Order a reproduction of Our Family left our homeland and came to town and became homeless with nowhere to stay. - Contemporary

Q: What topics does Our Family left our homeland and came to town and became homeless with nowhere to stay. explore?

indigenous australia, displacement, country, landscape, textile art, self determination, northern territory, family story

Q: What is the thematic context of Our Family left our homeland and came to town and became homeless with nowhere to stay.?

land rights & dispossession, resistance against mining, iltja ntjarra's visual voice, biennale of sydney showcase

“We want to introduce the beautiful landscape of the Northern Territory to people in urban environments. At the same time, we want to raise awareness about the issues we are facing. We feel that there is a lack of consultation with traditional owners. If the authorities listened to us then they would support us with housing issues for example, rather than investing in mining on our Country, which we strongly object to. The works we present at the 22nd Biennale of Sydney are to let people know about our Country and our lives.” – Mervyn Rubuntja, senior artist at Iltja Ntjarra Many Hands Art Centre. Fourteen artists from Iltja Ntjarra Many Hands Art Centre are being shown across multiple venues for the 22nd Biennale of Sydney, tracing stories of Country as well as struggles with housing and displacement. Beautiful landscapes have been painted onto ‘dollar shop’ bags, a potent material symbol of life on the move. These works explore the enduring connection to Country, as well as continued cycles of dispossession, while powerfully asserting messages of self-determination to the many who have no connection or understanding of these urgent messages.Participating artists (multi-venue project): Kathleen France, Noreen Hudson, Reinhold Inkamala, Clara Inkamala, Dellina Inkamala, Kathy Inkamala, Vanessa Inkamala, Janie Karpa, Gloria Pannka, Hubert Pareroultja, Ivy Pareroultja, Mervyn Rubuntja, Hillary Wirri.

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Artist Biography

Early Life and Family Background

Dellina Inkamala was born in Mparntwe (Alice Springs), Australia, in 1984. She is a member of the Western Aranda people and grew up within the Ntaria communities. Her artistic journey is deeply rooted in her family's rich cultural heritage. Dellina’s aunt, Katy Inkamala, and uncle, Hubert Pareroultja, are both highly respected artists known for their contributions to the Hermannsburg School style of painting. This close familial connection provided Dellina with early exposure to art and served as a significant source of inspiration and mentorship. She benefited immensely from observing her aunt and uncle's artistic practices, sparking an interest that would blossom into her own career.

Artistic Development and Style

Dellina’s artistic development began at a young age, nurtured by the guidance of her family. Initially experimenting with acrylic paints, she transitioned to watercolour in 2016 under the tutelage of Katy Inkamala and Hubert Pareroultja. Her work is characterized by vibrant colors and bold brushstrokes, reflecting the beauty and spirit of her country. Dellina’s paintings often incorporate traditional Aboriginal motifs—animals, plants, and landscapes—woven together to create dynamic compositions. She regularly experiments with materials and techniques to capture the essence of her surroundings. Her style blends traditional Indigenous artistic practices with contemporary approaches, creating a unique visual language that resonates with audiences.

Influences and Themes

Dellina Inkamala’s art is profoundly influenced by her family's legacy within the Hermannsburg School tradition, particularly the work of her aunt Katy Inkamala and uncle Hubert Pareroultja, as well as her great-uncle Albert Namatjira. She draws inspiration from the landscapes surrounding Ntaria, Rutjipma (Mt Sonder), and James Range, depicting familiar locations with a fresh perspective. Her artwork explores themes of cultural heritage, connection to land, displacement, and self-determination. Notably, pieces like "Our Family… left our homeland and came to town and became homeless with nowhere to stay" and “Camping in Todd River. House too expensive $$$” powerfully address contemporary social issues faced by Indigenous communities. The use of dollar bag materials in some works further emphasizes these themes.

Exhibitions and Recognition

Dellina Inkamala’s talent has been recognized through participation in several prestigious exhibitions and art events. She has exhibited at the Biennale of Sydney and the Tarnanthi Festival, showcasing her work to a wider audience. Her artwork is featured on ArtsDot.com alongside other prominent Aboriginal Australian artists. Dellina's pieces are held in significant collections including the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the Art Gallery of South Australia (AGSA) in Adelaide, and the Powerhouse Museum in Sydney. Her unique blend of traditional motifs and contemporary styles has established her as a rising star within the Aboriginal Australian art scene.

Further Exploration

Learn more about Iltja Ntjarra Many Hands Art Centre and its artists: https://manyhandsart.com.au/
Discover the works of other Aboriginal Australian artists on ArtsDot.com.
View Dellina Inkamala's artwork: https://www.ArtsDot.com/artist/dellina-inkamala

Dellina Inkamala

1984 - , Australia

Quick Facts

Artistic Movement Or Style: Contemporary Aboriginal
Artists Who Influenced This Artist:
- Katy Inkamala
- Hubert Pareroultja
Date Of Birth: 1984
Full Name: Dellina Inkamala
Nationality: Australian
Notable Artworks:
- Our Family left our homeland...
- Camping in Todd River...
Place Of Birth (City And Country): Alice Springs, Australia

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Related Artworks

Artist Biography

Early Life and Family Background

Artistic Development and Style

Influences and Themes

Exhibitions and Recognition