
  • Artists Or Movements Influenced By This Artist: Hokusai
  • Artists Who Influenced This Artist: Katsukawa Shunshō
  • Date Of Birth: Tokyo, Japan (1756)
  • Full Name: Takizawa Koryūsai II
  • Nationality: Japanese
  • Notable Artworks:
    • Sake cup with sugoroku board game design (Supplemental)
    • Miss Hiroshima
    • Sake cup with maki-e design of plum garden
  • Place Of Birth: Tokyo