プレビュー
プリントを購入
シェアする
シェアする
詳細を見る
ダウンロード
似ている作品
X線調査
スライドショーHyakunin Jorō Shina sadame Vol. I
Woodblock Print- Ukiyo-e
1723- Early Modern
30.0 x 21.0 cm
Kyoto Prefectural Library and Archives
詳細を見る
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認（承認）をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ご注文後、ArtsDot.com チームより詳細な指示をお送りするとともに、仕上がりイメージ（モックアップ）をご提供いたします。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
Hyakunin Jorō Shina sadame Vol. I
複製技法
複製画のサイズ
-
合計金額
$ 263
作品解説
A Window into the Elegance of Kyoto
In the delicate folds of Hyakunin Jorō Shina sadame Vol. I, we encounter more than just an ancient text; we step into the refined atmosphere of early 18th-century Japan. Created in 1723 by the esteemed Kyoto master Nishikawa Sukenability, this work serves as a profound testament to the Ukiyo-e tradition, specifically through the lens of the imperial capital's sophisticated aesthetic. Unlike the more boisterous and energetic prints emerging from Edo, Sukenobu’s artistry is characterized by a quiet, rhythmic grace. The piece captures an intimate moment within a historical manuscript, where the weathered texture of the paper and the rhythmic flow of Japanese calligraphy invite the viewer to contemplate a bygone era of scholarly devotion and artistic precision.
The visual narrative of this work is deeply intertwined with the concept of bijin-ga, or the depiction of beautiful people, though here it manifests through the exquisite design of the book itself. The composition focuses on the tactile reality of history—the warm, sepia tones of aged parchment and the meticulous arrangement of characters that suggest a deep connection to classical Chinese and Japanese literary traditions. Every stroke of the brush reflects Sukenobu’s training under the prestigious Kanō school, blending the grandeur of formal techniques with a sensitive, humanistic touch that makes the ancient text feel vibrantly alive.
Mastery of Line and Timeless Atmosphere
Technically, the work is a masterclass in the use of line and subtle tonal variation. The artist utilizes a delicate hand to guide the eye across the page, creating a sense of movement that mimics the natural flow of reading. For collectors and interior designers, the emotional impact of this piece lies in its ability to evoke nostalgia and tranquility. It does not demand attention through loud colors, but rather commands respect through its understated elegance and the profound sense of peace it radiates. The interplay between the dark ink and the light, aged background creates a soft contrast that is perfect for creating a focal point in a space dedicated to reflection or classical study.
Integrating a high-quality reproduction of such a significant work into a modern interior offers an opportunity to bridge the gap between contemporary living and historical depth. Whether placed in a curated gallery wall or used as a standalone statement piece in a minimalist setting, Hyakunin Jorō Shina sadame Vol. I brings with it the soul of Kyoto. It serves as a reminder of the enduring power of the printed word and the artistry required to transform a simple book into a timeless treasure of Japanese heritage.
関連作品
アーティストの略歴
Nishikawa Sukenobu: A Kyoto Master of Female Beauty
Nishikawa Sukenobu (西川祐信; 1671 – August 20, 1750), often referred to simply as “sukenobu,” stands apart from many of his contemporaries in the Ukiyo-e movement. Unlike most artists who flocked to Edo (modern Tokyo), sukenobu remained rooted in Kyoto—the imperial capital—a distinction that profoundly shaped his artistic vision and enduring legacy. He wasn’t merely a printmaker; he was a meticulous book designer, capturing the essence of Japanese culture through exquisitely rendered images. His fame rests primarily on his captivating depictions of women, particularly those portraying them in everyday life – a subject rarely explored with such sensitivity and nuance during his era.- Early Life & Training: Sukenobu’s formative years were spent studying painting under the tutelage of prominent masters from two influential schools: Kanō Einō, championing Chinese artistic traditions and techniques emphasizing grandeur and symbolism, and Tosa Mitsusuke, who favored a more humanist approach rooted in Japanese aesthetics. This dual training instilled in him a sophisticated understanding of both Eastern and Western artistic principles.
- Early Works & Style: Sukenobu’s artistic journey commenced around 1699 with book illustrations—a hallmark of his style—demonstrating an early mastery of composition and color palettes. Notably, his signed print “Seven-Volume Shin Kanninki” (“New Patience Story”) exemplifies his distinctive aesthetic: serene landscapes interwoven with graceful figures, reflecting a profound appreciation for natural beauty.
The Hyakunin Joro Series & Its Impact
Sukenobu’s magnum opus—the Hyakunin Joro shinasadame (appreciating 100 women)—published in two volumes in 1723, cemented his reputation as a pioneer in portraying female subjects. This ambitious project aimed to celebrate the diversity of femininity across social strata, ranging from empresses to courtesans. The series’ remarkable success underscored the public's fascination with depictions of women and established sukenobu as a pivotal figure in shaping Ukiyo-e conventions concerning female representation. It showcased his ability to convey emotion and psychological depth—a rare accomplishment for printmakers of his time.- Technique & Aesthetic Considerations: Sukenobu’s technique involved meticulous attention to detail, utilizing subtle gradations of color and masterful brushwork to achieve unparalleled realism. He skillfully employed perspective and shading to create immersive scenes that captured the atmosphere of daily life—a stylistic hallmark distinguishing him from many other artists.
- Influence on Subsequent Artists: Sukenobu’s influence extended far beyond his own lifetime, inspiring subsequent generations of printmakers like Suzuki Harunobu and Kitao Shigemasa. His approach to portraying women – prioritizing psychological realism and capturing the nuances of human emotion—became a cornerstone of Japanese art history.
Notable Paintings & Beyond Printmaking
Beyond his celebrated prints, Sukenobu produced an impressive array of paintings encompassing kimono patterns, samurai portraits, illustrations of classical literature, and landscapes. These works demonstrate his versatility as an artist and underscore his commitment to exploring diverse artistic mediums—a testament to his intellectual curiosity and artistic ambition.- Legacy & Recognition: Nishikawa Sukenobu’s enduring legacy resides in his contribution to Japanese art history, particularly his groundbreaking portrayal of women. His Hyakunin Joro series continues to captivate audiences today, serving as a poignant reflection on the beauty and complexity of human experience.
Concluding Thoughts
Nishikawa Sukenobu’s unwavering dedication to capturing the essence of Japanese culture through his art—particularly his masterful depictions of women—solidifies his position as one of Ukiyo-e's most influential and aesthetically profound figures. His work transcends mere visual representation; it embodies a deep understanding of human psychology and an exquisite appreciation for the subtleties of natural beauty, ensuring his place in the annals of Japanese artistic achievement.
nishikawa sukenobu
1671 - 1750
基本情報
- Artistic Movement Or Style: Ukiyo-e
- Artists Or Movements Influenced By This Artist:
- Suzuki Harunobu
- Kitao Shigemasa
- Artists Who Influenced This Artist:
- Kanō Einō
- Tosa Mitsusuke
- Date Of Death: August 20, 1750
- Full Name: Nishikawa Sukenobu
- Nationality: Japanese
- Notable Artworks:
- Woman and Attendant
- The God Izanagi and Goddess Izanami
- Place Of Birth: Kyoto
関連記事
葛飾北斎：25の傑作が語る浮世絵の世界 - ArtsDot
葛飾北斎の25選：『神奈川沖浪裏』や『富嶽三十六景』など、浮世絵の世界を深く探求。木版画の技法と日本美術の美をArtsDotで。高品質なアートプリントで空間に感動を。コレクションはこちら。
Floating World: The Captivating Art and Legacy of Japanese Ukiyo-e
Explore the profound beauty of Japanese Ukiyo-e. Discover the history, masters like Hokusai, and the enduring legacy of the 'Floating World' through an expert art-historical lens.
Suzuki Harunobu: Pioneering Ukiyo-e & the Refinement of Edo Period Printmaking
Discover the revolutionary world of Suzuki Harunobu, a pioneer of ukiyo-e printmaking. Explore his exquisite nishiki-e techniques, diverse subjects & lasting impact on Japanese art history. Learn more at ArtsDot.
Ukiyo-e: Exploring Japan's Floating World & Enduring Artistic Legacy
Explore the captivating world of Ukiyo-e – Japan's iconic woodblock prints! Discover masters like Hokusai & Hiroshige, learn about Edo period culture, and find expert art collecting guidance at ArtsDot.
Serenity on Canvas: A Guide to the Timeless Beauty of Japanese Landscape Painting
Discover the serene beauty of Japanese landscape painting. From Hokusai's iconic woodblock prints to meditative sumi-e ink washes, explore a visual journey through the 'floating world' and learn how to bring this timeless Zen aesthetic into your modern home decor.
