時代

動き

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
4. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
5. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
7. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
8. Schizzo compositivo (per l — フェデリコ・バロッキ
9. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569

雰囲気

1. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
2. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
4. ミケランジェロの『若年の像（正面）』は、彼の人体と感情を捉える技術を示すチャコール画であり、現在はアシュモリー博物館に収蔵されています。ルネサンス期の巨匠ミケランジェロ・ブオナローティが1524年に制作したこの作品は、彼の後期の作品群の一部であり、彫刻への焦点が増加した時期に作られました。未完成の性質は、彼自身の創造プロセスの第一人者としての視点を提供し、鑑賞者と創造物とのつながりを育みます。この像は、若者の内省的な表情と下を向いた視線が特徴で、人間の精神的な深みを表現しています。アシュモリー博物館に展示 — ミケランジェロ, 1524

トピック

1. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579

キーワード

色調

1. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
4. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
5. Euridice uccisa dal serpente alla presenza di Aristeo — アミコ・アスペルティーニ
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
7. Schizzo compositivo (per l — フェデリコ・バロッキ
8. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ

メインカラー

1. Study for an ignudo — アンニバーレ・カラッチ, 1599
2. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — フェデリコ・バロッキ, 1595
4. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — フェデリコ・バロッキ, 1573
5. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — フェデリコ・バロッキ, 1573
6. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
7. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — フェデリコ・バロッキ, 1569
8. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — フェデリコ・バロッキ, 1603
9. Euridice uccisa dal serpente alla presenza di Aristeo — アミコ・アスペルティーニ
10. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ
11. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — フェデリコ・バロッキ, 1579
12. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
13. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — フェデリコ・バロッキ, 1583
14. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
15. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — フェデリコ・バロッキ, 1583
16. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
17. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — フェデリコ・バロッキ, 1595
18. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
19. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — フェデリコ・バロッキ
20. Schizzo compositivo (per l — フェデリコ・バロッキ
21. Studies for the figure of Christ in the painting Noli me tangere — フェデリコ・バロッキ
22. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
23. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — フェデリコ・バロッキ, 1579
24. ミケランジェロの『若年の像（正面）』は、彼の人体と感情を捉える技術を示すチャコール画であり、現在はアシュモリー博物館に収蔵されています。ルネサンス期の巨匠ミケランジェロ・ブオナローティが1524年に制作したこの作品は、彼の後期の作品群の一部であり、彫刻への焦点が増加した時期に作られました。未完成の性質は、彼自身の創造プロセスの第一人者としての視点を提供し、鑑賞者と創造物とのつながりを育みます。この像は、若者の内省的な表情と下を向いた視線が特徴で、人間の精神的な深みを表現しています。アシュモリー博物館に展示 — ミケランジェロ, 1524

その他