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Adam and Eve

Discover this sensual Art Deco sculpture of Adam and Eve by Ernesto Canto da Maia (1929), showcasing terracotta purity and symbolic depth; bring this modernist masterpiece home.

Explore the modernist sculptures of Ernesto Canto da Maia (1890-1981), a Portuguese artist known for Art Deco & symbolic works. Discover his legacy and notable pieces!

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Можете унети сопствене димензије како бисте прилагодили дело одређеном оквиру или простору. Ако одабрана величина не одговара пропорцијама оригинала, слика ће бити исечена или проширена додатним елементима који се ручно насликавају. Дигитални prikaz ће вам бити послат на одобрење пре почетка производње.
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Ukupna cena

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reproduction

Adam and Eve

Tehnika reprodukcije

Dimenzije reprodukcije

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Konačna cena

$ 263

Osnovne informacije

  • Title: Adam and Eve
  • Year: 1929
  • Dimensions: 159 x 54 cm
  • Movement: Modernism
  • Medium: Terracotta (Sculpture)
  • Artist: Ernesto do Canto Faria e Maia

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What material was notably rehabilitated and exploited in the sculpture of 'Adam and Eve'?
Pitanje 2:
The artistic style of 'Adam and Eve' is characterized by elements reminiscent of which historical period?
Pitanje 3:
What architectural element was this sculpture originally made to integrate with?
Pitanje 4:
The description mentions that the empty space between the two figures metaphorizes what element?
Pitanje 5:
Which art movement is associated with the period when this sculpture was created, given its stylistic characteristics?
The use of terracotta in sculpture was practically forgotten since Machado de Castro in the 18th century. With Canto da Maya this material is rehabilitated and exploited in its purity, reminiscent of the Greek statuary of the archaic period.The polychrome, uncommon in the sculpture of the time, reinforces this aspect. The modeling of the bodies is uniform and exhibits in the hair and folds of the drapery a characteristically art deco scheme. A sensual ripple runs through the ecstatic bodies that, facing each other, turn away from the viewer by revealing the profiles or the back. This aspect confers on the inner space an intimate, almost tactile dimension in the configuration of the position of the hands of the figures, and focuses attention on the element of greater symbolic pregnancies constituted by the fruit offered and that updates the myth of original sin presupposed in the conspicuous sensualism of composition. This metaphorizes the empty space between both figures in the form of flame.In the intensity of the treatment of this empty space and its relation with the sculpture, lies a profoundly modern device that transcends the decorative suggestions, well integrated, yet more characteristic of a cosmopolitan taste of the time. Within the national sculptural panorama, cut off from Modernism, this piece appears as the most significant proposal. Made in 1929 to integrate a fountain of the architect Paul Andrieu, it appeared in the Salon d

Biografija umetnika

The Sculptural Legacy of Ernesto Canto da Maia

In the vibrant tapestry of twentieth-century European modernism, few figures embody the transition from classical sensitivity to the bold geometries of the Art Deco era as gracefully as Ernesto do Canto Faria e Maia. Born in 1890 in the serene landscapes of Porto Santo, Portugal, his artistic journey was one of profound movement and geographical breadth. Though his roots were deeply embedded in the Portuguese tradition, his creative spirit wandered between the lush landscapes of the Azores, the intellectual pulse of Lisbon, and the avant-garde epicenter of Paris. This cosmopolitan upbringing allowed him to absorb the shifting currents of European aesthetics, blending a delicate, emotive touch with the emerging structural rigor that would define his most celebrated periods.

The evolution of Canto da Maia’s style reflects the turbulent yet transformative history of the early twentieth century. During the interwar years, he became a prominent voice within the first generation of Portuguese modernists, navigating an era where the elegance of Art Deco began to reshape the visual language of the continent. His work during this time was characterized by a unique ability to balance symbolic depth with formal clarity. As his career progressed into the 1930s, however, his artistic trajectory encountered the complex political landscape of the Estado Novo regime. This period saw him undertaking significant national commissions, where his hand moved toward large-scale, monumental sculptures designed to evoke a sense of heroic history and national identity.

Mastery of Form and Symbolic Depth

Canto da Maia’s mastery lay in his ability to breathe life into static medium, whether through the subtle nuances of a portrait or the imposing presence of a public monument. His repertoire was remarkably diverse, ranging from intimate studies of the human form to grand, commemorative works. One of his most profound achievements is the series known as The Chosen Ones, a collection of twelve pieces that showcases his capacity for narrative and spiritual resonance. This work, now preserved within the prestigious Centro de Arte Moderna Gulbenkian in Lisbon, serves as a testament to his ability to capture the human condition through a modernist lens.

Beyond his monumental efforts, his smaller-scale works, such as his evocative Study of Head, reveal a sculptor deeply attuned to the psychological weight of his subjects. His technique often bridged the gap between the organic and the stylized, a hallmark of the transition from late Symbolism to the streamlined aesthetics of modernism. This duality allowed him to remain relevant across decades of shifting tastes, maintaining a sense of poetic intimacy even when working on a grand, civic scale.

Historical Significance and Enduring Influence

The historical importance of Ernesto Canto da Maia extends far beyond the borders of Portugal. His presence in the international art scene, particularly through his time in Paris, helped integrate Portuguese modernism into the broader European dialogue. The enduring value of his contribution is evidenced by the placement of his works in some of the world's most esteemed institutions:

  • Centro de Arte Moderna Gulbenkian (Lisbon, Portugal)
  • Soares dos Reis National Museum (Porto, Portugal)
  • The Government Art Collection (London, United Kingdom)

As a pioneer of the first generation of Portuguese modernists, Canto da Maia left an indelible mark on the sculptural landscape. His ability to navigate the delicate balance between personal artistic expression and the demands of national commemoration makes him a pivotal figure in understanding the complexities of twentieth-century art. Today, his legacy continues to inspire scholars and art lovers alike, standing as a bridge between the classical traditions of the past and the bold, structural innovations of the modern age.

ernesto do canto faria e maia

ernesto do canto faria e maia

1890 - 1981 , Portugal

Osnovne informacije

  • Artistic Movement Or Style: Modernist Art Deco
  • Artists Who Influenced This Artist:
    • Amadeo de Souza Cardoso
    • Jorge Nicholson Moore Barradas
  • Date Of Birth: 1890
  • Date Of Death: 1981
  • Full Name: Ernesto do Canto Faria e Maia
  • Nationality: Portuguese
  • Notable Artworks:
    • Study of Head
    • Chosen Ones Series
  • Place Of Birth: Ponta Delgada, Portugal