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Game of Dominoes

A vibrant watercolor capturing a lively social gathering of men and women playing dominoes by Kim Jun-geun, offering an intimate glimpse into late 19th-century Korean customs that you can bring to your collection.

Discover Kim Jun-geun (Kisan), a Korean painter specializing in genre scenes of traditional life. Explore his captivating depictions of daily routines & cultural customs.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. (Kupi ručno naslikanu sliku Kupi ručno naslikanu slikuKupi digitalnu sliku Kupi digitalnu sliku)

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
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INCH

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Ukupna cena

$ 62

reproduction

Game of Dominoes

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Konačna cena

$ 62

Osnovne informacije

  • Subject or theme: Korean customs and social leisure
  • Artist: Kim Jun-geun (Kisan)
  • Medium: Watercolor
  • Artistic style: Genre painting, realism
  • Year: 1800
  • Title: Game of Dominoes

Opis predmeta

A game of dominoes between men and women (hyeop-chang-gol-pae-ha-go). Hyeopchanggolpaehago translates as men playing dominoes with their companions. Hyeopchang means playing with one’s companions; golpae, dominoes. This is one of the most colourful (olive green; yellow, blue, teal and rust-red) and detailed scenes of all the paintings in this collection (the candlelight from the lantern, the low, flat-topped table with decorated aprons and feet, the tea table with folding legs, the teapot with the upturned handle and the small drinking bowls, etc.). The women show a liberality of behavior that refers to a sociability linked to leisure, also visible in the make-up, emphasized by the contrast of colors in the female and male faces.The glasses worn by two of the characters are a touch of realism to remind us how these images seek to reflect authentic Korean customs and traditions, rather than resort to anachronistic stereotypes.Carla Alferes Pinto in the Catalogue Portuguese Presence in Asia, Museu do Oriente, p. 440-442 The artist Kim Jun-geun was a Korean Christian painter who worked during the last two decades of the 19th century and the beginning of the 20th century. Having adopted the artistic name Kisan, he was best known for over three hundred watercolours depicting local folklore and customs, and in 1892 for illustrating the Korean translation of John Bunyan

Biografija umetnika

Kim Jun-geun (Kisan): A Chronicle of Rural Korea

The world of late 19th and early 20th century Korean art is often viewed through the lens of grand imperial narratives or political upheaval. Yet, within this context, a quiet revolution was unfolding – one captured with remarkable sensitivity and detail by Kim Jun-geun, more commonly known as Kisan. Born in a time of increasing Western influence and social change, Kisan’s work offers an intimate glimpse into the daily lives and traditions of rural Korea, revealing a profound connection to the land and its people. His paintings aren't merely depictions; they are windows into a vanishing world, imbued with a poignant beauty that continues to resonate today.

Kisan’s life remains somewhat shrouded in mystery, adding to the allure surrounding his art. He emerged as an artist during a period of significant transformation for Korea, navigating the complexities of modernization and the pressures of foreign intervention. While precise details about his early years are scarce, it's understood that he was a self-taught painter, developing his distinctive style largely independently. He adopted the name Kisan – literally “farmer” – reflecting his subject matter and likely symbolizing a commitment to representing the lives of ordinary Koreans. This deliberate choice underscores the importance of portraying the working class and rural communities, often overlooked in official artistic representations.

The World of Genre Painting

Kisan’s primary focus was on genre painting – a style that meticulously documented everyday scenes from common life. Unlike grand historical or religious paintings, his works centered on the routines, customs, and occupations of rural Koreans. His subjects ranged from humble farmers tending their fields to skilled artisans engaged in traditional crafts, from families sharing meals to children playing games. These weren’t idealized portrayals; Kisan presented a realistic, unvarnished view of Korean life, capturing both its hardships and its joys.

His technique was characterized by a remarkable attention to detail. Employing watercolor on paper – a medium particularly well-suited for capturing the nuances of light and texture – he meticulously rendered every element of his scenes. The brushstrokes are often loose and expressive, conveying a sense of immediacy and spontaneity. He skillfully used color to evoke atmosphere and mood, employing earthy tones to depict the landscapes and clothing worn by his subjects. The compositions are typically balanced and carefully arranged, drawing the viewer’s eye through each scene.

Key Works and Recurring Themes

Among Kisan's most celebrated works is “Blacksmith,” a captivating watercolor depicting a Korean metalworker at his forge. The painting vividly portrays the physicality of labor, capturing the intensity of the blacksmith’s movements and the heat radiating from the flames. Similarly, "Game of Dominoes" offers a charming snapshot of domestic life, showcasing a family gathered around a table playing this traditional game. These scenes, alongside depictions of traditional Korean wrestling, noodle making, and other everyday activities, provide a rich tapestry of rural Korean culture.

Recurring themes in Kisan’s work include the importance of family, the connection to the land, and the value of tradition. He consistently portrays Koreans as hardworking, resilient individuals deeply rooted in their community and customs. His paintings also subtly highlight the challenges faced by rural communities – poverty, hardship, and the encroachment of modernization – without resorting to sentimentality or melodrama.

Historical Significance and Legacy

Kisan’s work holds significant historical value as a visual record of late 19th-century Korea. His paintings offer invaluable insights into the lives of ordinary Koreans during a period of profound change, documenting customs and traditions that were rapidly disappearing. They stand as a testament to his commitment to representing the experiences of those often marginalized in official narratives.

While Kisan’s work was largely appreciated by Western travelers and collectors during his lifetime, it wasn't until relatively recently that his art gained wider recognition within Korea. Today, his paintings are celebrated for their artistic merit and historical significance, serving as a powerful reminder of the rich cultural heritage of rural Korea. His legacy continues to inspire artists and scholars alike, ensuring that the stories of ordinary Koreans are preserved and shared through the enduring beauty of his work.

Osnovne informacije

  • Artistic Movement Or Style: Genre painting
  • Full Name: Kim Jun-geun (Kisan)
  • Nationality: Korean
  • Notable Artworks:
    • Blacksmith
    • Game of Dominoes
    • Traditional wrestling
  • Place Of Birth: South Korea