период

движение

1. Studies for the figure of Christ in the painting Noli me tangere — Федерико Барокки
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
3. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Барокки
4. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579
5. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
7. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки
8. Schizzo compositivo (per l — Федерико Барокки
9. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Барокки, 1569

атмосфера

1. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Барокки, 1595
2. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Барокки, 1595
4. Bust of a Young Man (recto) — Микеланджело Буонарроти, 1524

темы

1. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579

ключевые слова

тон

1. Studies for the figure of Christ in the painting Noli me tangere — Федерико Барокки
2. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
3. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
4. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
5. Euridice uccisa dal serpente alla presenza di Aristeo — Амико Аспертини
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
7. Schizzo compositivo (per l — Федерико Барокки
8. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Барокки

основной цвет

1. Study for an ignudo — Анна́биле Каракка́ччи, 1599
2. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Барокки, 1595
3. Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile — Федерико Барокки, 1595
4. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
5. Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) — Федерико Барокки, 1573
6. Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
7. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Федерико Барокки, 1569
8. Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) — Федерико Барокки, 1603
9. Euridice uccisa dal serpente alla presenza di Aristeo — Амико Аспертини
10. Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки
11. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — Федерико Барокки, 1579
12. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
13. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — Федерико Барокки, 1583
14. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
15. Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) — Федерико Барокки, 1583
16. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
17. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — Федерико Барокки, 1595
18. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Барокки
19. Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) — Федерико Барокки
20. Schizzo compositivo (per l — Федерико Барокки
21. Studies for the figure of Christ in the painting Noli me tangere — Федерико Барокки
22. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579
23. Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — Федерико Барокки, 1579
24. Bust of a Young Man (recto) — Микеланджело Буонарроти, 1524

другое