Self Portrait with Red Eyes
Painting
Contemporary Realism
2009
Contemporary
259.0 x 194.0 cm
Korean Art Museum Association
Giclée / Art Print
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Self Portrait with Red Eyes
Giclée / Art Print
Reproduction Size
-
Total Price
$ 63
Collectible Description
The Intensity of the Gaze: A Study in Crimson and Soul
In the profound and often unsettling realm of contemporary portraiture, few works command attention with such visceral immediacy as Self Portrait with Red Eyes by the esteemed Korean master Yong Sun Suh (also known as Seo Young-Sun). This monumental canvas, measuring an imposing 259 x 194 cm, serves as a window into a psyche that refuses to remain hidden. At first glance, the viewer is struck by the sheer audacity of the color palette; it is a work that does not merely ask for observation but demands a confrontation. The subject’s face, rendered with a masterful command of light and shadow, emerges from the canvas with a lifelike presence, yet it is the eyes—piercing, deep, and saturated with a haunting shade of red—that anchor the entire composition. These crimson apertures act as the emotional epicenter of the piece, creating a sharp, dramatic contrast against the skin tones that suggests both a feverish intensity and an underlying vulnerability.
The technique employed by Suh is a sophisticated dialogue between the precision of realism and the raw energy of expressionism. Having honed his skills through rigorous academic training at Seoul National University, the artist possesses the technical dexterity to render textures that feel almost tactile. One can sense the deliberate weight of every brushstroke, used to build up layers of color that give the skin a luminous, yet heavy, quality. This method allows the artist to bridge the gap between the physical world and the internal emotional landscape. The way the light catches the contours of the face suggests a three-dimensional depth, making the portrait feel less like a static image and more like a living, breathing entity caught in a moment of profound introspection or perhaps an outburst of silent agony.
Beyond its striking visual surface, the painting is steeped in the symbolic exploration of the human condition. For Suh, the act of self-portraiture is rarely about vanity; instead, it is an investigation into identity, masking, and the unseen layers of existence. The red eyes can be interpreted through various lenses: they may represent the exhaustion of the modern urban dweller, the burning passion of the creative spirit, or a symbolic "unmasking" where the internal truth bleeds through the physical exterior. This duality—the tension between what is visible and what is felt—is what makes the work so resonant for collectors and enthusiasts alike. It captures that universal moment of raw emotion that transcends cultural boundaries, making it a piece that speaks to anyone who has ever felt the weight of their own existence.
For the discerning interior designer or art collector, Self Portrait with Red Eyes offers an unparalleled opportunity to introduce a focal point of immense character and drama into a space. This is not merely a decoration; it is a conversation starter, a piece of high-concept fine art that lends an air of intellectual depth and sophisticated intensity to a gallery wall or a grand salon. Whether placed in a contemporary minimalist setting where its bold colors can pop against neutral tones, or within a more eclectic, curated environment, the painting provides a sense of gravity and prestige. Owning a reproduction of such a powerful work allows one to live alongside the profound emotional landscapes of Yong Sun Suh, bringing the transformative power of Korean contemporary expression into the heart of the home.
Related Artworks
Artist Biography
The Soul of the Urban Canvas: The Artistry of Yong Sun Suh
In the vibrant, often overwhelming pulse of modern existence, few artists capture the raw, psychological weight of the human condition as poignantly as Yong Sun Suh. Known also to the international art community as Seo Young-Sun, this Korean master has dedicated his life to a profound exploration of what it means to exist within the shadows and lights of contemporary society. Born in Seoul in 1951, Suh’s work serves as a bridge between the ancient echoes of Korean heritage and the visceral, often turbulent energy of Western modernism. His canvases do not merely depict scenes; they breathe with an intensity that invites the viewer to confront the very essence of identity and isolation.
Suh’s artistic foundation was forged in the prestigious halls of Seoul National University, where he studied from 1975 to 1982. This period of rigorous academic training allowed him to master the foundational principles of Western art while remaining deeply rooted in his Korean identity. For decades, he balanced the roles of creator and mentor, serving as a professor at Seoul National University’s College of Fine Arts until 2008. This dual life in academia and studio practice allowed for a unique evolution, where his technical precision was constantly being challenged by new, expressive impulses. It was during this time that his style began to coalesce into the distinctive language of urban expressionism that defines his legacy today.
A Dialogue of Expression and Emotion
The brilliance of Suh’s technique lies in its deliberate tension between realism and abstraction. He does not shy away from the heavy, textured surfaces that characterize much of his work, often employing bold, sweeping brushstrokes that evoke the haunting psychological depth found in German Expressionism. One cannot contemplate his oeuvre without sensing the spectral influence of Francis Bacon; there is a shared preoccupation with the distorted, the visceral, and the raw physicality of the human form. Through these techniques, Suh transforms ordinary urban landscapes into stages for profound emotional drama.
His recurring motifs—masked figures navigating desolate cityscapes—act as powerful symbols of the modern psyche. These figures, often rendered with a sense of heavy, palpable presence, represent the duality of the human experience: the public face we present to the world and the hidden, often fragmented self that resides beneath. The use of light and shadow in his paintings creates an atmosphere of mystery and introspection, making each piece feel like a window into a dreamlike, yet disturbingly real, urban reality.
Legacy and Recognition
The transition from academic life to full-time independent practice in 2008 marked a transformative era for the artist. Freed from the constraints of institutional responsibility, Suh’s creative output reached new heights of intensity and acclaim. A defining moment in his career arrived in 2009 when he was honored as Artist of the Year, a distinction that led to a landmark solo exhibition at the National Museum of Contemporary Art Korea in Seoul. This achievement not only solidified his standing within the Korean art scene but also introduced his evocative vision to a global audience.
Today, the significance of Yong Sun Suh lies in his ability to translate universal human anxieties into a visual language that transcends borders. His work remains a vital contribution to contemporary art, reminding us that even amidst the anonymity of the modern metropolis, there is a profound, shared struggle for meaning and connection. Through his mastery of color, texture, and form, Suh continues to illuminate the complexities of our existence, ensuring his place as a significant voice in the history of Korean and international expressionism.
yong sun suh or seo young-sun
1951 - , South Korea
Quick Facts
- Artistic Movement Or Style: Urban Expressionism; Western & Korean Influences
- Artists Or Movements Influenced By This Artist: ['Contemporary Korean Art']
- Artists Who Influenced This Artist:
- Francis Bacon
- German Expressionism
- Date Of Birth: 1951
- Full Name: Yong Sun Suh / Seo Young-Sun
- Nationality: Korean
- Notable Artworks:
- A Shouting Man
- Surveillance_02
- Buddha 3
- Place Of Birth: Seoul, South Korea

Glass option is only available in size under 110 CM
