Self Portrait as Saint Catherine of Alexandria
Oil On Canvas
WallArt
Baroque
1615
Early Modern
71.0 x 69.0 cm
National Gallery
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Self Portrait as Saint Catherine of Alexandria
Reproduction Medium
Reproduction Size
-
Total Price
$ 263
Artwork Description
A Powerful Self-Representation of Faith & Resilience
Painted between 1615 and 1617, this captivating artwork by Artemisia Gentileschi presents a striking fusion of self-portraiture and religious iconography. The artist boldly depicts herself as Saint Catherine of Alexandria, a compelling statement of personal identity and spiritual conviction within the context of Baroque art.
Baroque Mastery & Artistic Technique
Gentileschi’s mastery of the Baroque style is evident in her dramatic use of chiaroscuro – the interplay of light and shadow. This technique sculpts the figure, emphasizing her face and upper body while plunging the background into darkness, creating a sense of intense focus and emotional depth. Executed with oil on canvas, the painting showcases meticulous brushwork, particularly in the rendering of textures—from the delicate folds of fabric to the smooth surface of skin. The visible impasto adds a tactile quality, enhancing the artwork’s visual richness.
Historical Context & Female Empowerment
This piece emerged during a pivotal period in Gentileschi's life and career. Following a highly publicized trial, she channeled her experiences into powerful depictions of female strength and resilience. Choosing to portray herself as Saint Catherine – a symbol of intellect, defiance, and martyrdom – was an unusually assertive act for a woman artist in the 17th century. It speaks volumes about Gentileschi’s self-awareness and determination to claim agency within a male-dominated art world.
Decoding the Symbolism
The painting is rich with symbolic meaning. Saint Catherine holds a book, representing her renowned scholarship and wisdom. The palm branch signifies victory over death and serves as an emblem of martyrdom, alluding to the saint’s brutal execution. While a faint halo suggests her sanctity, recent research indicates the artwork may have begun as a pure self-portrait before being adapted with these religious attributes, adding layers of complexity to its interpretation.
Emotional Resonance & Interior Appeal
Beyond its historical and artistic significance, this painting possesses a profound emotional impact. The direct gaze of Saint Catherine/Gentileschi engages the viewer on a deeply personal level, conveying strength, intelligence, and unwavering faith. Its rich color palette – dominated by warm earth tones with subtle highlights – lends itself beautifully to a variety of interior settings, adding sophistication and gravitas to any space. This artwork is not merely a visual masterpiece; it’s a testament to the power of self-representation and the enduring spirit of artistic innovation.
Related Artworks
Artist Biography
A Daughter of Rome: The Life and Art of Artemisia Gentileschi
Artemisia Gentileschi’s name echoes through the halls of art history, resonating not simply as that of a painter, but as an emblem of resilience, defiance, and extraordinary artistic talent in a world determined to silence female voices. Born in Rome in 1593, she entered a milieu steeped in artistry—her father, Orazio Gentileschi, was a respected painter deeply influenced by the revolutionary realism of Caravaggio. From her earliest years, Artemisia’s gift was undeniable, nurtured within her father's workshop where she absorbed techniques of composition and the dramatic use of light and shadow that would become hallmarks of her distinctive style. This formative training wasn’t merely about mastering brushstrokes; it was an immersion into a world of artistic ambition, one typically closed to women. Recognizing his daughter’s exceptional talent, Orazio provided opportunities unavailable to most females of the era, allowing her to study from life models—a crucial step in developing anatomical accuracy and expressive power.
Shadows and Strength: Artistic Development
Gentileschi's artistic development was profoundly shaped by Caravaggio’s tenebrism—the stark contrast between light and darkness that imbued his paintings with an intense emotionality. Yet, she didn’t simply mimic her father or Caravaggio; she forged her own unique voice, characterized by a raw psychological depth and a compelling focus on female subjects often depicted with unprecedented agency and strength. Even in her early works, like *Susanna and the Elders* (1610), a biblical scene depicting Susanna being spied upon by two lecherous old men, Artemisia’s interpretation diverges from traditional portrayals. Here, Susanna isn't passively vulnerable; she displays a quiet dignity and resistance, foreshadowing the powerful female figures that would dominate her later oeuvre. But it is *Judith Slaying Holofernes* (existing in multiple versions between 1614-1620) that cemented her reputation as a master of dramatic narrative and psychological realism. The painting isn’t merely a depiction of violence; it's an exploration of courage, determination, and the righteous fury of a woman defending her people. The visceral intensity, the unflinching portrayal of the act itself, shocked and captivated audiences then—and continues to do so today. Other notable works like *Judith and her Maidservant* (1625) and *Danaë* (c. 1636-1639) further demonstrate her evolving style, showcasing both vulnerability and power in her female protagonists. Her ability to render flesh with such realism, combined with a masterful use of chiaroscuro, created scenes that were both terrifying and deeply moving.
A Trial by Fire: Trauma and Triumph
Artemisia’s life was irrevocably altered by a horrific event: her rape at the hands of Agostino Tassi, a fellow painter and colleague of her father. The ensuing trial (1611-1612) became a public spectacle, subjecting Artemisia to grueling questioning and societal scrutiny. While she bravely testified against Tassi, the proceedings were marred by bias and attempts to discredit her character. This trauma profoundly impacted her life and art, imbuing her work with an emotional intensity that some scholars believe is directly linked to her personal experiences. The trial itself became a symbol of the challenges faced by women seeking justice in a patriarchal society. Despite this ordeal, Artemisia refused to be defined by it. She continued to paint, moving between Rome, Florence, and Naples, establishing herself as a successful artist in her own right. In 1616, she achieved another milestone: becoming the first woman admitted to the Accademia di Arte del Disegno in Florence—a testament to her talent and perseverance. This achievement was not merely symbolic; it opened doors for future generations of female artists.
Legacy of a Pioneer
Artemisia Gentileschi’s career spanned decades, marked by both artistic innovation and personal resilience. She worked for prominent patrons, including the Medici family, and established a thriving workshop, proving that women could not only excel as artists but also succeed in a traditionally male-dominated profession. For centuries, her work was often overshadowed by the circumstances of her life, viewed through the lens of scandal rather than artistic merit. However, beginning in the 20th century, there has been a significant reevaluation of her art, recognizing her as one of the most important and innovative painters of the Baroque period. Her paintings are now celebrated for their emotional depth, dramatic realism, and powerful depictions of women—not as passive objects but as active agents in their own narratives. Artemisia Gentileschi is more than just an artist; she’s a feminist icon, a trailblazer who defied societal expectations and left behind a legacy that continues to inspire generations. Her story serves as a potent reminder of the importance of recognizing and celebrating the contributions of women throughout history—and of ensuring that their voices are never silenced again. She painted not just with her hands, but with her soul, leaving an indelible mark on the world of art.
Key Works
- Judith Slaying Holofernes (1614-1620): Perhaps her most famous work, showcasing dramatic realism and female empowerment.
- Susanna and the Elders (1610): An early masterpiece demonstrating her unique interpretation of a classic biblical scene.
- Judith and Her Maidservant (1625): A compelling portrayal of female solidarity and strength after a violent act.
- Danaë (c. 1636-1639): A sensual and psychologically complex depiction of the mythological figure.
Artemisia Gentileschi
1593 - 1656 , Italy
Quick Facts
- Artistic Movement Or Style: Baroque painting
- Artists Or Movements Influenced By This Artist:
- Feminist art
- Baroque painters
- Artists Who Influenced This Artist:
- Caravaggio
- Orazio Gentileschi
- Date Of Birth: 1593
- Date Of Death: 1656
- Full Name: Artemisia Gentileschi
- Nationality: Italian
- Notable Artworks:
- Judith Slaying Holofernes
- Susanna and the Elders
- Danaë
- Judith & her Maidservant
- Place Of Birth: Rome, Italy

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