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Kupite giclee reprodukciju Poems on “Wind” from Japanese and Chinese and Poems to Sing

This section of a handscroll of Japanese and Chinese Poems to Sing (Wakan rōeishū) was brushed by Horie Tōgen (or Yorinao) a celebrated calligrapher of the late seventeenth century who served as local retainer (hanshi) of the daimyo clan that ruled the Marugame fief of Sanuki province (modern-day Kawagawa prefecture) on Shikoku. Even though raised in a samurai household, Tōgen practiced jōdaiyō, archaic script type harkening back to the peak of Heian-period court culture of the eleventh and twelfth century. He then developing his own distinctive handwriting style, as shown here that combines courtly elegance—without any cloying—and a certain bravado. The underpainting shows highly stylized maiden flowers (ominaeshi). The two poems transcribed here belong a section of the Japanese and Chinese Poems to Sing anthology entitled “Wind” (Kaze 風), and comprises a couplet of seven-syllable Chinese verse, and a single waka (31-syllable court verse). The first poem, in archaic Chinese, was composed by not very well known courtier-scholar Fujiwara no Yukikatsu (Yukifuji, fl. ca. 960): 風漢主手中吹不駐。徐君墓上扇猶懸。 Kaze Kanshu no te no uchi ni fukite todomarazu Jokun ga tsuka no ue ni ōgi de nao kakareri Wind In the hands of the ruler of Han, it blows without ceasing: Above the grave of Master Xu it fans what hangs there still. At first glance, the verse does not specifically mention “wind” but alludes to Gaozu, the founding emperor of the Han dynasty, was said to have wielded a “three-foot sword,” which he boasted allowed him to conquer all the Chinese empire; the wind here is compared to its sharpness. The second part of the couplet refers to sword left by Li Kong to dangle over the grave of his friend Xu Jun. Though not specifically mentioned, in the first line, the sword is a metaphor for the wind, and in the second line it fans the sword left dangling from the tree. The Chinese verse is accompanied by a waka by courtier-poet Minamoto no Saneakira (910–970), who was later recognized as one of the Thirty-six Poetic Immortals, a roster of great poets of the Japanese literary tradition. The poem included selected here reads: ほの／\と有明の月のつき影にもみぢふきおろす山おろしの風 Honobono to ariake no tsuki no tsukikage ni momiji fuki-orosu yamaoroshi no kaze Dimly, dimly,in the moonlight at the break of dawn, crimson leaves flutter in the wind from the hills.(trans. John T. Carpenter) The box is inscribed by the noted Nihonga painter Yasuda Yukihiko 安田靫彦 (1884–1978) attributing the painting to Ogata Kenzan (1663–1743), which is highly implausible, since the Rinpa artist would have been but eight years old when he did the scroll. The attribution was no doubt the result of the highly stylized manner of painting.

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Biografija umetnika

early life and career

horie yorinao (tōgen), a renowned japanese artist, was born in 1637 in edo, japan. he is best known for his exquisite book illustrations and mastery of the ukiyo-e style. horie's work is characterized by its delicate and refined manner, making him a prominent figure in japanese art.

artistic contributions

horie yorinao's works are highly regarded for their beauty and elegance. he was particularly skilled in depicting landscapes and figures, which can be seen in his various book illustrations. his contributions to the ukiyo-e tradition have been widely recognized, making him a celebrated artist in japan.

notable works

* horie yorinao's book illustrations are a testament to his skill and artistry. * his landscapes and figures are depicted with precision and delicacy, showcasing his mastery of the ukiyo-e style.

influence and legacy

* horie yorinao's work has been influential in the development of japanese art, particularly in the ukiyo-e tradition. * his book illustrations have been widely recognized, making him a prominent figure in japanese art history.

comparison to other artists

* ando hiroshige, another renowned ukiyo-e artist, is known for his landscape series, such as the fifty-three stations of the tōkaidō. * katsushika hokusai gained fame for his iconic print, the great wave off kanagawa.

museums and collections

* the metropolitan museum of art in new york city features a collection of ukiyo-e prints, including works by horie yorinao. * the art institute of chicago also has an extensive collection of japanese art, including ukiyo-e prints.

discover the beauty of horie yorinao's ukiyo-e art and explore the world of japanese art on ArtsDot.com.

horie yorinao (tōgen)

1637 - 1689 , Japan

Osnovne informacije

Artistic Movement Or Style: Baroque, Dutch Golden Age
Artists Or Movements Influenced By This Artist:
- Jacques-Louis David
- Jean-Auguste-Dominique Ingres
Artists Who Influenced This Artist:
- Nicolas Poussin
- Jan van der Heyden
Date Of Birth: July 15, 1606
Date Of Death: October 4, 1669
Full Name: Rembrandt Harmenszoon van Rijn
Nationality: Dutch
Notable Artworks:
- The Night Watch
- Belshazzar’s Feast
- The Return of the Prodigal Son
Place Of Birth: Leiden, Netherlands

Poems on “Wind” from Japanese and Chinese and Poems to Sing

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