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Peasant Lighting a Candle with an Ember

Discover angelo ammirata guérillot, an Italian painter blending Renaissance & modern styles. Explore his urban views, frescoes, & detailed realism. Celebrate his legacy.

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Collectible Description

This painting can be identified as the canvas exhibited at the Esposizione di Belle Arti di Brera in 1851. It belongs to a homogeneous group of genre scenes in the Neo-Flemish style produced by Angelo Inganni in the 1850s, a section of his output that increased after he moved to Brescia. The rustic figure trying to blow a smouldering ember into flame for his candle emerges from the darkness in a virtuoso light effect that generates a strong chiaroscuro contrast. The man’s face glows with the heat and the light of the fire, which reveals all the details of his apparel, such as the peacock feather in his hat and the handkerchief sticking out of his pocket. Wholly devoid of the moralistic intent that distinguishes the genre painting of the time, the painting presents an engaging and readily comprehensible subject, the real aim being to impress the viewer with a display of the artist’s technical prowess. The positive response on the part of the public led to the creation of a vast repertoire of smokers, peasants and drinkers depicted in dark settings illuminated by a single source of light like a candle, lamp or fire. This became characteristic of the painter’s mature period together with scenes from rural life and animals. The large size of the work in question and its early date suggest that it constitutes the prototype of a successful series of paintings aimed at the general public, small works on canvas and cardboard or miniature replicas in enamel, as exemplified by the Peasant Lighting a Candle with an Ember in the Museo Civico in Brescia.

Artist Biography

Angelica Kauffman: A Swiss Pioneer in the World of Art

Born Maria Anna Angelika Kauffmann on October 30, 1741, in Chur, Switzerland, Angelica Kauffman’s life was a testament to ambition and artistic determination. Her early years were marked by a nomadic existence, shaped by her father, Joseph Johann Kauffmann, a skilled muralist who traveled extensively throughout Europe. This itinerant upbringing instilled in young Angelica a remarkable adaptability and exposed her to diverse artistic traditions – from the vibrant colors of Italy to the refined elegance of Austria. Despite the societal constraints placed upon women’s education during that era, Angelica's prodigious talent was recognized early on, leading to private instruction and a swift ascent within the art world.

Her family moved to Lombardy in 1752, where she began her formal artistic training. It was here, amidst the grandeur of Como, that Angelica truly blossomed, developing a distinctive style characterized by its Neoclassical grace and dramatic lighting – qualities inherited from the Italian masters she so admired. The influence of Joseph Johann Kauffmann was profound; he not only nurtured her talent but also introduced her to the techniques of fresco painting, a skill that would later prove invaluable in her career.

A Career Forged in London and Rome

In 1762, Angelica’s family relocated to Florence, where she immersed herself further in the artistic milieu. It was during this period that she began exhibiting her work, quickly gaining recognition for her portraits and landscapes. Her talent caught the eye of a prominent art dealer who secured commissions for her in London, marking the beginning of a remarkable international career. By 1768, Angelica had achieved a landmark accomplishment – becoming one of only two women admitted to membership in the newly founded Royal Academy of Arts, alongside Mary Moser. This was a significant victory against prevailing prejudices and demonstrated the growing acceptance of female artists within the established art world.

Kauffman’s career flourished across Europe, particularly in London and Rome. She established herself as a leading portraitist, capturing the likenesses of royalty, nobility, and prominent figures of her time. Her landscapes, imbued with a sense of Romanticism, showcased her mastery of light and color. She also undertook significant decorative commissions, adorning grand interiors with murals and frescoes – a testament to her versatility and ambition.

Notable Works and Artistic Style

Angelica Kauffman’s artistic style was defined by its elegant restraint and dramatic intensity. She skillfully blended the principles of Neoclassicism with elements of Romanticism, creating works that were both refined and emotionally resonant. Her portraits are renowned for their psychological depth and subtle expressions, while her landscapes exuded a sense of atmosphere and grandeur. She was particularly adept at capturing the effects of light and shadow, employing chiaroscuro techniques to create dramatic contrasts and heighten the emotional impact of her compositions.

Among her most celebrated works are portraits of Ludwig, Crown Prince of Bavaria; numerous depictions of historical figures; and a series of landscapes that showcase her technical skill and artistic vision. Her painting *Portrait of William Blake* (1798) is particularly noteworthy for its intimate portrayal of the poet’s character.

Legacy and Historical Significance

Angelica Kauffman's life and career represent a remarkable achievement in an era when opportunities for women artists were severely limited. She defied societal expectations, establishing herself as one of the most successful and respected painters of her time. Her pioneering role within the Royal Academy paved the way for future generations of female artists. Her work continues to be admired for its beauty, technical skill, and emotional depth, solidifying her place as a significant figure in European art history.

Angelica Kauffman died on November 5, 1807, leaving behind a legacy of artistic excellence and unwavering determination. Her story serves as an inspiration to artists and women around the world, demonstrating that talent and perseverance can overcome even the most formidable obstacles.

angelo ammirata guérillot

angelo ammirata guérillot

1807 - 1880 , Italy

Quick Facts

  • Artistic Movement Or Style: Neoclassicism
  • Artists Who Influenced This Artist: ['Joseph Johann Kauffmann],\n "Artists or movements influenced by this artist": ["William Blake"]\n}']
  • Date Of Birth: 30 Oct 1741
  • Date Of Death: 5 Nov 1807
  • Full Name: Angelica Kauffman
  • Nationality: Swiss
  • Notable Artworks:
    • Antinous Mondragone
    • Portrait of Ludwig
    • The Coronation of Napoleon
  • Place Of Birth: Chur, Switzerland